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Archive for the ‘The Magic of Movies!’ Category

When the brow is furrowed and the pangs of separation from one’s beloved have dethroned reason from its coveted seat, the mood turns a shade of deep blue.

Like all other strands of emotion captured by Bollywood, separation from the beloved has also not escaped the attention of our dream merchants. There are several songs which depict the intense feeling of desolation experienced by someone when the soul mate has gone missing. Whereas some herald the end of doom, so to say, few others are easier on the frayed nerves, laced as they happen to be with uplifting optimism and point to the possibility of a rosier future.

There is a beauty to sad songs which cannot be captured in words. These tug at one’s heart-strings and provide solace to a tormented soul. First off, let us relish a composition which celebrates the genre of sad songs.

The beauty of sad songs

(Patita, 1953, Shankar Jaikishan)

When the heart pines away for the missing soul mate

Here is a random selection of songs which capture the pangs of separation effectively.

(Hemant Kumar, Non-filmi song, Kal Teri Tasveer Ko)

(Dulari, 1949, Naushad)

(Baiju Bawra, 1952, Naushad)

(Navrang, 1958, C Ramchandra)

(Bandini, 1963, S D Burman)

(Arzoo, 1965, Shankar Jaikishan)

(Khamoshi, 1969, Hemant Kumar)

(Hero, 1983, Laxmikant Pyarelal)

(Ijaazat, 1987, R D Burman)

When the sense of separation has attained a state of permanence

(Mera Naam Joker, 1970, Shankar Jaikishan)

(Anand, 1970, Salil Chowdhury)

(Shor, 1972, Laxmikant Pyarelal)

(Parichay, 1972, R D Burman)

Songs with a dash of hope

(Mera Saya, 1966, Madan Mohan)

(Prem Pujari, 1970, S D Burman)

(Chhoti Si Baat, 1976, Salil Chowdhury)

(Qayamat Se Qayamat Tak, 1988, Anand Milind)

These songs represent different shades of separation. Some are rendered in a mood of despondency, with nary a ray of hope lighting up the heart which pines away in a state of intensive sadness. Then there are some which reflect a sense of finality and fatalism, coming in when a realisation has dawned that there is absolutely no hope of a reunion. Some are sung in the fond hope that the two hearts torn asunder by the harsh slings and arrows of Fate would soon get reunited.

Which are your favourite songs of separation from Bollywood?

(You may also like to visit:  https://ashokbhatia.wordpress.com/2015/09/16/an-illusory-search-for-the-perfect-soul-mate-bollywood-style)

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findshars's avatarMy Views On Bollywood

By

Sharada Iyer

To encompass the greatness of a singer of Mohammed Rafi’s stature into one blog-post is not only impossible but will also not do justice to this incomparable jewel of Hindi film music. On the occasion of his 94th birth anniversary, this blog-post attempts to trace his early steps in the forties which eventually set him on the path to become the emperor of Hindi film music.

Right from childhood he had the rare gift of picking up any song he heard and singing it exactly like the original much to the surprise of the people around him. As a little boy he was drawn to the songs sung by a wandering ‘fakir’ (minstrel) in his village. Enchanted by the fakir’s song little Rafi would follow him everywhere and was able to reproduce it to perfection. The fakir was so impressed by the little boy that he…

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Smart managers are always keen to ‘sharpen their saw’. They always remain alert to new ideas from all sides. Movies are no exception. These provide valuable inputs to managers at all levels – from green-behind-the-ear beginners to CEOs and owners.

Here is an update on the key take away lessons from some of the movies I am aware of: some from Kollywood, some from Hollywood and many others from Bollywood.

ENTERING THE CORPORATE JUNGLE

  • Setting Realistic Goals (Manal Kayiru: A Rope/Thread of Sand)movieposter-_manal_kaiyru_2

Be Realistic, whether looking for a life partner or a job! The hero sets impossible conditions to be met while seeking a life partner. As a result, he gets conned into marrying a girl who is exactly the opposite.

In the arena of management, we work with customers, suppliers, employees, service providers and other stakeholders. It helps us to be realistic about what we want from…

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Movies reflect what is happening in the society. In some cases, like literature, they also hint at what could be in store for us in the days to come. They not only influence what happens in the society, but also take a harsh look at its ills – including their own! There are a number of spoofs, created by some of our best known dream merchants, which reveal the level of maturity the film industry has attained.

Somehow, movies examine only some segments of the society; that too, mostly along predictable lines. Politicians, cops, industrialists and others are mostly depicted in a stereotyped manner. Business and management have so far not merited much attention from our film makers.

If business has been captured, it has mostly been depicted to be ruthless. Catering to mass appeal, the film makers have propounded the belief that big money is invariably bad. The fact…

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Diwali, the Indian Festival of Lights, occupies a very prominent place in the minds of its citizens. Given the propensity of Bollywood producers and directors to cash in on events which touch the audience’s lives, one would presume that the festival would have had a major role to play in many of the flicks churned out by our dream merchants.

In quite a few story lines, Diwali does form the background of some events of major importance in the lives of the principal characters. The villain and his henchmen decide to massacre an entire family just when the latter happen to be celebrating the festival together. However, they willy-nilly leave behind a survivor who grows up with the single aim of identifying the villain and liquidating him even as the law enforcing authorities take their own sweet time to troop in.

But when one starts looking around for songs which are inspired by this magnificent festival, one is likely to be disappointed. These are few and far in between.

Here is a small collection which was recently brought to my attention by an elderly cousin who has a personal collection of movies and songs which could beat any museum professing to represent the best that Bollywood has to offer.

Aayi Diwali Deep Jala Ja: Pagdi (1948)

 

Deep Jale Ghar Ghar Mein: Lata: 1955

 

Deep Jalenge Deep Diwali Aayi: Paisa (1957)

Kaise Diwali Manayen Lala: Paigham (1959)

 

Mele Hein Chiragon Ke: Nazrana (1961)

 

And here is a famous song from the movie Guide (1965) where an entire stanza is devoted to Diwali.

 

Happy Diwali: Home Delivery (2005)

Perhaps, there are several reasons for Diwali songs being very few.

One could be that the joint family system has given way to unit families. Main protagonists in Bollywood movies have become more self-centred, pushing the broader family into the shadows. Over time, the importance attached to a family-focused festival like Diwali has gone down. We still get to see it, but merely as a backdrop to the small part of a song where the hero and the heroine are shaking their legs and limbs with much gusto.

Another could be the fact that Diwali was earlier considered a private family affair, with sweets getting distributed amongst neighbours after the traditional puja had been performed. But the current trend is that of a socializing event where those who could assist us in fulfilling our ambitions receive gifts much prior to the festival. In other words, if it was a single transaction between a family and the Goddess of Wealth in the past, it has now taken the shape of a multi-dimensional event of a transactional nature where one’s circle of influence plays a far more important role.

It is remarkable that Holi, the Festival of Colours, has found better attention from our film makers. Bollywood specializes in glorifying eve-teasing and this is one festival which provides ample scope for amorous advances to be showcased on the silver screen.

Here is wishing all of you a great Diwali!

(Note: Yours truly is grateful to the senior cousin who facilitated this post.)

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ashokbhatia's avatarashokbhatia

Gone are the days when Bollywood used to specialize in churning out only male-centric movies. There were times when our heroes used to be super humans with powers that even God would have hesitated to manifest. Our heroines were inevitably ‘cute’, irrational and dumb. Our families were massive piles of relatives dressed in garish clothes and living in ugly bungalows. Our idea of wooing a girl was dangerously close to molestation. Our assumptions regarding the IQ of our audiences were different. The movies catered mostly to the intelligence of an imagined front-bencher, and were inane, vulgar and obscene.

Cut to the present. The heroes are no longer diffident about shedding their macho image and reveal their softer side on the screen. The heroines have now become far more decisive and assertive. They resist amorous advances. They call the shots. They continue to be as beautiful as ever, but have become…

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KalidasaKalidasa, said to be born in the 4th century AD, is widely regarded as the greatest poet and dramatist in the Sanskrit language.  Had he been alive today, he would have been a very busy man, possibly assisted by a huge team of research assistants, dishing out scripts, dialogues and lyrics for a vast majority of our dream merchants in Bollywood.

His emphasis on capturing the innate beauty of nature might not have enthused many of our present day producers and directors. However, his evocative portrayal of female beauty and the passionate depiction of the affairs of the heart would have surely had the Bollywood movie makers in enthrall.

In his ‘Ritusamhara’ (Medley of Seasons), Kalidasa describes six seasons in his inimitable style: Summer (Greeshma), Monsoon (Varsha), Autumn (Sharad/Patjhad), Pre-winter (Hemant), Winter (Shishir) and Spring (Vasanta). Each one is dealt with evocative descriptions of the elements of…

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With its scenic promenade, picturesque locations, an old world French ambience, Sri Aurobindo Ashram and Auroville, Puducherry offers the lay visitor a curious combination of hedonistic as well as spiritual opportunities. One could go on a spirited binge and simply freak out. Otherwise, one could soak in its spiritual glow and get mentally uplifted.

True to the innate character of Puducherry, most of the films shot in the town also reflect a somewhat similar bipolar tendency. Amorous endeavors get captured on celluloid. Themes with a spiritual strain also find Puducherry attractive. Occasionally, one would find the town getting mentioned in a block buster!

Here is a quick recap of the Hindi and English movies which have had a Puducherry connection.pondy movie Jism

Jism (2003, Amit Saxena) was an erotic thriller. Obsession with the pleasures of the flesh and greed for wealth eventually drive the main protagonists towards a tragic end.

pondy movie black 1

Black (2005…

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findshars's avatarMy Views On Bollywood

By

Sharada Iyer

The very mention of their names immediately brings to our mind the evergreen super-hit song ‘Zindagi ek safar hai suhana…’ from the film ANDAZ. From the opening prelude to the yodelling to the fast-paced beats – everything about the song became unforgettable! Added to that superstar Rajesh Khanna’s charismatic screen presence turned this song not only into one of the most loved songs of Hindi cinema but also became one of the biggest hits of the careers of  Rajesh Khanna, Kishore Kumar and Shankar-Jaikishen. 

ANDAZ (1971): ‘Zindagi ek safar hai suhana…’

Shankar-Jaikishen (SJ): The music director duo who revolutionized the very definition of Hindi film music with their path-breaking music and tunes…

Kishore Kumar: The genius actor-singer who created his own path and carved a place in the Hindi film music scene which people cannot even dream of achieving…   

Both the singer as…

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findshars's avatarMy Views On Bollywood

By
Sharada Iyer
Fifty years ago it was on 26th April 1968 that this superbly directed and thoroughly entertaining evergreen musical Brahmachari released and went on to become a runaway hit at the box-office!
The film won six prestigious Filmfare awards that year:
Best Film of the Year
Best Actor: Shammi Kapoor
Best Screenplay: Sachin Bhowmick
Best Music: Shankar-Jaikishen
Best Male Playback Singer: Mohammed Rafi (‘Dil ke jharoke mein tujhko bithakar…)
Best Lyricist: Shailendra (‘Main gaoon tum so jao…’ )
Nominations:
Best Director: Bhappi Sonie
Best Lyricist: Hasrat Jaipuri (‘Dil ke jharoke mein tujhko bithakar…’)
Best Male Playback Singer: Mohammed Rafi (‘Main gaoon tum so jao…’)
Today on the occasion of its golden anniversary let us take a trip down memory lane to recollect some of its glorious moments…
To begin with, the film ranks high on…

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