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Archive for December, 2024

One of the compensations for leaving behind the phase of adolescence is a wholesome optimism that envelopes us in our youth. Yes, it does take the fine edge off the series of infatuations and whatever semi-romantic triumphs of a transient nature may have come our way in our formative years. But it has the admirable effect of making us believe that our Guardian Angels are working overtime to ensure that our cup is overflowing with hopes for a brighter future, whether professionally or personally. We are in an exuberant state of mind where the sun will always keep shining, the grass will always be green, flowers will forever be in bloom, and God will continue to be in heaven.

Our dream merchants have often showcased this state of affairs. Our heroes and heroines can be found admiring nature while belting out a melodious song, duly backed by a well-equipped orchestra amid the wilderness. In some cases, they are shown to realise that life is nothing but a journey, comprising ups and downs and twists and turns. A few are introspective, exemplifying the bliss of solitude, whereas some dream of a great career ahead.

Given the penchant of Bollywood to keep spinning romantic yarns, most of such solos showcase the inner yearning to run into a potential soul mate. One waits for a Cupid’s arrow to strike one sooner rather than later. A sinister restlessness creeps in and the unfulfilled desire for heartfelt companionship governs one’s behaviour. The latent wish to identify The Chosen One who will soon be swaying us off our feet gets expressed with gay abandon. A romantic spring is in the offing. Of interest here are songs wherein the party of the first part has dreams in his/her eyes and is seeking love, wandering around as a sole atom. The party of the second part is yet to appear on the horizon.

Here is a random sample of some such songs from Hindi movies.

A Communion with Mother Nature

Against a captivating landscape, our heroes and heroines cannot be blamed for feeling overawed and expressing their love for lush green mountains, sparkling lakes, roaring waterfalls, and the gentle rustle of water in a rivulet nearby.

Suhana safar aur ye mausam haseen

Movie: Madhumati (1958)

Music: Salil Chowdhury

Lyrics: Shailendra

Singer: Mukesh

Ye kaun chitrakar hai

Movie: Boond Jo Ban Gayi Moti (1967)

Music: Satish Bhatia

Lyrics: Bharat Vyas

Singer: Mukesh

Dil ye chota sa

Movie: Roja (1992)

Music: A.R. Rahman

Lyrics: P. K. Mishra

Singer: Minmini

Barso re

Movie: Guru (2007)

Music: A.R. Rahman

Lyrics: Gulzar

Singer: Shreya Ghoshal

Music: Food for the Soul

Occasionally, we get gently reminded of the unique power of music. The main protagonist finds music in whatever is happening in the environment. Mundane occurrences generate mellifluous notes which act like a balm for our frayed nerves.

Aawara bhanwre

Sapney (1997)

Music: A R Rahman

Lyricist: Javed Akhtar

Singer: Hema Sardesai

Sunne wale sun lete hain

Movie: Saaz (1998)

Music: Zakir Hussain, Bhupen Hazarika, Raj Kamal, Yashwant Dev

Lyricist: Javed Akhtar

Singers: Suresh Wadkar, Shraddha Pandit, Shweta Pandit

The Bliss of Solitude

Whether steering a vehicle on a busy road, relishing an introspective saunter in wooded hills, or riding a horse-driven carriage through a rural setting, reflecting on the purpose of life, these songs tug at our heartstrings.

Le chala jidhar ye dil nikal padey

Movie: Miss Bombay (1957)

Music: Hansraj Behl

Lyrics: Prem Dhawan

Singer: Mohd. Rafi

Kuchch dil ne kaha

Movie: Anupama (1966)

Music: Hemant Kumar

Lyrics: Kaifi Azmi

Singer: Lata Mangeshkar

Musafir hoon yaaron

Movie: Parichay (1972)

Music: R D Burman

Lyrics: Gulzar

Singer: Kishore Kumar

Jhooti mooti mitwa

Movie: Rudaali (1993)

Singer: Lata Mangeshkar

Lyrics: Gulzar

Music: Bhupen Hazarika

Celebrating freedom

Oh, the sheer joy of having freed oneself from the shackles of life and dreaming of soaring high in the sky!

Panchi banoon udti chaloon

Movie: Chori Chori (1956)

Music: Shankar – Jaikishan

Lyrics: Hasrat Jaipuri

Singer: Lata Mangeshkar

Dil mera ek aas ka panchi

Movie: Aas Ka Panchi (1961)

Music: Shankar – Jaikishan

Lyrics: Hasrat Jaipuri

Singer: Subir Sen

Udke pawan ke sang chaloongi

Movie: Shagird (1967)

Music: Laxmikant – Pyarelal

Lyrics: Majrooh Sultanpuri

Singer: Lata Mangeshkar

Dil chahta hai

Movie: Dil Chahta Hai (2001)

Music: Shankar – Ehsaan – Loy

Lyrics: Javed Akhtar

Singer: Shankar Mahadevan

Dil dhadakne do

Movie: Zindagi Na Milegi Dobara (2011)

Music: Shankar – Ehsaan – Loy

Lyrics: Javed Akhtar

Singers: Suraj Jagan, Joi Barua, Shankar Mahadevan

Jugni

Movie: Queen (2014)

Music: Amit Trivedi

Lyrics: Anvita Dutt

Singer: Amit Trivedi

Love you, zindagi

Movie: Dear Zindagi (2016)

Music: Amit Trivedi

Lyrics: Kausar Munir

Singer: Jasleen Royal

The Lonely Wanderers

Most of the time, we come across characters who wander hither and thither. They are keenly looking forward to an intense phase of courtship and, hopefully, an eventual walk down the aisle. The search for The Chosen One has begun in right earnest.

Hum hain rahi pyar ke

Movie: Nau Do Gyarah (1957)

Music: S.D. Burman

Lyrics: Majrooh Sultanpuri

Singer: Kishore Kumar

Ban ke panchi

Movie: Anari (1959)

Music: Shankar – Jaikishan

Lyrics: Hasrat Jaipuri

Singer: Lata Mangeshkar

Lakhon hain nigah mein

Movie: Phir Wohi Dil Laya Hoon (1963)

Music: O. P. Nayyar

Lyrics: Majrooh Sultanpuri

Singer: Mohd. Rafi

Kahin na kahin dil lagana padega

Movie: Kashmir Ki Kali (1964)

Music: O. P. Nayyar

Lyrics: S. H. Bihari

Singer: Mohd. Rafi

Pukarta chala hoon main

Movie: Mere Sanam (1965)

Music: O. P. Nayyar

Lyricist: Majrooh Sultanpuri

Singer: Mohd. Rafi

Ye samaan, samaan hai ye pyar ka

Movie: Jab Jab Phool Khile (1965)

Music: Kalyanji Anandji

Lyrics: Anand Bakshi

Singer: Lata Mangeshkar

Ye dil na hota bechara

Movie: Jewel Thief (1967)

Music: S. D. Burman

Lyrics: Majrooh Sultanpuri

Singer: Kishore Kumar

Bhai battoor

Movie: Padosan (1968)

Music: R.D. Burman

Lyrics: Rajendra Krishan

Singer: Lata Mangeshkar

Mere sapnon ki rani

Movie: Aradhana (1969)

Music: S. D. Burman

Lyrics: Anand Bakshi

Singer: Kishore Kumar

O ghata saanwari

Movie: Abhinetri (1970)

Music: Laxmikant Pyarelal

Lyrics: Majrooh Sultanpuri

Singer: Lata Mangeshkar

Aaj unse pehli mulaquat hogi

Movie: Paraya Dhan (1971)

Music: R. D. Burman

Lyrics: Anand Bakshi

Singer: Kishore Kumar

Mausam hai ashiquana

Movie: Pakeezah (1971)

Music: Ghulam Mohammed

Lyrics: Kamal Amrohi

Singer: Lata Mangeshkar

Meet na mila re man ka

Movie: Abhimaan (1973)

Music: S. D. Burman

Lyrics: Majrooh Sultanpuri

Singer: Kishore Kumar

Ek raasta hai zindagi

Movie: Kaala Patthar (1979)

Music: Rajesh Roshan

Lyrics: Sahir Ludhianvi

Singers: Kishore Kumar, Lata Mangeshkar

Papa kehte hain

Movie: Qayamat se Qayamat Tak (1988)

Music: Anand Milind

Lyrics: Majrooh Sultanpuri

Singer: Udit Narayan

Mere khwabon mein jo aaye

Movie: Dilwale Dulhaniya Le Jayenge (1995)

Music: Jatin – Lalit

Lyrics: Anand Bakshi

Singer: Lata Mangeshkar

Bholi si surat

Movie: Dil To Pagal Hai (1997)

Music: Uttam Singh

Lyrics: Anand Bakshi

Singers: Lata Mangeshkar, Udit Narayan

Kyon Hawa

Movie: Veer-Zara (2004)

Music: Late Madan Mohan

Music Recreated by: Sanjeev Kohli

Lyrics: Javed Akhtar

Voices: Yash Chopra, Lata Mangeshkar, Sonu Nigam

Challa

Movie: Jab Tak Hai Jaan (2012)

Music: A. R. Rahman

Lyrics: Gulzar

Singer: Rabbi Shergill

It is not that Bollywood does not believe in gender parity. Whether it is admiring the innate beauty of nature, realising the link between nature and music, soaring high like Jonathan Livingston Seagull and enjoying freedom, relishing the bliss of solitude, or looking out for The Chosen One, Bollywood does not discriminate between genders, ethnicity, caste, and religion.

As to the dashers who are like lonely wanderers, they often express their desire to be hit by an arrow of Cupid’s without any hesitation. Once a soul mate has been identified, a hectic phase of wooing dawns, wherein both parties can be seen cooing to each other like turtle doves. Love blossoms. Parental opposition is overcome. Nasty interference by a villain gets neutralised — eventually, love triumphs. Just before The End sign rolls up, the couple can be spotted rushing off to a honeymoon in a garishly decorated limousine, with the legend Just Married prominently adorning its boot.

The audience breathes easy, grateful that the movie has finally ended. However, they are blissfully unaware if the sheen of perfection that had enveloped the party of the other part so far might have a limited shelf life. Sometime after the couple walks down the aisle, scales could fall from their eyes, eventually mummifying the corpse of love.

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A voice that once resonated in the hearts of millions, Ameen Sayani’s journey through the golden age of radio is quite like a poetic legacy.

RJ-ing may be deemed modern and cool, but decades ago, Sayani redefined the art of storytelling, transforming radio waves into a mesmerising canvas of music, humour and heartfelt connection.

Through Binaca Geet Mala, later Cibaca Geet Mala, he brought alive songs in the minds of his listeners, making every home a stage and every heart a participant.

Sayani’s style was a symphony of modesty and charm.

Unlike the exuberant style of today’s RJs, he spoke softly, weaving nuggets of trivia, artiste anecdotes and public sentiments into a magical fabric.

His humour was gentle yet infectious, his knowledge vast yet accessible.

Listeners adored him for this balance, often valuing his voice over the songs he introduced.

The anticipation surrounding Binaca Geet Mala was unequalled.

Each week, families would assemble around the radio, waiting with bated breath to hear which song had claimed the coveted number one spot.

Behind the scenes, Sayani and his team meticulously curated rankings, with decisions accepted unquestioningly, a nod to his credibility.

Songs retired after 25 runs were saluted with dignity and a bugle, a ritual that amplified the programme’s charm.

In an era when radios were scarce, Sayani’s voice unified neighbourhoods, families, and even nations.

Broadcasting via Radio Ceylon, Binaca Geet Mala held sway for an extraordinary 42 years, a record that remains unbeaten.

His catchphrase greeting Bhaiyon aur behnon became a cultural phenomenon, as did the thousands of letters he received monthly from devoted fans.

Artistes revered him.

For musicians, singers, and composers, landing on Sayani’s charts was akin to earning a badge of honour.

The industry hung on his words, their hearts racing at his every announcement.

Such was his influence that Binaca Geet Mala turned chart-topping songs into timeless classics.

Beyond his flagship show, Sayani helmed iconic programmes like S. Kumar’s Filmi Mukadma and the Bournvita Quiz Contest.

His staggering repertoire, over 54,000 radio programmes and 19,000 jingles, stands as a monumental feat in broadcasting history.

Fluent in multiple languages, he reached a diverse audience, his voice bridging cultural and linguistic divides with ease.

Born in Bombay on 21st December, 1931, Sayani’s journey began at Scindia School and St. Xavier’s College, but it was his golden voice that would etch his name into history.

Honoured with the Padma Shri in 2009, he also made cameo appearances in a few films like Bhoot Bangla and Teen Deviyaan.

On 21st February, 2024, at the age of 91, Ameen Sayani’s voice fell silent.

Yet, his echo lingers, a melodic reminder of an era when radio was king, and one man’s voice united a nation.

Note

  1. Collage visual courtesy the world wide web.
  2. This article had first appeared in The Reviewer Collective group on Facebook.

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The Gita is one of the clearest and most comprehensive summaries of the Perennial Philosophy ever to have been done.

Aldous Huxley

The Gita is a bouquet composed of the beautiful flowers of spiritual truths collected from the Upanishads.

Swami Vivekananda

My last prayer to everyone, therefore, is that one should not fail to thoroughly understand this ancient science of the life of a householder, or of worldly life, as early as possible in one’s life.

Lokmanya Tilak

The Gita is a book that has worn extraordinarily well, and it is almost as fresh and still in its real substance quite as new, because always renewable in experience, as when it first appeared in or was written into the frame of the Mahabharata.

Sri Aurobindo

When disappointment stares me in the face and all alone, I see not one ray of light, I go back to the Bhagavad Gita. I find a verse here and a verse there, and I immediately begin to smile in the midst of overwhelming tragedies – and if they have left no visible, no indelible scare on me, I owe it all to the teaching of Bhagavad Gita.

Mahatma Gandhi

The teaching of the ancient battlefield gives guidance in all later days, and trains the aspiring soul in treading the steep and thorny path that leads to peace.

Dr Annie Besant

To my knowledge, there is no book in the whole range of the world’s literature so high above all as the Bhagavad Geeta which is treasure-house of Dharma not only for Hindus but for all mankind.

Madan Mohan Malviya

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For decades, Bollywood has showered us with unforgettable moments of romance under the rain, from shy glances under flickering streetlights to stolen moments beneath a sheltering umbrella. This humble prop, in Bollywood’s hands, transforms into much more than a simple shield from the rain. It becomes a cocoon, a private world that magically brings lovers closer, often igniting romance or intensifying feelings against the backdrop of monsoon showers.

Iconic and Unmatched – Shree 420 (1955)

Raj Kapoor and Nargis’ Pyar Hua Iqrar Hua remains Bollywood’s most legendary and unforgettable love scene under an umbrella. Here, the umbrella is a literal and a figurative shelter, a cocoon. Their rain-soaked declaration of love is still unmatched, symbolising romance that defies storms.

Rekindled Love – Kala Bazaar (1960)

Dev Anand and Waheeda Rehman’s enchanting stroll in Kala Bazaar unfolds the beautiful melody of Rimjhim Ke Tarane, an ode to love rekindled amidst the soothing Mumbai rains. This iconic scene captures the essence of timeless romance and heartfelt connection.

Enchanting Gem in Motion – Boond Jo Ban Gayi Moti (1967)

In the vibrant cinemascape of Bollywood, Jeetendra shines like a dazzling jewel. Especially in the enchanting song Ye Kaun Chitrakaar Hai, his innocent charm as the village educator weaves a spell. His trademark umbrella in hand, he renders a song which is an ode to the creator of this universe.  

Fragile Beginnings – Rajnigandha (1974)

In Rajnigandha, a broken umbrella offered by Amol Palekar to a Vidya Sinha stranded in a heavy downpour embodies the characteristics of a budding romance on the horizon. The scene beautifully captures the uncertainty, the hesitation, and the warmth of an empathic gesture. Based on the short story “Yehi Sach Hai” by noted Hindi writer Mannu Bhandari, Vidya Sinha’s character finds itself drawn back to a former flame. She is caught between past and present. How she overcomes this challenge forms the rest of the story.

Mystery Under Umbrellas – Judaai (1980)

In Judaai, Rekha and Jeetendra huddle together beneath an umbrella, creating a cocoon of secrecy and intimacy. This iconic moment beautifully encapsulates Bollywood’s enduring fascination with fleeting, stolen moments of love, highlighting the magic found in cherished connections.

Mera Kuch Samaan – Ijaazat (1987)

While umbrellas often signal romance, in Ijazat’s Mera Kuch Samaan, they represent nostalgia and lost love. As the song transports audiences through Anuradha Patel’s lyrical memories, the umbrella becomes a portal into the past, a shelter that once held warmth but now feels like an echo of something lost. Gulzar’s lyrics, in particular, Ek Akeli Chhatri Mein Aadhe Aadhe Bheeg Rahe They, Aadhe Sookhe, Aadhe Geele…captures a deep sense of nostalgia.

Iconic Sridevi Moments – ChaalBaaz (1989)

Sridevi’s iconic transparent umbrella in ChaalBaaz transcends mere props, becoming a vibrant symbol of her infectious playfulness and captivating charm. The song Na Jaane Kahaan Se Aayi Hai echoes the same magic, capturing a sense of wonder and spontaneity, much like Sridevi’s presence under that iconic umbrella.

Romantic Night – Afsana Pyar Ka (1991)

Aamir Khan serenading Neelam beneath an umbrella in Afsana Pyar Ka is a timeless tribute to Bollywood’s love for rain-laden romance. The song Tip Tip Tip Baarish Shuru Ho Gayi reiterates this sentiment, with its playful yet tender tone, as the rain becomes a backdrop for the blossoming connection, transforming the moment into a celebration of love’s simple joys.

Colourful Romance – Khiladi (1992)

Akshay Kumar and Ayesha Jhulka’s Khiladi brings to life playful moments under vibrant umbrellas, infusing their budding romance with a burst of colour, energy and innocence. Dekha Teri Masti Nigahon Mein captures this light-hearted spirit, with its playful rhythm reflecting the ease and charm of a love that blooms effortlessly, even in the rain.

Mountain Rains – 1942: A Love Story (1994)

The rain-soaked landscapes of Himachal provide the perfect backdrop for 1942: A Love Story, where Manisha Koirala’s red umbrella against Anil Kapoor’s embrace brings the song Rimjhim Rimjhim to life in a delicate, timeless romance.

Joyous Drizzles – Dil To Pagal Hai (1997)

Yash Chopra, known for cinematic romance, uses rain brilliantly in Dil To Pagal Hai. Shah Rukh Khan, under the spell of Madhuri Dixit’s smile, jokes that her smile causes a downpour before they dance joyfully in Chak Dhoom Dhoom. The rain here becomes an extension of their happiness and spark. Umbrellas make a sporadic appearance, though – first in the very beginning, and then later when Karishma gets escorted back by the hospital staff.  

Rain in The Big Apple – Kal Ho Naa Ho (2003)

In Kal Ho Naa Ho, Preity Zinta and Saif Ali Khan share an umbrella under New York’s rain, portraying friendship and affection amidst city lights. The rain-filled scene captures a mix of sweet nostalgia and urban romance.

Rain-soaked Realisations – Hum Tum (2004)

In Hum Tum, Rani Mukerji’s Rhea and Saif Ali Khan’s Karan find their love during a cold, rainy night. Rhea cares for Karan, who is drunk, and in that moment of vulnerability, their mutual feelings emerge. Lamhon Ki Guzarish Hai Yeh highlights moments where the rain acts as a backdrop to acknowledge love. Needless to say, umbrellas do put in a brief appearance.

A journey of Innocence and Hope – The Blue Umbrella (2005)

In The Blue Umbrella, the umbrella becomes a symbol of innocence and self-discovery. As the story unfolds, the simple act of holding the umbrella in the rain transforms into a journey of emotional growth for Pooja. The song Chatri Ka Udan Khatola carries this spirit, as the umbrella takes flight, not just through the skies but through the heart, weaving together themes of hope, dreams, and the quiet beauty of life unfolding under the rain.

Old-World Aesthetics – Saawariya (2007)

In Saawariya, Sonam Kapoor and Ranbir Kapoor’s romantic journey unfolds under Sanjay Leela Bhansali’s signature aesthetic. The umbrella in this film adds to the story’s vintage, dreamlike quality, even as their love story remains an unfulfilled yearning.

Saccharine Romance – Cheeni Kum (2007)

In London’s drizzling charm, every shared moment beneath the umbrella, helps blossom Amitabh and Tabu’s bond, proving that even the simplest things, like a rain-soaked city and a shared shelter, can weave stories of connection and understated romance.

A Captivating Tribute to Timeless Love – Rab Ne Bana Di Jodi (2008)

With Phir Milenge Chalte Chalte in Rab Ne Bana Di Jodi, Bollywood’s magic unfolds in a mesmerising homage to love across eras. Shah Rukh Khan and a bevy of heroines capture the essence of timeless romance, dancing through Bollywood’s golden moments. The very first sequence is a loving tribute to the umbrella of Shri 420 fame, as mentioned above. 

Fantasy in Polka Dots – 3 Idiots (2009)

In 3 Idiots, Aamir Khan and Kareena Kapoor light up the screen in a playful, dreamy sequence, dancing under polka-dotted umbrellas to the Zooby Dooby tune. This Bollywood-inspired rainy fantasy is a joyful tribute to the filmy romance we all adore.

Glamour and Chhatris – Race 2 (2013)

Deepika Padukone’s character in Race 2 shows that even the traditional umbrella can shine in high fashion. With her chic style, she seamlessly integrates this classic accessory, adding a sophisticated touch to Bollywood’s enchanting love affair with the rain.

Fashion Meets Rain – Kick (2014)

Jacqueline Fernandez in Kick brings a playful touch with her bright red umbrella, which adds flair to her character’s quirky look. It’s a lively reminder that umbrellas can also be fun, fashionable, and part of Bollywood’s colourful world.

Why Umbrellas Work: The Psychology of Umbrella Romance

Umbrellas naturally bring people closer together, creating a physical boundary that heightens the feeling of intimacy. They offer a shield from the outside world, creating a bubble of privacy even in the most public of places. The proximity, the shared warmth, and the playful tug-of-war as both try to fit under a single umbrella, these are elements that cinema uses to create moments of magic.

And in Bollywood’s signature use, umbrellas almost always appear when love is on the brink of blossoming or when emotions run high, turning mundane rainy-day encounters into moments of cinematic romance. They’re devices that trigger vulnerability, the need to protect, and the desire to draw close, lending themselves perfectly to Bollywood’s penchant for grand romantic expression.

A Lasting Symbol of Love and Shelter

From the monochromatic elegance of then to the vibrant visuals of now, umbrellas continue to hold a special place in Bollywood’s love stories. These cinematic moments remind us that sometimes, it’s the simplest things, a shared umbrella, a gentle rain, a crowded street, a song, that bring us closer, that make the world fall away so that all that remains is the quiet, breathtaking beauty of two souls meeting under a storm.

So the next time you find yourself in the rain, umbrella in hand, you might just be one scene away from your own Bollywood moment.

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