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findshars's avatarMy Views On Bollywood

By

Sharada Iyer

Most people may not be aware that singer Bhupinder Singh loved for his soulful ghazals and memorable songs from films like Gharonda, Mausam, Thodi Si Bewafai, Kinara, Parichay, Aitbaar, Bazaar, etc., is also an expert guitarist and has composed some of the most memorable guitar pieces ever heard of in Hindi cinema.

Born in Amritsar it was destiny that dragged him first to Delhi and then to Mumbai where he became very popular as a playback singer and ghazal singer thanks to his unique resonating voice. However the guitarist in him never came to be publicized much and this humble man always put in his best and just let his work speak for itself.

bhupinder5

Adept at playing different types of guitars like the Hawaian guitar, Spanish guitar and Electric guitar, he joined R D Burman’s group of musicians as one of the lead guitarists…

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There are talented actors in Bollywood who never make it to the top league. But the impression they leave behind even as a supporting actor lasts long.

In this blog, the erudite author pays a fitting tribute to one such actor: Nazima.

findshars's avatarMy Views On Bollywood

By

Sharada Iyer

Cine-lovers who are familiar with the cinema of the late-sixties and early-seventies would easily recollect her sweet and innocent face with those lovely big expressive eyes and the charming smile which characterized this talented actress. She had gained popularity as the quintessential ‘sister’ of the hero or the heroine and had a pleasing screen presence.

n9I have seen quite a few movies of Nazima and used to find her demeanour very appealing. But around the mid-seventies she just disappeared from the scene. I had somehow always thought she had got married and settled somewhere in a foreign country and never came back to the glitz and glamour of the film industry.

It is only recently while browsing some YouTube videos, I came across this shocking piece of news that Nazima had succumbed to cancer and passed away in 1975 itself at the young age of twenty-seven!!!

This…

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Angelina Jolie had faced it. Gwyneth Paltrow has had to bear it. Kate Winslet has hinted at it. Ashley Judd has admitted to it. Many others have now joined the crusade against Harvey Weinstein who had preyed on them. A police investigation has just started gathering steam.

Leading ladies from Hollywood have finally shown the courage to stand up and spill the beans. Irrespective of the time that has elapsed, it is praiseworthy. It encourages many other silent sufferers amongst the tribe of delicately nurtured to openly name and shame their oppressors.

Would some of our Bollywood divas also take a cue and come out with a ‘MeToo’ revelation? Some of them have charted their own paths in the entertainment business and have built their own brand equity. Sure enough, they can help many other struggling artists and starlets to stand up to amorous advances being made by their possible benefactors?

So far, Konkona Sen Sharma, Rahika Apte and few others have come out in support of the drive. But one looks forward to a far more widespread support.

What they also need to do is to repudiate the views of actor Mayim Bialik who has suggested in a column that dressing conservatively and looking ‘unglamorous’ often helps skirt amorous advances. This is, yet again, placing the blame at the doorstep of the victim.

The Casting Couch

The existence of this phenomenon has been Bollywood’s worst kept secrets. By going public with the acts of sexual predators, perhaps some degree of self-regulation may come about, thereby helping the vulnerable to avoid getting exploited.

Once in a blue moon, Bollywood has, through some of its own offerings, confessed to the presence of this scourge. Movies like Fashion (Madhur Bhandarkar, 2008) and Luck by Chance (Zoya Akhtar, 2009) had clear references to the sordid practice.

Hormones moderated by Chivalry?

Some of the members of the so-called sterner sex would also do well to introspect and mend their ways. The least they can do is to undergo a crash course at the Bertie Wooster Institute of Chivalry.

 

(Ref: https://www.vanityfair.com/hollywood/2017/10/harvey-weinstein-accusers-sexual-harassment-assault-rose-mcgowan-ashley-judd-gwyneth-paltrow)

(Related Posts:

https://ashokbhatia.wordpress.com/2017/05/12/female-power

https://ashokbhatia.wordpress.com/2013/06/21/romancing-the-boss-in-reel-life

https://ashokbhatia.wordpress.com/2013/06/18/hormones-vs-hierarchies

https://ashokbhatia.wordpress.com/2014/08/01/to-all-ye-ogling-males)

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Those who appreciate the fine nuances of classical music would surely relish this blog post!

(Related Post: https://ashokbhatia.wordpress.com/2016/09/28/the-use-of-raag-shivaranjani-in-hindi-film-songs)

findshars's avatarMy Views On Bollywood

By

Sharada Iyer

The repertoire of our century-old Hindi film music boasts of a wide range of songs based on a variety of classical Hindustani ragas. There is no denying that the reach of films and film music in our country is far beyond any other form of music. Therefore instead of composing these songs in a typical classical style which may appeal only to a select audience, our music directors have time and again proved their mettle to draw inspiration from our vast legacy of classical music and modify it to suit the mood and setting of the visual medium of cinema.  

Noted music critic and author Raju Bharatan writes a valid point in his book ‘A Journey Down Melody Lane’ “Your classicism is of value only if you know how to fine-tune it to the peculiar visual needs of instant cinema. In the end…

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ashokbhatia's avatarashokbhatia

After a long spell of a harsh summer, the monsoon ushers in a season of joy and relief. The aroma of the scorched earth touched by the first torrent of rains is intoxicating. Birds and beasts are equally delighted. The whole nature changes its texture.

This is indeed the season where Bollywood outdoes itself. Farmers rejoice. Those who are lonely go about dancing in the rain, hoping that a beloved would be discovered soon enough. Lissome heroines prance about in their fully drenched attires, performing dance steps which could put an Olympic gymnast to shame. When it gets pitch dark, lightning helps young ladies to locate their lovers.

Courtship reaches a higher level of intensity. Hormones run amok. Sounds of thunder make the heroine cling closer to the hero. Those who have lost their beloveds to the harsh workings of Fate fondly recollect their lady-love in this season. Perched on…

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dustedoff's avatarDustedoff

Sometime back, blog reader Anup remarked that some songs had a major singer not really doing much singing. Duets, he pointed out, where one singer does almost all the singing, while the other one just does a supportive ‘la-la-la-la’, or something along those lines. Anup suggested I compile a song list of duets like that. Of what I call ‘technically duets’: not songs in which both singers play an equal part in making the song what it is, but in which the ratio is somewhat skewed.

Then, only about a week after Anup made this suggestion, yet another blog reader, Bhagwan Thavrani, sent me an e-mail with pretty much the same suggestion. He was rather more precise: songs in which one singer only hummed, while the other did the singing.

Two readers, both requesting songs of the same basic type? I decided I had to take up the…

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findshars's avatarMy Views On Bollywood

By

Sharada Iyer

When I wrote my blog titled ‘Bollywood’s Drag-Queen Acts’ last year (https://myviewsonbollywood.wordpress.com/2016/02/25/bollywoods-drag-queen-acts/),which dealt with a few instances of Bollywood actors dressed up in female attire in our films, there were a few requests from friends to do a post on the ‘Drag-King’ acts wherein our actresses decided to dress up as ‘males’ on screen! So here goes…

Though the variety of scripts demanding the actresses to don the guise of a man was far lesser than in the case of actors dressing up as a woman, I managed to find 18 films (from 1954-2014) where our heroines took on this challenge! While some of the actresses had quite a few scenes in the male guise, others got to masquerade in the get-up only for one scene. The reasons for donning the male get-up varied from as simple a thing as playing a prank to…

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ashokbhatia's avatarashokbhatia

With the advent of spring, the fancy of our young ones would lightly turn to thoughts of love. Mother Nature would wholly approve. In the upper reaches, snow would have just started melting. Plants and shrubs would have started springing back to life. Green shoots would have started becoming visible. Flowers would be in full bloom. Birds and bees would be going about their daily chores. Sun would be shining through, albeit a little gently. A pleasant breeze laced with the sweet fragrance of flowers would be caressing our physical frames. Streams would be flowing with their gentle murmur. God may or not be in Heaven but a clear sky would be providing a perfect backdrop for the couples who happen to be in love.

In Ritusamhara, Kalidasa mentions that during this season, women are more enchanting. Sandal paste and other substances are often used to contain the spring…

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When it comes to capturing the wide canvas of human relationships and emotions for the silver screen, Gulzar saheb surpasses all others who wield the megaphone.

Here is an ode which would be relished by all those who are familiar with his work.

lopu123's avatarReflections, Ruminations, Illuminations

Note: My poetic tribute to the haunting, melancholic, yet the beautifully touching saga of love gone awry in the hands of destiny, the irresistibly deep and unforgettable chemistry between Mahinder, Maaya and Sudha in Gulzar’s timeless love saga ‘Ijaazat’, based on the Bengali story ‘Jatugriha’, by Subodh Ghosh.  The film, unforgettable till today for the tenderly crafted lyrics of Gulzar Saab composed with finesse by the phenomenal R.D. Burman,  followed the story of couple who are separated and who accidentally meet in a small waiting room of a railway station and discover some truths about their lives without each other.

ijaazat_movie

Like weary travelers, lost in the waxy orbit of time

We lose our shores, and then, keep coming back

To where our stories began, the Ground Zero

Where you slouched against my caramel skin,

Lost in the deep, blinding maze of a past, passionate, drunk

With the lyrics and heartbeats of…

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Here is a listing of some of the lesser known songs featuring Madhubala, the Marilyn Monroe of Bollywood!

findshars's avatarMy Views On Bollywood

By

Sharada Iyer

The very mention of Madhubala’s name brings to our mind her dazzlingly beautiful face, her enticing smile and her charmingly sensuous persona. Acknowledged by fans and industry people across all generations as the most beautiful face to have graced our industry, she has rightfully been accorded the title of ‘Venus’ of Indian cinema!

Veiled behind this beautiful face was also a brilliant actress, who could do both light-hearted as well as intensely emotional roles with equal ease. However, most of the time her beauty did not allow her to get the appreciation she deserved as a superlative actress of the ‘Golden era’ because of which she was mentioned only after Nargis and Meena Kumari…

Though articles on her invariably focus on her on-screen and off-screen- romance with Dilip Kumar and her comedy roles opposite husband Kishore Kumar, what is overlooked is her superb chemistry with her other…

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