To be or not to be a die-hard fan of a particular literary figure is perhaps decided by our Guardian Angels. Mines have been benevolent and ensured that I suffer from acute Wodehousitis.
But when it comes to William Shakespeare, much revered by all and sundry, my GAs have ensured that I never qualify to be even a mild case of Shakespearitis. One of the several challenges I have faced in my life is that of understanding the literary fare dished out by William Shakespeare. Given the high level of what Bertie Wooster might label as my Pumpkin Quotient, repeated attempts on my part to comprehend the ingenious outpourings of The Bard have failed miserably.
But an absence of Shakespearitis does not necessarily guarantee peace of mind. On the contrary, it makes life even more of a challenge. The brow is invariably furrowed. The heart is leaden with woe. This is so because he is to be found everywhere and apt to spring surprises at all times, not a very pleasing prospect for a faint-hearted person like me. Such are the perils of not suffering from Shakespearitis.
The omnipresent Bard
The simple irony is that my GAs have always managed to make The Bard keep popping up through all stages of my life. His persistence to engage me over the past few decades deserves to be commended. His near-omnipresence in my life merely testifies to his feeble hope that one day he may be able to assist me in improving my intellect in some way, much like the aspirations of Florence Craye with respect to Bertie Wooster (as in ‘Joy in the Morning’). I suspect I might have left him severely disappointed, disgruntled, dismayed, disheartened and dispirited. I offer my sincere regrets for the same.
The taming of a student
His omnipresent nature can be readily appreciated. His works were there at school, shoring up the proverbial Tyrannical Quotient of the Classroom. Unlike Bertie Wooster, I never won a prize in Scriptural Knowledge. Yes, I did win several prizes and trophies in various essay-writing competitions. Surprisingly, I even managed to secure an all-India rank in the final school leaving examination. On all such occasions, his works kept finding their way to my bookshelves.
His plays were often staged at the University I went to. With renewed enthusiasm which is so very typical of Homo sapiens at a tender age, I attempted to burrow deep in his works. The intention was merely to impress some of the delicately nurtured around. But the language was beyond the capacity of my limited grey cells. The best I could achieve at one of the performances was the unique distinction of drawing the curtains in and out for a stretch of two and a half hours, merely to make a young lass in the troupe happy.
Much ado about nothing
Then came the whirlwind phase of my life in the corporate sector. At times, there were bosses whose state of indecision would remind me of Macbeth, the one alluded to by Bertie Wooster as ‘the cat chap’. In smaller businesses, there were owners who could have mentored even someone of the deviousness of Shylock. Often, I had morose colleagues who might have inspired Shakespeare to fashion Hamlet. And yes, there were indeed subordinates who could have been scoundrels, perhaps described by the poet as being ‘arrant, rascally, beggarly and lousy knave.’
When the entrepreneurial bug caught up with me, there was never a dearth of ‘enterprises of great pith and moment’ to be undertaken.
In the realm of entertainment, I kept running into movies which were either based on, or inspired by, one of his works. Even when trying to relax and enjoy a vacation, The Bard has been apt to pop up without fail and throw a spanner in the works.
The Merchants of Venice
While visiting Venice recently, I ran into a branded showroom where the manager took no pains to hide his Shylockian leanings. The stone-paved streets were not without their normal quota of small shops peddling their inane stuff at prices which might make even Hollywood celebrities cringe. Even those selling seeds to be fed to a swathe of pigeons at the Piazza San Marco were extorting prices which would have cheered up any farmer in the hinterland and pulled him out from his current state of depression.
The famed couple of Verona
When the family decided to visit the house of Juliet in Verona, all we were hoping for was to spend a few moments of togetherness, something we miss these days owing to the temptations offered by the world-wide-web we have spun around ourselves.
Alas, that was not to be. The courtyard outside her house was swarming with those eager to claim their fifteen seconds of fame when their photo grabbing a part of the anatomy of the famed heroine got uploaded without any delay, courtesy the smart phone carried by a friend/relative. There was a long queue of wide-eyed tourists wanting to clamour up to the famous balcony where the two lovers are supposed to have had their midnight rendezvous.
Immediately upon entering the hallowed premises, we encountered a shapely statue of Juliet. Right opposite was the bust of The Bard, appraising her comely profile with a stiff upper lip and a steely eye. Romeo, had he been around, might not have been amused by the poet’s presence in quarters where he would have appreciated privacy more than any kind of literary upliftment.
The hapless lover might already be turning in his grave, wondering as to how his name has become synonymous with ‘eve-teasing’ in a far off land known as India, where one of the state governments has recently thought it fit to set up so-called anti-Romeo squads so as to ‘control’ public display of affection. One, he was never known to be a roaming lecher. Two, his passion was heartily reciprocated by the party of the other part. Three, with such juicy choices available as Casanova and Don Juan, not to mention several CEOs who have recently hogged the limelight due to all the wrong reasons, there are certainly better options available when it comes to projecting someone as an unwelcome lover. Shakespeare’s star-crossed creation continues to get bad press for all the wrong reasons. But we digress.
As you do not like it
This uncanny habit of The Bard to keep popping up at regular intervals in my life has left me all of a twitter. Several times have I mustered up enough courage to pick up any work from the Shakespeare canon. With renewed enthusiasm and gusto have I tried to wade through a work of his. But the experience has repeatedly left me with a highly enfeebled state of nerves.
My worst nightmares have been those wherein I have been conferred a literary honour of some sort, only to be gifted with a big parcel containing some tomes of his. The mind boggles. The chin goes down. The jaw slackens. The shoulders droop down further.
The English Proficiency Pyramid
Pray do not get me wrong. I have nothing against Shakespeare. Given his everlasting popularity, there is no doubt that he must have captured all facets of human emotions in an impeccable manner. His usage of quite a few phrases appears to have spawned a veritable stream of English literature, and continues to do so today.
He must have also set high standards for Queen’s English. He must have enriched the language in a manner which might be more vast and deep than those who have either preceded or succeeded him. This surely warms the hearts of our linguistic purists. But lesser mortals like me, surely at the bottom of the English Proficiency Pyramid, are apt to feel very dense.
A tide in the affairs of languages
Modern day communication thrives on simplicity. Complex ideas which get conveyed in a language which the masses understand. It appears that most of our great poets and literary figures perfected the art which is just opposite. Simple ideas couched in high-profile and complex language, which only those at the top of the Language Proficiency Pyramid might fathom.
When it comes to this particular trait, Shakspeare has good company. In Urdu poetry, Mirza Ghalib is not always easy to understand. In Hindi, the poetry of Jai Shankar Prasad comes to my mind. In Sanskrit, Kalidasa often keeps a lay reader guessing.
The cause of sustained Shakespearitis is possibly purely literary. Perhaps there is a commercial logic to this web of poetic complexity. Publishers of his works might still be laughing all the way to their respective banks. Besides, those publishing dictionaries would also not be found complaining.
Presenting soon: A Plummy Shakespeare
Somehow, the bulldog spirit in me refuses to give up.
In order to soothen the frayed nerves, I plan to present to you a Plummy Shakespeare very soon. Since the Wodehouse canon is littered with quotes and references to The Bard, I shall soon take the liberty of sharing with you some references in the weeks to follow. This might help many others like me, already suffering from acute Wodehousitis, to also have a brush with yet another delectable affliction – Shakespearitis.
(Related Posts:
https://ashokbhatia.wordpress.com/2017/07/01/presenting-a-plummy-shakespeare-part-1-of-3
https://ashokbhatia.wordpress.com/2017/07/08/presenting-a-plummy-shakespeare-part-2-of-3
https://ashokbhatia.wordpress.com/2017/07/15/presenting-a-plummy-shakespeare-part-3-of-3)









Filtering the Shakespeare out of Wodehouse will be a lifetime’s work. Do you have that long, Ashok? Remember the fretful porpentine. Better you try to solve world poverty or develop a perpetual motion machine. Pip, pip.
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One can merely endeavour to make an attempt, howsoever feeble and perfunctory!
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Just loved it.
But then, that’s just as expected after having read and enjoyed so many earlier posts. 🙂
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Thank you. Nice of you to say so!
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Even when I’ve understood the jokes, I’ve never laughed once.
Humor doesn’t seem to age well. I have a big book of New Yorker cartoons, and the ones from the twenties and thirties are mostly either incomprehensible, or just not funny.
Wodehouse seems to be the big exception.
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Good observation. Goes on to show that if humour is based on a human predicament (say, corruption, for instance) which refuses to go away, it would continue to be relevant and age well.
Thank you for bringing this facet of humour out – that for it to continue to be relevant, the condition producing it must subsist.
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Brilliant observations. I shall return.
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Thank you for reading and commenting.
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In my opinion, Shakespeare is best understood and enjoyed in performance. It doesn’t seem fair to make students read it – it’s much harder to understand and appreciate when it is only read (I tried and was uninterested and bored). If I were In Charge of Things, I wouldn’t allow students to read it, at least not without watching it performed first.
I only warmed to Shakespeare after watching multiple performances by various companies (including many free ones in the parks). A good theater company doing a good production of Shakespeare can be most enjoyable, and in fact, I’ve laughed my head off at most of them. Shakespeare’s plays aren’t meant to be some kind of high-class, serious literature – they’re more entertainment for the masses. At least this is my understanding and opinion.
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Great observation; thanks for sharing! Regards
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As a non-native speaker and Shakespeare fan, I absolutely disagree.
The best way to enjoy Shakespeare, I think, is to read first, read a play with proper notes and with some great essays (such as Tony Tanner’s) to deepen your understanding of the play, then watch a good performance after. If I watched first, I wouldn’t understand lots of words, and wouldn’t be able to think properly about the meaning. More importantly, a production is an interpretation, different productions are different interpretations. Reading is where you get to interpret the plays for yourself.
As for the idea that Shakespeare’s plays are for the mass and aren’t meant to be serious literature, that’s the sort of nonsense that lots of people unthinkingly repeat. Shakespeare has been read as serious literature since the publication of First Folio, he is recognised as the greatest writer of all time. If you know the history of reception of Shakespeare, you would know.
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Thank you for your kind comment.
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Reblogged this on ashokbhatia.
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Diego Seguí and the rest of us at Madame Eulalie’s Rare Plums have a comprehensive guide to Shakespeare quotations and allusions in the works of P. G. Wodehouse: https://www.madameulalie.org/annots/pgwsqa.html
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Thank you. Shall check it out. Would you mind if I were to mention this as a footnote to my blog post? Regards
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It must have been his Bartlett after school and colege that urged the quotes into his books. We had a brace of very theatre minded dons in college who made us understand Shakespere more fully than the critics did. If you wish to take up the Bard, take a couple of others and start reading sessions. Distribute the characters amongst yourselves and read each scene aloud. You will see the Bard comimg alive. After that, reading Shakespeare would be a pleasure. Here’s wishing on you all that the Bard wished his audiences to feel.
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A sensible approach, I think.
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I think his copy of Bartlett over and above his studies that made him quote the Bard.
As for warming to Shakespeare, I too would have avoided him had I not had the good fortune to have a brace of theatre minded dons who made the Bard come alive for us with their teaching style as evrn AC Bradley could. Here is their technique: collect a couple of like minded readers, distribute the characters amongst yourselves and read out the play scene by scene. It is a done thing.
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Thanks for your kind comment.
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