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Posts Tagged ‘Pieta’

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By no stretch of imagination can I be held to be an expert on P. G. Wodehouse. If you have followed my Wodehouse-related posts over the past eight years, you would have already assessed the literary level of essays churned out by me. The scales would have fallen from your eyes. You would have realized that these have been sculpted by someone who had honed his linguistic skills ‘at a correspondence school and had never progressed beyond lesson three’; much unlike the Master Wordsmith of our times, who, like Michelangelo, leaves us enthralled in awe and admiration of many a literary David, Madonna and Pieta he has dished out. What Michelangelo was to marble, Plum is to literary humour, wit and wisdom. Like the former, the latter’s talents are also multi-faceted. If one was a sculptor, a painter and an architect, the latter was a prolific writer, publishing more than ninety books, forty plays, two hundred short stories, several poems and other writings between 1902 and 1974.

He used a mixture of Edwardian slang, quotations from and allusions to numerous literary figures, and several other literary techniques to produce a prose style that has been compared to comic poetry and musical comedy. One of the qualities of his oeuvre is its wonderful consistency of quality, tone, wit and wisdom. A wise man had once remarked that his works transport us to a sort of Garden of Eden where a benevolent sun always shines, though eating a certain fruit is forbidden. His characters may sound like trivial people doing trivial things, but Plumsville in itself is not at all trivial.

There are several lenses with which one could discern the messages embedded in his works. A literary lens would reveal his canvas to be very wide, comprising not only Shakespeare but also Agatha Christie, Sir Arthur Conan Doyle, Browning, Burns, Frost, Keats, Kipling, Omar Khayyam, Spinoza, Tolstoy, Tennyson, Wordsworth and many others. A spiritual lens would bring into sharp focus the importance of cultivating such personality traits as compassion, gratitude, empathy, humility, perseverance, aspiration, courage and goodness. A well-being lens would nudge us to avoid the pleasures of the table and remain fit and trim. A social lens would help us to notice the kind of efforts one has to keep making to keep the wolves at bay and notice the perils of economic inequality. A political lens would leave us scoffing at dictators and others. A theological lens would reveal the rich Biblical references and allusions in his works. A managerial lens reveals to us the art of managing bosses. A romantic lens would reveal a clear absence of cruder passions. Respect for women reigns supreme. Victorian norms prevail.

In a way, there is much in common between Wodehouse’s works and those of Jane Austen. Both happen to follow strict codes. Both play out as movies suitable for General Exhibition, thereby making these a family affair. Sex is taboo.

In Plumsville, friendly romps and jocular embraces are taken a jaundiced view of. Impersonation and white lies dished out in the course of a boat ride meet with approval; so do the pinching of umbrellas, policemen’s helmets, scarabs, silver cow creamers and such members of the animal kingdom as cats, dogs and pigs. Bunging in a policeman into a cooling stream is not scoffed at. One is forever living in a world which is essentially decent, uplifting and far away from the kind of trials and tribulations one faces in real life. Practical jokes do get played, albeit within limits. A chin-up attitude is the norm.

One of his unique skills is that of deploying a unique turn of phrase and the delightful use of similes. The laughter of Honoria Glossop gets likened to ‘the Scotch express going under a bridge.’ The Empress of Blandings is described as a balloon with ears and a tail. Examples such as these abound all across his oeuvre.

Yet another skill of his is that of weaving in several threads in the same narrative. He gives all the threads in his narrative the same dramatic weight, making them all result in happy endings. His characters do face the harsh slings and arrows of fate, but things invariably remain within tolerable limits. If problems of the lining of the stomach lead one to contemplate suicide, some simple exercise, such as chasing a servant down the street, quickly makes one realize the futility of giving up on the gift of life.

Many of my blog posts happen to be an outcome of a soulful analysis of his books and stories. Quite a few others are pastiches which make one realize the timelessness of his works. Some are examples of the kind of affliction Wodehousitis happens to be. If someone is in the terminal stage, no other literary figure attracts one’s attention. People one runs into get characterized as per the traits of some of his characters. A pitiless self analysis leads one to identify oneself with different characters created by Plum. All incidents in one’s mundane life get viewed through a Wodehousean lens, whether facing a pandemic or appearing in a court hearing or even when one receives an offer of a paltry sum at the hands of a Scandinavian young girl. In retrospect, even career blunders get looked at in a lighter vein.

Plum’s works happen to be an effective balm for a weary and wounded soul. When it comes to shrugging off those blues, these act like the pick-me-ups whipped up by Jeeves and make one rise over one’s dead self to higher things in life.  

All this goes on to show that as a delectable affliction, Wodehousitis has a very long shelf life. Plum’s works continue to enthuse, educate and entertain his numerous fans the world over and would keep doing so for a very long time to come. The more the disruptions caused by advances in technology, the higher the risk of human alienation. The higher the level of alienation, the wider the prevalence of depression and psychosomatic illnesses. His works are based on the psychology of the individual and act as effective anti-depressants. This alone would ensure his perennial popularity.

Long live Wodehousitis!

(Illustration courtesy Suvarna Sanyal)

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On a lighter note, one needs to be wary of managements which exhort one to follow this much misunderstood principle of detachment expounded in the Bhagavad Gita. They would have one believe that one should continue to slog all year long but would do well not to expect that elusive overdue promotion. One can then either lump it and trudge along, or take prompt action through proper channels to get oneself detached from the company at the earliest possible opportunity!

An inspired self-forgetfulness

What is the secret behind mighty achievements? What is the state of mind in which an artist like Vincent van Gogh would have created his unique gifts to humanity? Could he have done so while being worried if his latest masterpiece would turn out to be better than the one he had made earlier? Could Michelangelo have sculpted Pieta with the sole purpose of receiving a reward or recognition for creating the same?

Was Newton worried about either his past or his future when the apple fell? Had that been so, is there not a chance that he might have missed out on discovering the forces of gravity? What are the conditions under which a product developer based in Silicon Valley comes up with her next bright idea? Which is the state of mind which is conducive to creative work?

Scratch beneath the surface of any work of inspiration and one is apt to discover the ultimate secret of great accomplishments. Living every moment of the present is one of the factors which help one to live an inspired life and also enjoy it to the hilt. The creative process is akin to meditation of sorts, where the creative person, the universe and the surroundings – all end up in a single harmonious state.

This is precisely what Bhagavad Gita means by detachment. It exhorts a CEO not to worry over and get herself preoccupied with the anxieties for the rewards of her actions, thereby avoiding a tendency to live in the future. Nor does it make sense for her to keep analyzing as to what transpired in the past and get overly worked up about it. The advice here is not to waste the present moment in inane memories and in concerns about the future. Rather, she can do her very best in the present moment, keep relevant stakeholders in the loop, and perform her duties, as dictated by a sense of virtuous righteousness. This way, she is released from all of her mental preoccupations. Work alone makes her live in the joy and ecstasy of inspired self-forgetfulness. The work itself becomes the reward.

कर्मण्येवाधिकारस्ते मा फलेषु कदाचन |
मा कर्मफलहेतुर्भूर्मा ते सङ्गोऽस्त्वकर्मणि || 2.47 ||

karmay-evādhikāras te mā phalehu kadāchana
mā karma-phala-hetur bhūr mā te sa
go ’stvakarmai

You have a right to perform your prescribed duties, but you are not entitled to the fruits of your actions. Never consider yourself to be the cause of the results of your activities, nor be attached to inaction.

Management by loftier objectives and Resistance to Change

Is it really possible for one to be detached with the fruits of one’s actions? In a business scenario, when a manager is part of an organization, she is expected to deliver results. Efforts put in by her do not count; results alone do. If so, one might well wonder as to how one can remain detached with the outcome. Would it not be going against the philosophy of Management by Objectives?

What one is being advised here is not to take actions which are at divergence with what is sought to be achieved. The objectives are not under question; the means are. The underlying assumptions, prejudices and attitudes are. Management is the art of the possible. Of doing one’s best under the given constraints. A manager who works to the best of her ability, irrespective of how favourable or unfavourable the situation is, happens to be practising detachment. She is not one who would get swayed by petty short-term considerations. She is not someone who would allow her personal prejudices to shape her actions. Nor would she wallow in self-pity and misery, when faced with an adverse outcome. In other words, detachment helps professionals to not to lose sight of the overall good of the organization.

When an organization takes a decision to down-size, the onus of working out a detailed plan for affected employees falls onto the CEO and her team, especially on the person heading the Human Resources function. Typically, employees who are projected to be competent in the changed business scenario would get transferred to diverse locations. Those whose services in the past have been satisfactory but would not be relevant in future get assisted and out-placed. For the remaining employees, a transparent severance package gets worked upon and executed. In the entire process, a sense of detachment, devoid of personal emotions and prejudices, is essential. By handling separations well, the organization improves upon its brand equity and ends up creating brand ambassadors for itself.

Likewise, when a Chief Marketing Officer decides to either launch a new brand, or change a link in the company’s distribution network, a sense of balance and detachment helps. A Chief Finance Officer, when recommending a change in the external audit firm, has to leave her comfort zone, use a sense of detachment, and initiate a change which would bring better results for the company. A Production Manager, when asked to absorb a new technology or equipment on the shop floor, has to forsake a sense of attachment to the earlier methods of working and embrace change.

Consider the case of a team leader who is yet to learn the art of delegation. She retains a tendency to nano-manage operations and is not able to get work done based on a sense of detachment. The team members find it rather difficult to deliver exemplary results under such a leader, thereby harming the organization in the long run. The art of true delegation is also based on a deeper sense of detachment.

It follows that a sense of detachment helps professionals in many ways – to remain objective, to retain a sense of balance, to embrace change with lesser resistance, to handle adverse situations better, and to remain committed to the overall good of the organization.

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