Posts Tagged ‘P G Wodehouse’
Looking for a Plummy companion….
Posted in What ho!, tagged Companionship, Eve Halliday, Humour, Jeeves, P G Wodehouse, Rupert Psmith on November 13, 2021| Leave a Comment »
Introducing Baboo Jabberjee: Guest Post by John Dawson
Posted in What ho!, tagged Baboo Jabberjee, Humour, India, John Dawson, P G Wodehouse, The Luck Stone on November 10, 2021| Leave a Comment »
John Dawson recently shared with me a few excerpts from his book P. G. Wodehouse’s Early Years: His Life and Work 1881-1908.
The Context
Thomas Anstey Guthrie (1856–1934) of Kensington was a comic novelist and playwright who practiced law for a brief period after leaving school. His first published short story was a farce set in ancient Rome called “Accompanied by a Flute.” It ran in the humor magazine Mirth in 1878; a compositor’s error credited “F. Anstey,” the pen name he would use for the rest of his career.
While at Cambridge, Guthrie had begun an ingenious novel of a father and son switching bodies that he called Vice Versa, or A Lesson to Fathers. When finally published in 1882, it became an overnight sensation. Graphic: “A touch of the romance of Arabian Nights, some of the peculiar whimsicalities of Gilbert, a humour akin to Dickens, and an insight into modern school boy life as deep as that of Hughes or Farrar. A writer with a personality and a bright, clever style.”
Novelist Andrew Lang introduced Guthrie to the editor of Punch, F. C. Burnand. The result was “Voces Populi,” a series of sketches of Brits at work and play that were, according to Brander Matthews of Cosmopolitan: “Photographic in their accuracy. Anstey has caught the cockney in the very act of cockneyism, but wholly without bitterness or rancor. He knows his roughs, his ruffians, his housemaids, his travellers. He sees their weakness, but he is tolerant and does not dislike them in his heart”— another description that could have fit the work of Wodehouse.
In 1958 Plum told his biographer Richard Usborne that he was “soaked in Anstey’s stuff.” He had been for a long time; fifty-three years earlier, as he compiled notes for “Sunshine and Chickens,” (published in 1906 as Love Among the Chickens) he wrote: “Cook as old soldier like a man in Anstey’s Fallen Idol [1886] always grumbling and vaguely indignant with other people when he does anything wrong.” (Phrases, Notes Etc.) The character did not make it into the book.
From Wodehouse’s The White Feather of 1907: “In stories, as Mr. Anstey has pointed out, the hero is never long without his chance of retrieving his reputation,” which is the main theme of the story.
Enter Baboo Jabberjee
Guthrie’s most notable imprint on Wodehouse’s work comes from the pages of Baboo Jabberjee, B.A., published in 1897. Murphy: “At the end of the nineteenth century, hundreds of young Indians came to London to read law, which led F. Anstey to write a series of essays for Punch in the 1890s, supposedly written by one of them. They became the rage and the whole country quoted Mr. ‘Baboo’ Jabberjee, a pompous young Indian law student, who wrote weekly letters to ‘Hon’ble Punch,’ describing his experiences as a visitor to England. His style of speech was orotund eighteenth century Augustan English, and ten words were used when one would do, mixed in with Shakespearean misquotations.” Indeed—in the first installment, Baboo introduces himself to the editors: “Since my sojourn here, I have accomplished the laborious perusal of your transcendent and tip-top periodical, and hoity toity! I am like a duck in thunder with admiring wonderment at the drollishness and jocosity with which your paper is ready to burst.
Plum’s first quotes from the garrulous Indian appear in “The Manoeuvres of Charteris” and in book form in A Prefect’s Uncle: “The Bishop, like Mr. Hurry Bungsho Jabberjee, B.A., became at once the silent tomb.” The silent t. wheeze is one well known to Wodehouse’s readers.
It might have brought a smile of satisfaction to Wodehouse in May 1906 when Ernest Foster, then editor of Chums, the constant companion of his boyhood, commissioned him to write a “not so public-schooly serial with rather a lurid plot.” He turned to Bill Townend for ideas, and under the alias Basil Windham the pair collaborated on a serial novel “full of kidnappings, attempted murders, etc.” called The Luck Stone. It had a long gestation; serialization wasn’t begun until September 1908. Plum referred to the story in a 1911 letter to L. H. Bradshaw as “in the Andrew Home vein.” The formulaic page-turner might best be described to Americans of a certain age as a British version of a Hardy Boys adventure. ‘Basil Windham’ lifted Baboo’s rem acu tetigisti (Lt., you have touched the matter with a needle) which Anstey had cribbed from the Roman playwright Plautus, and mens sana in corpore sano (Lt., a sound mind in a sound body) courtesy of Juvenal; both phrases are well known to Wodehouse’s readers. The authors created a delightful Baboo clone with the Indian student Ram:
Misters and fellow-sufferers permit me to offer a few obiter dicta on unhappy situation in re lamentable foodstuffs supplied to poor schoolboy. For how without food, even if that food be the unappetising and a bit off, shall we support life and not pop off mortal coil, as Hon’ble Shakespeare says? ’Tis better, misters, as Hon’ble Shakespeare also says, to bear with the snip-snaps we know of than fly to others which may prove but a jumping from frying-pan into fire. Half a loaf is better than an entire nullity of the staff of life. (Abridged from original text)
Plum deprived English literature of what would surely have been a comic masterpiece by not letting his readers in on Ram’s recitation of Hamlet’s soliloquy: “Even in its original form this is admitted by most people to be a pretty good piece of writing, and Ram improved on the original. He happened to forget the exact words half-way through, and, scorning to retire gracefully, as a lesser man might have done, he improvised.”
Usborne detected Baboo’s influence in the speech patterns of three of Wodehouse’s most famous characters: “Take your line through Ram, into Psmith the buzzer, Bertie the burbler and Jeeves the orotund, and you may feel inclined to pay a passing tribute to F. Anstey for planting a seed in the rich soil of young Wodehouse’s burgeoning mind. Jabberjee was powerfully seminal to Psmith. Some of his false concords [disagreement of relative and antecedent, misgovernment of pronouns, mistaking the adverb for the adjective, etc.] are repeated verbatim by Bertie Wooster, and some of his inflated phraseology goes into Jeeves’s vocabulary. It was Jabberjee, not Bertie, who first misunderstood Shakespeare’s “an eye like Ma’s to threaten and command.” (“An eye like Mars, from Hamlet)
Chapter 10 of the book, entitled “A Booky Sort of Person,” discusses Wodehouse’s early reading habits and literary influences.
For all Plum enthusiasts, the book is a treasure trove!
(Permission to reproduce these excerpts on this blog site is gratefully appreciated).
Related Post:
The Indian Curry Dished Out by P. G. Wodehouse
Long live Wodehousitis!
Posted in What ho!, tagged David, Humour, Lenses, Madonna, Michelangelo, P G Wodehouse, Pieta, Wodehousitis on October 28, 2021| 6 Comments »

By no stretch of imagination can I be held to be an expert on P. G. Wodehouse. If you have followed my Wodehouse-related posts over the past eight years, you would have already assessed the literary level of essays churned out by me. The scales would have fallen from your eyes. You would have realized that these have been sculpted by someone who had honed his linguistic skills ‘at a correspondence school and had never progressed beyond lesson three’; much unlike the Master Wordsmith of our times, who, like Michelangelo, leaves us enthralled in awe and admiration of many a literary David, Madonna and Pieta he has dished out. What Michelangelo was to marble, Plum is to literary humour, wit and wisdom. Like the former, the latter’s talents are also multi-faceted. If one was a sculptor, a painter and an architect, the latter was a prolific writer, publishing more than ninety books, forty plays, two hundred short stories, several poems and other writings between 1902 and 1974.
He used a mixture of Edwardian slang, quotations from and allusions to numerous literary figures, and several other literary techniques to produce a prose style that has been compared to comic poetry and musical comedy. One of the qualities of his oeuvre is its wonderful consistency of quality, tone, wit and wisdom. A wise man had once remarked that his works transport us to a sort of Garden of Eden where a benevolent sun always shines, though eating a certain fruit is forbidden. His characters may sound like trivial people doing trivial things, but Plumsville in itself is not at all trivial.
There are several lenses with which one could discern the messages embedded in his works. A literary lens would reveal his canvas to be very wide, comprising not only Shakespeare but also Agatha Christie, Sir Arthur Conan Doyle, Browning, Burns, Frost, Keats, Kipling, Omar Khayyam, Spinoza, Tolstoy, Tennyson, Wordsworth and many others. A spiritual lens would bring into sharp focus the importance of cultivating such personality traits as compassion, gratitude, empathy, humility, perseverance, aspiration, courage and goodness. A well-being lens would nudge us to avoid the pleasures of the table and remain fit and trim. A social lens would help us to notice the kind of efforts one has to keep making to keep the wolves at bay and notice the perils of economic inequality. A political lens would leave us scoffing at dictators and others. A theological lens would reveal the rich Biblical references and allusions in his works. A managerial lens reveals to us the art of managing bosses. A romantic lens would reveal a clear absence of cruder passions. Respect for women reigns supreme. Victorian norms prevail.
In a way, there is much in common between Wodehouse’s works and those of Jane Austen. Both happen to follow strict codes. Both play out as movies suitable for General Exhibition, thereby making these a family affair. Sex is taboo.
In Plumsville, friendly romps and jocular embraces are taken a jaundiced view of. Impersonation and white lies dished out in the course of a boat ride meet with approval; so do the pinching of umbrellas, policemen’s helmets, scarabs, silver cow creamers and such members of the animal kingdom as cats, dogs and pigs. Bunging in a policeman into a cooling stream is not scoffed at. One is forever living in a world which is essentially decent, uplifting and far away from the kind of trials and tribulations one faces in real life. Practical jokes do get played, albeit within limits. A chin-up attitude is the norm.
One of his unique skills is that of deploying a unique turn of phrase and the delightful use of similes. The laughter of Honoria Glossop gets likened to ‘the Scotch express going under a bridge.’ The Empress of Blandings is described as a balloon with ears and a tail. Examples such as these abound all across his oeuvre.
Yet another skill of his is that of weaving in several threads in the same narrative. He gives all the threads in his narrative the same dramatic weight, making them all result in happy endings. His characters do face the harsh slings and arrows of fate, but things invariably remain within tolerable limits. If problems of the lining of the stomach lead one to contemplate suicide, some simple exercise, such as chasing a servant down the street, quickly makes one realize the futility of giving up on the gift of life.
Many of my blog posts happen to be an outcome of a soulful analysis of his books and stories. Quite a few others are pastiches which make one realize the timelessness of his works. Some are examples of the kind of affliction Wodehousitis happens to be. If someone is in the terminal stage, no other literary figure attracts one’s attention. People one runs into get characterized as per the traits of some of his characters. A pitiless self analysis leads one to identify oneself with different characters created by Plum. All incidents in one’s mundane life get viewed through a Wodehousean lens, whether facing a pandemic or appearing in a court hearing or even when one receives an offer of a paltry sum at the hands of a Scandinavian young girl. In retrospect, even career blunders get looked at in a lighter vein.
Plum’s works happen to be an effective balm for a weary and wounded soul. When it comes to shrugging off those blues, these act like the pick-me-ups whipped up by Jeeves and make one rise over one’s dead self to higher things in life.
All this goes on to show that as a delectable affliction, Wodehousitis has a very long shelf life. Plum’s works continue to enthuse, educate and entertain his numerous fans the world over and would keep doing so for a very long time to come. The more the disruptions caused by advances in technology, the higher the risk of human alienation. The higher the level of alienation, the wider the prevalence of depression and psychosomatic illnesses. His works are based on the psychology of the individual and act as effective anti-depressants. This alone would ensure his perennial popularity.
Long live Wodehousitis!
(Illustration courtesy Suvarna Sanyal)
Related Posts:
How Wodehouse inspired me to lose weight: Guest Post by Mala Kumar
Posted in What ho!, tagged Humour, Jeeves and the Feudal Spirit, Larsen Exercises, Losing Weight, P G Wodehouse, Something Fresh on October 22, 2021| Leave a Comment »
‘Oh, I say, did you say Wodehouse helped you lose weight?’
‘Yes.’
‘Wodehouse as in P.G.?
‘Yes.’
‘The writer or the dietician?’
‘The writer, you ass! He invented the Swedish Exercises, you know. And the Larsen E.’
‘And you did them?’
‘No, I just read about them.’
A couple of years back, I went to a new doctor with my annual health check-up reports. Again, all the results seemed fine. I was eating healthy, staying active, walking twice a day. Balancing the halo on my head, I flashed a smile at him.
“You need to lose about 15 kg,” he said. “Put in more exercise.”
“But Doctor, I doubt I can do more than this. I’ve had multiple fractures on both my legs some years back.”
Like most normal people, this is when he should have said, ‘What!’ and I would have told him about my near-fatal road accident in an unquivering voice. But he did not raise an eyebrow. “Too long ago. You better get serious about exercise and consult a nutritionist if you want to stay fit.”
Some bedside manner, humph!
But not one to bear grudges, I moved on. I would look up some Swedish Exercises, I thought, having caught a page of Something New while sitting in the waiting room earlier. But, of course, I’m always equipped with a Wodehouse—one never knows when one may need a smile.
In this first Blandings Castle book, the hero Ashe Marson is a strapping young man who does the Larsen Exercises in the open, unmindful of the audience, till one day, just as he ‘unscrambled himself and resumed a normal posture’, the heroine of the book bursts into musical laughter. Like the rest of ‘Plum’ Wodehouse’s work, this has been a balm to my throbbing head and broken bones. Wodehouse is mild sunshine on a cold day, cool breeze on a hot day, and a gentle sprinkling of life lessons every day. More importantly, however, it proved to be an inspiration.
Many of Wodehouse’s novels mention the Swedish Exercises. But somehow, till that minute in the doctor’s waiting room, I hadn’t thought of them as an exercise that I could do. Or should do. Yes, imagining his characters twisting and turning always makes me smile. This bit from Jeeves and the Feudal Spirit has me in splits every time I read it.Bertie Wooster, against whose name there are 11 pages of incriminating matter in the Junior Ganymede Club register, asks Jeeves if there is anything there about fellow Drones Club member Stilton Cheesewright.
‘Damaging?’
‘A certain amount, sir.‘
‘Not in the real sense of the word, sir. His personal attendant merely reports that he has a habit when moved of saying “Ho!“ and does Swedish exercises in the nude each morning before breakfast.‘
In his book Over Seventy (1957), Wodehouse reveals that he did his “getting-up exercises before breakfast, as I have been doing since 1919 without missing a day.” He published over ninety books, hundreds of short stories, wrote or collaborated on at least 14 Broadway musicals, and died at the age of 93 while sitting in his armchair, going through a three-fourths-complete typescript of his last book, Sunset at Blandings.
Apart from the fact that he had immense talent and wrote at least 1000 words every day, I’ve often wondered what could account for such prolific work. He and his wife always had dogs and cats and even guinea hens around them that served as stress-busters? That, like Bertie Wooster, he never harboured any ill will towards anyone? By his own admission, that he had a case of infantilism and never developed mentally at all beyond his last year in school? That he exercised every day?
Bingo! E-V-E-R-Y-D-A-Y! His fictional exercises are believed to have been inspired by the regime invented by the Swede Pehr Henrik Ling or by that of Lieutenant Muller of the Danish Army. But in real life, Wodehouse followed a set of light exercises called the Daily Dozen, which Walter Camp invented and published in Collier’s magazine. He did it every day.
My visit to the nutritionist confirmed that every day was the magic word. She reviewed my diet and lifestyle and said only a few tweaks were needed to make them work for me. Instead of doing a bit of yoga in fits and starts, I started going up to the terrace to do yoga – not Swedish exercises – for half an hour every day at sunrise. Like magic, I lost over 12 kg in seven months. When I diluted the ‘everyday’ regime earlier this year, the needle started swaying the other way. I think I’ll need to begin reading Wodehouse every day again – no, not to follow his Swedish Exercises, but to exercise – any kind of physical exercise – every single day!
(Mala Kumar is a writer and editor who keeps her insanity intact by talking to kids, dogs, cats and plants.Her permission to reproduce it here is gratefully acknowledged.)
(This article first popped up on ‘livemint/lounge’; the original can be accessed at: https://lifestyle.livemint.com/health/wellness/how-wodehouse-inspired-me-to-lose-weight.)
Related Posts:
Bertie Wooster Needs Your Opinion
Posted in What ho!, tagged Bertie Wooster, Humour, Jeeves, Jeeves and the Wedding Bells, Opinion, P G Wodehouse, Sebastian Faulks, Soulmate on October 20, 2021| Leave a Comment »
I wonder if I should endeavor to find a true and worthy soul mate,
Who would join me in facing the harsh slings and arrows of fate.
Let me be spared of someone like Madeline who gazes moodily at stars in the sky,
While I yearn for smoked salmon, cheese and wine, or some bacon and egg fry.
Honoria Glossop would be prone to slapping the backs of guests with all her might,
Nudging me to perform goofy deeds without any consideration of my own plight.
Roberta Wickham would sashay up to the altar with much aplomb,
But each moment spent with her would be like a ticking bomb.
Pauline Stoker would exhort me to swim a mile before breakfast,
And then play five sets of tennis post-lunch, leaving me gasping and aghast.
Florence Craye would like to mould me into an intellectual cove,
Being a…
View original post 360 more words
A Basketful of Plums: Volume I
Posted in What ho!, tagged Book, Humour, P G Wodehouse on October 15, 2021| 4 Comments »
On the occasion of the 140th birth anniversary of P. G. Wodehouse, allow me to present a collection of a part of my blog posts on the Master Wordsmith of our times.
Many of my followers on social media keep complaining about suffering from dyspepsia of a Plummy kind. Even before they can devour a piece, a new one pops up. In the social media rapids, earlier posts are apt to sink without a trace rather promptly. Often, this leaves them disgruntled no end.
I hope this compilation would work like Mulliner’s Buck-U-Uppo, enabling fans of Plum to look up different blog posts at their own convenience and leisure, with a jaunty sang froid. I can readily imagine a reader, with this basket of plums by her side, relishing a single plum at a time while seated in her favourite rocking chair, with her preferred tissue restorative perched on a tiny table next to her.
These essays have been grouped under different sections. Volume I, entitled ‘A Soulful Analysis of the Wodehousean Canon’, has the following sections:
In Jeeves We Trust
Of Mentally Negligible Masters
Women in Plumsville
Analysing The Code of the Woosters
Something Fresh Under the Lens
The Girl Friend and Lord Emsworth
When Cupid Strikes
Some Seasoned Romances
Shades of Plum in Some Movies
Hapless Rozzers and Stern Lion-tamers
Matrimonial Bliss
Rogue Kids
Napoleon and Shakespeare
Of Politicos
Canines, Felines and Others
If Volume I takes an analytical view of the Wodehousean canon, the upcoming Volume II, entitled ‘Pip pip’, comprises pastiches and some autobiographical posts. It endeavours to highlight the relevance of his narratives in the contemporary times.
Over the years, many fans of P. G. Wodehouse world over have contributed to the essays which form a part of this compilation.I am grateful for the affectionate support received. Thanks are also due to Mr. Kevin Cornell, Mr. Suvarna Sanyal and Wikipedia for the illustrations; to Ms. Sneha Shoney, who has edited the text; to Mr. S. K. Sarath Bharati and Mr. Sanket Bhatia for composing the text and finalizing the layout.
This collection of essays is for private circulation only. The intention is not commercial but merely to share some thoughts regarding the oeuvre of P. G. Wodehouse.
Those who are keen on receiving a PDF version of Volume I may please mail a request to akb.usha1952@gmail.com. The PDF version can also be downloaded directly from here.
(Related Post:
The Indian Curry Dished Out by P. G. Wodehouse
Bertie changes his mind: A Visual Version
Posted in What ho!, tagged Bertie Wooster, Humour, India, Jeeves, Miss Tomlinson, P G Wodehouse, Peggy Mainwaring | on October 12, 2021| Leave a Comment »
What happens when a banking professional like Suvarna Sanyal, who has spent a life time poring over bulky ledgers and checking debit and credit figures, turns his attention to one of the popular stories dished out by P G Wodehouse? Well, he simply whips up a series of illustrations which figure some of the better known characters from the canon in some selected scenes from the story!
Residents of Plumsville would recall that this is the only story in the canon which is narrated by Jeeves. Savour below the results of his labour of love which, incidentally, have already undergone a scrutiny under the precise microscope of an expert in all Plummy matters.
I want to explain to you why I am speaking to you directly, instead of letting Mr Wooster present one of his tales. I have been asked quite frequently to explain any formula I might have for…
View original post 1,391 more words
Lord Emsworth and the Girl Friend: A Visual Version
Posted in What ho!, tagged Blandings Castle, Girl Friend, Gladys, Humour, Lord Emsworth, P G Wodehouse, Suvarna Sanyal on October 9, 2021| 2 Comments »
What happens when a banking professional like Suvarna Sanyal, who has spent a life time poring over bulky ledgers and checking debit and credit figures, turns his attention to one of the popular stories dished out by P G Wodehouse? Well, he simply whips up a series of illustrations which figure some of the better known characters from the canon in some selected scenes from the story!
Savour below the results of his labour of love which, incidentally, have already undergone a scrutiny under the precise microscope of an expert in all Plummy matters.
‘The day was so warm, so fair, so magically a thing of sunshine and blue skies and bird-song that anyone acquainted with Clarence, ninth Earl of Emsworth, and aware of his liking for fine weather, would have pictured him going about the place on this summer morning with a beaming smile and an uplifted heart.’
View original post 901 more words
Bertie Wooster dishes out some Parenting Tips
Posted in What ho!, tagged Bertie Wooster, Bingo Little, Future, Humour, KIds, Matrimonial Harmony, P G Wodehouse, Parenting, Roberta Wickham, Roderick Spode, Rosie M Banks, Sarcasm, Satire, Scriptures, Stiffy Byng, Values on October 4, 2021| Leave a Comment »
I confess I have never had the chance of listening to the prattle of tender feet around me. However, this does not mean that I do not observe kids. I do so, with all the shrewdness at my command. When they giggle and stare at public speakers, the latter are all of a twitter. When they seek protection money from their wannabe step fathers, the soul cringes. When they use paraffin wax to douse fires, one sickens in horror. When they decide to extract a revenge of sorts from cabinet ministers who have reported their smoking endeavours in the shrubberies, one draws appropriate conclusions. When they celebrate their birthdays by either putting sherbet in ink pots or by going AWOL to enjoy a dinner and a movie, one gets overawed with the kind of courage they have.
Having suffered at the hands of such obnoxious kids as Thos, Seabury, Edwin…
View original post 1,696 more words
The Political P.G. Wodehouse: Guest Post by Bengt Malmberg
Posted in What ho!, tagged Germany, Humour, P G Wodehouse, Russia, UK, World War II on September 20, 2021| 1 Comment »
In most biographies and essays in papers P. G. Wodehouse is regarded as naïve. He is politically ignorant and not interested. This fact in some way explains the great mistake of his life when speaking in the German radio 1941 to his readers in USA, which Goebbels later retransmitted to Britain. He has been compared with Lord Emsworth as he himself described him in Something Fresh 1915:
“Other people worried about all sorts of things – strikes, wars, suffragettes, diminishing birth rates, the growing materialism of the age, and a score of similar objects. Worrying indeed, seemed to be the twentieth century´s speciality. Lord Emsworth never worried.”
This comparison is very unfair. Already in the above number of problems Wodehouse is mentioning you notice his awareness of actual problems. My aim with the following analysis is to show how Wodehouse kept himself well informed politically if you read his stories and not the least his letters to his friends. Many letters have been published in Performing Flea 1953 and in Yours Plum, a collection of letters by Francis Donaldson 1990.
Between the wars
During these years the dictatorship ideologies became increasingly influential and Wodehouse make them ridiculous in his writing. The communist system is described by Comrade Psmith: It´s a great scheme. You work for the equal distribution of property and start collaring all you can get and sitting on it. You find the same description in The New Class by Milovan Djilas 1957.
In The Clicking of Cuthbert Vladimir Brusiloff explains the new situation in Russia: The latest news which Vladimir Brusiloff had had from Russia had been particularly cheering. Three of his principal creditors had perished in the last massacre of the bourgeoisie…
Later Vladimir tells about the golf match in Nisjni Novgorod against Lenin and Trotskij when some-body tries to kill Lenin with a revolver – …you know that is our great national sport, trying to assassinate Lenin with revolvers…
In Ring for Jeeves we learn thatBertie Wooster had thought it prudent to attend a course in which the aristocracy is taught to fend for itself, in case of the social revolution should set in with greater severity. And in Money for Nothing Bertie notices that the Bolscheviks are a permanent threat and he is sent for a course in darning of stockings.In Archibald and the Masses 1935 you get a glimpse of the proletariat in Bottleton East and what they think. Bingo Little´s love affair with the revolutionary Charlotte Corday Rowbotham reveals even more (Charlotte Corday was the girl who killed Marat during the French Revolution). And finally: in Psmith in the City Wodehouse is very engaged in the social problems of New York and its gangsters.
The classic examples
Perhaps the most cited example is from Buried Treasure 1936, when the discussion in The Angler’s Rest has come on Hitler´s moustache: he has to decide to let it grow or cut it off, there are no other options. Hitler has to show what he is up to! And also the episodes with Roderick Spode and his Black Shorts (Lederhosen) which is how Wodehouse makes the English Nazi leader Oswald Mosley look ridiculous.
The letters of Wodehouse
During the 1930´s Wodehouse is very clear about his opinion of the political situation in the world and Europe. In a letter to William Townend Dec. 2 1935 he comments upon the Italian attack on Abyssinia: Isn´t this sanctions the craziest thing you ever came across. All we need had to do was just leave Italy and Abyssinia alone and nobody would have got hurt, because I can´t imagine anything safer than being in an Italo-Abyssinian war. As far as I can make out, neither side has yet come within fifteen miles of the other.
Wodehouse was in good company with the English government who secretly had planned to let Italy take Abyssinia. (The Hoare-Laval affair 1935) He was also worried about the Japanese-Chinese war and how that would threaten British interests: Letter to William Townend Sept. 4 1937:
What a hell of a mess the world has got into! I suspect plots all around me, don´t you? I mean, this Japan business, for instance. My idea is that Italy and Germany said to Japan,´Hey! You start trouble in the East and do something to make England mad. Then they will take their Mediterranean fleet over to Shanghai, and then we´ll do a quick jump on their neck while they have no ships on this side`. I´ll bet they´re sick we haven´t fallen for that.
However, Wodehouse shares the common opinion in England that a war in Europe is out of the question. He sounds like an echo of some politicians in this: Letter to W. Townend April 23 1939:
Do you know, a feeling is gradually stealing over me that the world has never been further from war than it is at present… I think if Hitler really thought there was a chance of a war, he would have nervous prostration…
Incidentally, doesn´t all this alliance forming remind you of the form matches at school— I can´t realise that all this is affecting millions of men. I think of Hitler and Mussolini as two halves, and Stalin as a useful wing forward. Anyway, no war in our lifetime is my feeling. I don´t think wars start with months of preparation in the way of slanging matches. When you get a sort of brooding peace, as in 1914, when a spark lights the p. magazine that´s when you get a war. Nowadays, I feel that the nations just take it out in blowing off steam. (I shall look very silly if war starts on Sunday, after Hitler´s speech!)
The ghastly thing is that it´s all so frightfully funny. I mean, Hitler asking the little nations if they are in danger of being attacked. I wish one of them would come right out and say, ´Yes, we jolly well do´!
The war starts and Wodehouse writes to W.Townend Oct. 3 1939: Didn´t you think that was a fine speech of Churchill´s on the wireless? Just what was needed, I thought. I can´t help feeling that we´re being a bit too gentlemanly. Someone ought to get up in Parliament and call Hitler a swine.
And Dec. 8 1939 to W. Townend: I have been reading all Churchill´s books – e.g. the World Crisis series (1:st. World War). Have you read them? They are terrific. What strikes me most about them is what mugs Germans were to take us on again. You would have thought they must have known that we should wipe them out at sea and that there never has been a war that hasn´t been won by sea power…..I never realised before I read Churchill that the French started off in 1914 by losing four hundred thousand men in the first two weeks. Also, what perfect asses the Germans made of themselves. There was a moment when all they had to do was strike East and they needn´t have worried about the blockade. Instead of which, they went for Verdun, which wouldn´t have done them any good if they had got it.
The phoney war had been going on for almost 5 months when Wodehouse wrote Jan. 23 1940 to W. Townend: I agree with you about the weariness of war. I find the only thing to do is to get into a routine and live entirely by the day. I work in the morning, take the dogs out before tea, do a bit of mild work after tea, then read after dinner. It is wonderful how the days pass… My only fear is that Germany will be able to go on for years on their present rations. Apparently a German is able to live on stinging nettles and wood fibre indefinitely.
Wodehouse is quite aware of the war but doesn´t seem to worry much about the situation. He writes two short stories in December 1939 and February 1940 in Punch in which hemakes fun of Hitler´s war (The Big Push and Shock Dogs). In some way he had accepted Italy´s war in Africa and now Germany´s occupation of Poland to establish economic basis for their countries. He is not at all conscious of any threat against France and England and decides to stay in Le Touquet.
The Punch Articles
In The Big Push Wodehouse tells a story about a meeting at Wilhelmsstrasse with Hitler and the general staff at the headquarters. They discuss how to continue the war and conquer England. Hitler proposes an invasion of England by pocket battle ships. “You did say”, he added turning to Goebbels, “that we had destroyed the British Fleet?” Goebbels answers: “Well, we have sunk the Ark Royal seven times, but…” – “OK”, Hitler says, “let´s wait till the North Sea freezes, and skate across”. Someone remarks that by some rule the North Sea doesn´t freeze like the Baltic. Hitler says: “Oh well, then let´s destroy France”. – “We have some difficulties Leader”, says general Brauchitsch,”the Maginot line…” “Why wasn´t I told about this Maginot Line”, Hitler asks. “We are rather trying to conciliate France”, says Ribbentrop. And the discussion continues until they find the solution: invading Britain with German Brass bands, which will play day and night so no one can sleep. The English will have to pay the bands to go away, and that will ruin England. Field Marshall Goering shouts: “Heil Hitler. Against this secret weapon of our Leader´s the British have no defence.”
This demonstrateshow ridiculous Wodehouse regarded the German leaders. In Shock Dogs 1940 the story takes place at “Angler´s Rest” where Mr. Mulliner leads the discussion about the German hostilities in the war. The news is that Germany has employed a large number of dogs to dig under the Maginot Line and undermine the foundations. You must be prepared for every emergency, Mr. Mulliner and points to what happened in Finland in the winter war. The Russians had concentrated large forces at the railway to send to the front. But when going to take their seats on the train they found that the Finns had raided the booking office and destroyed all the third-class tickets. To send the soldiers first-class would be very expensive so it had to be cancelled.
By this Wodehouse hinted at the great problems Russia had when trying to invade Finland in the winter 1939-40 and lost a lot of soldiers. The cost of sending them first-class (well equipped and trained) would have ruined Russia. The same with the dogs. To feed them, to give them all the Iron Cross etc. would ruin Germany, so Hitler kept the German army at home and didn´t start an attack and tried to see what France would do during the “Phony War”. Wodehouse thought he was safe in Le Touquet and that no real war would come. A lot of people thought the same in England at that time.
P.G.Wodehouse’s early writings in the beginning of the century: The Parrot-period 1903 and onwards.
Towards the end of 1903 Wodehouse was asked to write daily poems for the front page of the Daily Express, commenting on a topical political controversy. He wrote at least 19 of the 51 poems which appeared on the front page of the paper between September 30 and the end of the year, in which a Parrot commented on its perception of the consequences of a proposed change in economic policy.
Joseph Chamberlain was eager to charge a duty on the import of cheap food from the colonies and drop the policy of free trade, which had been followed for a century. His motive was that the income from customs should be invested in industries in Britain´s colonies. The Unionist Party also wanted to protect the British farmers. This would mean that food prices would rise and affect those with low incomes. Wodehouse gives his view of the problem through the Parrot:
On the fore-top-gallant spanker
Of a first-class cruiser´s anchor,
Sat a handy-man of Plymouth,
And he warbled `John Bull´s Store´
With a face like a tomato
He had reached the pizzicato,
When a parrot, perched beside him,
Said `Your food will cost you more’.
(Oct 28, 1903)
In the usual Fleet-street garret
Sat a poet; and the parrot,
Full of quaint misinformation,
Fluttering idly through the door,
Found him dashing off a sonnet
He was gently musing on it,
When the parrot broke the silence
With `Your food will cost you more`. (Nov. 9 1903)
In A solitary Triumph 1903 Wodehouse has noticed that men are more criminal than women:
Oh, the progress of Woman has really been vast,
Since Civilization began.
She´s usurped all the qualities which in the past,
Were reckoned peculiar to Man.
She can score with a bat, use a rod or a cue;
Her tennis and golf are sublime.
Her aim with a gun is uncommonly true,
But Man beats her hollow at crime.
Wodehouse often uses language and similes from sports as in his reports from football matches in Punch 1913 when the reporters D-v-d Ll-yd G—oge, W-nst-n Ch-rch-ll and S-lv-a P-nkh-rst write about what happened, but their political views influence their sport reports.
One of my favourites among Wodehouse´s political poems is The Phalanx from 1906. England had a coalition ministry under Cambell-Bannerman, in which ministers with different political views had great difficulty to cooperate. Among these were Herbert Asquith, Winston Churchill, Edward Grey, H J Gladstone, and David Lloyd George. Wodehouse calls them The Happy Cabinet in his poem:
Of course it´s true that some of us
Hold views that scarce agree
With those expressed by all the rest:
Still, l hang it. Thought is free.
Besides, it´s not exactly what
You´d call a hitch or jar.
We are a happy Cabinet.
We are! We are!! We are!!!
If Winston Churchill thought the same
As Asquith, Burns or Grey;
If Asquith, too, affairs could view
In Herbert Gladstone´s way;
And if Lloyd George could be surpressed,
We´d then do better far.
We are a happy Cabinet.
We are! We are!! We are!!!
´Twere well if we united minds
To Ireland could apply,
On Rand Chinese, and points like these
Could see things eye to eye.
But as to details such as this
We´re not particular.
We are a happy Cabinet.
We are! We are!! We are!!!
In 1935 the English government was not to strong and didn´t expect any real danger from Hitler and Mussolini, so the Almanack below by Old Law demonstrates a situation where the members of the government sit calm and enjoy themselves.
The import of Chinese labour to South Africa in the beginning of the 20th century was not very popular, and the Ireland question was always present. Wodehouse must have been well informed when he could write his commentaries in such pregnant way.
At the same time he worked at The Globe, in which he commented world politics in Our Rapid Calendar. In By The Way Book you find calendars for 1908-1909 in which he jokes about the German Emperor trying to deceive England regarding navy disarmament. As Wodehouse writes: The German Emperor says his Navy is wanted to watch Switzerland (Oct. 1908) The German Emperor says his Navy is wanted to protect Germany from invasion by Persia (Nov.1908) et.sec. He also mentions President Roosevelt´s ambition to take action against the Trusts, a question which is still with us today. So, Wodehouse was following the political questions fairly well.
The political situation in Europe before World War I gave Wodehouse 1909 inspiration to write The Swoop, in which he describes the invasion of 9 foreign armies in England. The scout Clarence Chugwater is the hero who saves England, and later in 1915 even America as well when the invasion armies came there. The Swoop is joking with the mentalities of different states and emphasizes the British common sense.
So, if you consider these examples from different early writings by P. G. Wodehouse, it is not correct to characterize him as politically ignorant and not interested. But his aim was not to take part in political discussions and have a message to his readers, he wanted to amuse his readers, not worry. But his knowledge of political affairs was good.
P. G. Wodehouse in Germany 1940-41
When Germany invaded France in spring 1940, Wodehouse was taken as prisoner and interned at Tost until June 21st. 1941, when he was released and taken to Berlin. There he was persuaded to make his 5 talks via the German radio to his readers in USA from June 28st. to Aug. 6th. which caused an immense debate in England and he was condemned as being a traitor when talking in the Nazi radio. On July 19th 1941 Saturday Evening Post after the second talk published an article by Wodehouse, My War with Germany in which he describes his situation at Tost. This article was read and translated in Sweden only 2 months later under the title “Mitt krig med Hitler” (My War with Hitler)
The translator believed that the article was the second talk by Wodehouse, but it is written besides the talks. Wodehouse tries to be stiff upper lip in describing the time in the Nazi camp. The article has nothing political at all in it and the American readers get a picture of the camp life Wodehouse has at Tost. Quite remarkable that it was read and translated in Sweden so soon.
I will not discuss the Berlin talks here, only mention that one passage from his talks has been unfairly related later. In June 26 1941 Harry W. Flannery conducted an interview on the radio with Wodehouse. Flannery had written the manuscript in advance and he and Wodehouse read it from the script. In discussing his writings Wodehouse said: I´m wondering whether the kind of people and the kind of England I write about will live after the war – whether England wins or not, I mean. Flannery´s answer: Your characters will always live, Mr Wodehouse. Maybe in a different setting. (Assignment to Berlin p. 246) What Wodehouse actually was thinking when saying those words is impossible to know 72 years later, but my opinion is that he had his writing in mind, not the end of the war. (See also letter Dec. 8 1939!) After the war when Wodehouse was questioned by MI 5 and the circumstances around the talks, he was declared completely innocent of treachery, but the records of the questioning were kept secret for many years until he was completely acquitted.
If you consider the course of his life you notice, that he lived most of the period 1909-1920 in USA, though he spent some time in England as well up to 1914. He commuted between the UK and US, with an occasional visit to France in the 1920s. In the 1930s he started with 18 months in Hollywood. Then he had his base in England or France for the rest of the decade with another year in Hollywood 1936-37. Therefore he remained in his mind in the England as it was before 1920.
Consequently he probably was influenced by the situation in two isolationistic nations (UK and USA) who would not pay much attention to Europe´s political development until it was too late around 1937. The appeasement policy determined Britain´s conduct almost up to the annexation of Tchecoslovakia in March 1939. Wodehouse held the same opinion as the leading political groups in England (except Churchill), but he became the victim of a government under great pressure 1941, eager to find suitable scapegoats in an extremely threatening situation.
In Homage to P.G. Wodehouse 1973 Auberon Waugh has a good point when discussing the Great English Joke. Mr Waugh had noticed that very few in the British Cabinet had ever read Wodehouse; only two enjoyed him, several had never heard of him. “The political world does not take kindly to alternative perceptions of its own importance. Politicians may be prepared to countenance subversive political jokes, but the deeper subversion of totally non-political jokes is something they can neither comprehend nor forgive. It is no accident that of all twentieth-century English writers, Wodehouse is the one they have chosen, in their time, to persecute most bitterly.”
Auberon Waugh is of the opinion that Wodehouse´s influence politically is his sense of the ridiculous. “By teaching us that the best jokes completely ignore everything in which men of authority try to interest us, Mr. Wodehouse has kept the torch of freedom burning in England more surely than any avowedly political writer could ever have done.”
I agree with Mr. Waugh, that the political impact of Wodehouse on British society and thinking must be great. Through viewing the society and its problems with the glasses of humour, you get the right proportions of them, of the men and women who have influence, politically or economically, of pomposity and selfishness. And that strengthens the dignity of common people and thereby also democracy. So, my conclusion together with Auberon Waugh and many others is that Wodehouse was really politically interested and well aware of what was going on. There are a lot of examples in his books and letters that prove that! But his aim was not to take part in politics, only to amuse.
(Note: Bengt Malmberg is a Member of the Wodehouse Society Sweden. This article had first appeared in Plum Lines in 2014. His permission to publish it here is gratefully acknowledged. Illustration courtesy www)
Related Post:
Wodehouse misremembered








