Feeds:
Posts
Comments

Posts Tagged ‘Rains’

For decades, Bollywood has showered us with unforgettable moments of romance under the rain, from shy glances under flickering streetlights to stolen moments beneath a sheltering umbrella. This humble prop, in Bollywood’s hands, transforms into much more than a simple shield from the rain. It becomes a cocoon, a private world that magically brings lovers closer, often igniting romance or intensifying feelings against the backdrop of monsoon showers.

Iconic and Unmatched – Shree 420 (1955)

Raj Kapoor and Nargis’ Pyar Hua Iqrar Hua remains Bollywood’s most legendary and unforgettable love scene under an umbrella. Here, the umbrella is a literal and a figurative shelter, a cocoon. Their rain-soaked declaration of love is still unmatched, symbolising romance that defies storms.

Rekindled Love – Kala Bazaar (1960)

Dev Anand and Waheeda Rehman’s enchanting stroll in Kala Bazaar unfolds the beautiful melody of Rimjhim Ke Tarane, an ode to love rekindled amidst the soothing Mumbai rains. This iconic scene captures the essence of timeless romance and heartfelt connection.

Enchanting Gem in Motion – Boond Jo Ban Gayi Moti (1967)

In the vibrant cinemascape of Bollywood, Jeetendra shines like a dazzling jewel. Especially in the enchanting song Ye Kaun Chitrakaar Hai, his innocent charm as the village educator weaves a spell. His trademark umbrella in hand, he renders a song which is an ode to the creator of this universe.  

Fragile Beginnings – Rajnigandha (1974)

In Rajnigandha, a broken umbrella offered by Amol Palekar to a Vidya Sinha stranded in a heavy downpour embodies the characteristics of a budding romance on the horizon. The scene beautifully captures the uncertainty, the hesitation, and the warmth of an empathic gesture. Based on the short story “Yehi Sach Hai” by noted Hindi writer Mannu Bhandari, Vidya Sinha’s character finds itself drawn back to a former flame. She is caught between past and present. How she overcomes this challenge forms the rest of the story.

Mystery Under Umbrellas – Judaai (1980)

In Judaai, Rekha and Jeetendra huddle together beneath an umbrella, creating a cocoon of secrecy and intimacy. This iconic moment beautifully encapsulates Bollywood’s enduring fascination with fleeting, stolen moments of love, highlighting the magic found in cherished connections.

Mera Kuch Samaan – Ijaazat (1987)

While umbrellas often signal romance, in Ijazat’s Mera Kuch Samaan, they represent nostalgia and lost love. As the song transports audiences through Anuradha Patel’s lyrical memories, the umbrella becomes a portal into the past, a shelter that once held warmth but now feels like an echo of something lost. Gulzar’s lyrics, in particular, Ek Akeli Chhatri Mein Aadhe Aadhe Bheeg Rahe They, Aadhe Sookhe, Aadhe Geele…captures a deep sense of nostalgia.

Iconic Sridevi Moments – ChaalBaaz (1989)

Sridevi’s iconic transparent umbrella in ChaalBaaz transcends mere props, becoming a vibrant symbol of her infectious playfulness and captivating charm. The song Na Jaane Kahaan Se Aayi Hai echoes the same magic, capturing a sense of wonder and spontaneity, much like Sridevi’s presence under that iconic umbrella.

Romantic Night – Afsana Pyar Ka (1991)

Aamir Khan serenading Neelam beneath an umbrella in Afsana Pyar Ka is a timeless tribute to Bollywood’s love for rain-laden romance. The song Tip Tip Tip Baarish Shuru Ho Gayi reiterates this sentiment, with its playful yet tender tone, as the rain becomes a backdrop for the blossoming connection, transforming the moment into a celebration of love’s simple joys.

Colourful Romance – Khiladi (1992)

Akshay Kumar and Ayesha Jhulka’s Khiladi brings to life playful moments under vibrant umbrellas, infusing their budding romance with a burst of colour, energy and innocence. Dekha Teri Masti Nigahon Mein captures this light-hearted spirit, with its playful rhythm reflecting the ease and charm of a love that blooms effortlessly, even in the rain.

Mountain Rains – 1942: A Love Story (1994)

The rain-soaked landscapes of Himachal provide the perfect backdrop for 1942: A Love Story, where Manisha Koirala’s red umbrella against Anil Kapoor’s embrace brings the song Rimjhim Rimjhim to life in a delicate, timeless romance.

Joyous Drizzles – Dil To Pagal Hai (1997)

Yash Chopra, known for cinematic romance, uses rain brilliantly in Dil To Pagal Hai. Shah Rukh Khan, under the spell of Madhuri Dixit’s smile, jokes that her smile causes a downpour before they dance joyfully in Chak Dhoom Dhoom. The rain here becomes an extension of their happiness and spark. Umbrellas make a sporadic appearance, though – first in the very beginning, and then later when Karishma gets escorted back by the hospital staff.  

Rain in The Big Apple – Kal Ho Naa Ho (2003)

In Kal Ho Naa Ho, Preity Zinta and Saif Ali Khan share an umbrella under New York’s rain, portraying friendship and affection amidst city lights. The rain-filled scene captures a mix of sweet nostalgia and urban romance.

Rain-soaked Realisations – Hum Tum (2004)

In Hum Tum, Rani Mukerji’s Rhea and Saif Ali Khan’s Karan find their love during a cold, rainy night. Rhea cares for Karan, who is drunk, and in that moment of vulnerability, their mutual feelings emerge. Lamhon Ki Guzarish Hai Yeh highlights moments where the rain acts as a backdrop to acknowledge love. Needless to say, umbrellas do put in a brief appearance.

A journey of Innocence and Hope – The Blue Umbrella (2005)

In The Blue Umbrella, the umbrella becomes a symbol of innocence and self-discovery. As the story unfolds, the simple act of holding the umbrella in the rain transforms into a journey of emotional growth for Pooja. The song Chatri Ka Udan Khatola carries this spirit, as the umbrella takes flight, not just through the skies but through the heart, weaving together themes of hope, dreams, and the quiet beauty of life unfolding under the rain.

Old-World Aesthetics – Saawariya (2007)

In Saawariya, Sonam Kapoor and Ranbir Kapoor’s romantic journey unfolds under Sanjay Leela Bhansali’s signature aesthetic. The umbrella in this film adds to the story’s vintage, dreamlike quality, even as their love story remains an unfulfilled yearning.

Saccharine Romance – Cheeni Kum (2007)

In London’s drizzling charm, every shared moment beneath the umbrella, helps blossom Amitabh and Tabu’s bond, proving that even the simplest things, like a rain-soaked city and a shared shelter, can weave stories of connection and understated romance.

A Captivating Tribute to Timeless Love – Rab Ne Bana Di Jodi (2008)

With Phir Milenge Chalte Chalte in Rab Ne Bana Di Jodi, Bollywood’s magic unfolds in a mesmerising homage to love across eras. Shah Rukh Khan and a bevy of heroines capture the essence of timeless romance, dancing through Bollywood’s golden moments. The very first sequence is a loving tribute to the umbrella of Shri 420 fame, as mentioned above. 

Fantasy in Polka Dots – 3 Idiots (2009)

In 3 Idiots, Aamir Khan and Kareena Kapoor light up the screen in a playful, dreamy sequence, dancing under polka-dotted umbrellas to the Zooby Dooby tune. This Bollywood-inspired rainy fantasy is a joyful tribute to the filmy romance we all adore.

Glamour and Chhatris – Race 2 (2013)

Deepika Padukone’s character in Race 2 shows that even the traditional umbrella can shine in high fashion. With her chic style, she seamlessly integrates this classic accessory, adding a sophisticated touch to Bollywood’s enchanting love affair with the rain.

Fashion Meets Rain – Kick (2014)

Jacqueline Fernandez in Kick brings a playful touch with her bright red umbrella, which adds flair to her character’s quirky look. It’s a lively reminder that umbrellas can also be fun, fashionable, and part of Bollywood’s colourful world.

Why Umbrellas Work: The Psychology of Umbrella Romance

Umbrellas naturally bring people closer together, creating a physical boundary that heightens the feeling of intimacy. They offer a shield from the outside world, creating a bubble of privacy even in the most public of places. The proximity, the shared warmth, and the playful tug-of-war as both try to fit under a single umbrella, these are elements that cinema uses to create moments of magic.

And in Bollywood’s signature use, umbrellas almost always appear when love is on the brink of blossoming or when emotions run high, turning mundane rainy-day encounters into moments of cinematic romance. They’re devices that trigger vulnerability, the need to protect, and the desire to draw close, lending themselves perfectly to Bollywood’s penchant for grand romantic expression.

A Lasting Symbol of Love and Shelter

From the monochromatic elegance of then to the vibrant visuals of now, umbrellas continue to hold a special place in Bollywood’s love stories. These cinematic moments remind us that sometimes, it’s the simplest things, a shared umbrella, a gentle rain, a crowded street, a song, that bring us closer, that make the world fall away so that all that remains is the quiet, breathtaking beauty of two souls meeting under a storm.

So the next time you find yourself in the rain, umbrella in hand, you might just be one scene away from your own Bollywood moment.

Related Posts:

Read Full Post »

After a long spell of a harsh summer, the monsoon ushers in a season of joy and relief. The aroma of the scorched earth touched by the first torrent of rains is intoxicating. Birds and beasts are equally delighted. The whole nature changes its texture.

This is indeed the season where Bollywood outdoes itself. Farmers rejoice. Those who are lonely go about dancing in the rain, hoping that a beloved would be discovered soon enough. Lissome heroines prance about in their fully drenched attires, performing dance steps which could put an Olympic gymnast to shame. When it gets pitch dark, lightning helps young ladies to locate their lovers.

Courtship reaches a higher level of intensity. Hormones run amok. Sounds of thunder make the heroine cling closer to the hero. Those who have lost their beloveds to the harsh workings of Fate fondly recollect their lady-love in this season. Perched on their mighty swings, groups of young ones indulge in much playfulness.

Kalidasa holds monsoon to be the king of all seasons and draws a parallel between sweaty elephants and dark water-laden clouds. The copious rains these bring are even compared to the elixir of life on the lips of offspring: mother’s milk. Peacocks dance in gay abandon. Rainbows get linked to the waistline ornaments of young ladies. Rivers in spate get compared with damsels who flirt with their lovers with gay abandon. In doing so, both are reckless about their own kith and kin. The season unites a separated couple. It also brings about separation between lovers.

Consider some of the couplets from Canto Two of Ritusamhara and few Bollywood songs which come to one’s mind.

“Oh, dear, now the kingly monsoon radiantly shining like a king is arriving with a convoy of rainy clouds as its ruttish elephants; lighting flashes as its pennants and buntings; percussive thunder-claps as its drum beats… welcome it for it is the delight of voluptuous people… [2-1]

Do Bigha Zameen (1953, Bimal Roy)

Chhalia (1960, Manmohan Desai)

Dil To Pagal Hai (1997, Yash Chopra)

“Oh, dear, sheeny are the faces of the deer with their swiftly zipping eyes, which are akin to black-lotuses and to your eyes as well, and they the deer and you, zip your eyes more and more, when there is a thunder or a rumble, then you run into my embrace, as they run to overcrowd the white sand-beds amidst lushly thickets of forests, and this gorgeous beauty of forests and the graceful beauty of yours, all this is promptly rendering the heart highly ecstatic… [2-9]

Chalti Ka Naam Gaadi (1958, Satyen Bose)

1942: A Love Story (1994, Vidhu Vinod Chopra)

Koi Mil Gaya (2003, Rakesh Roshan)

Hum Tum (2004, Kunal Kohli) 2004

“Though the cloud-cover rendered the nights as pitch-dark, and though thundering is thunderous, and though the pathways on ground are indiscernible for it is pitch-black, even in such nights the lover-seeking women are making haste on those paths, that are indiscernibly shown by the flashes of torch-lights, called the flashes of lightning, for they are impassioned to meet their lovers, to all intents and purposes… [2-10]

Kala Bazar (1960, Vijay Anand)

Barsaat Ki Raat (1960, P L Santoshi)

Mera Naam Joker (1972, Raj Kapoor)

“Well decorated are the water-bearing blackish clouds with the wiry flashes of lightning and with rainbows, and they are flashily dangling down with the weight of water, likewise the jewelly ear-hangings and waist-strings of the womenfolk are dangling down that flashily, thus even those vivacious women are instantly stealing the hearts of sojourners, for these exotic women are reminiscent of the lady loves of those sojourners… [2-19]

Parakh (1960, Bimal Roy)

Jeevan Mrityu (1970, Satyen Bose)

Guru (2007, Mani Ratnam)

“These days the women are not applying sandal-paste that is mixed with yellow camphor etc., for it will be too coolant, and hence their limbs are quietly bedaubed with the powder of aloe vera and sandal-paste as bodily scents, and with flowers bedecked as ear-hangings at hairslides, their plaited hairdo is rendered fragrant with these flowers and shampoos, such as they are, they are in the service of their in-laws in their chambers, but on hearing the rumbles of clouds, they are hastening themselves to their own bedchambers, where their men are in long wait, though the nightfall has not fallen that deep…[2-21]

Barsaat (1949, Raj Kapoor)

Milan (1967, Adurthi Subba Rao)

Fanaa (2006, Kunal Kohli)

“In this rainy season when congeries of clouds have showered enough, plethoric is the flowery blossom, hence the womenfolk embed their hairdos with the tassels of Maalati flowers together with Vakula flowers, and with other new blossomy flowers, and the tassels of new buds of Kadamba flowers are pinned and pensile like their ear-hangings, and this has all the hallmarks of lovers, that decorate the hairdos of their lady loves, themselves with their own hands… [2-24]

Chandni (1989, Yash Chopra)

Lamhe (1991, Yash Chopra)

Rudaali (1993, Kalpana Lajmi)

Bollywood uses rains to depict not only the hopes and aspirations of spinsters and the blossoming of romantic affairs of ardent lovers. Once in a while, it also uses the rainy season to capture the moods of separation and melancholy. Some of the compositions and their settings in a movie are quite innovative, and are based on pure classical music, like this one:

Saaz (1997, Sai Paranjpye) 

In Ritusamhara, Kalidasa captures different shades of the rainy season so very eloquently. Luckily for us, he lived and worked in a tropical country and thus included this season in his classic work.

Our dream merchants also do a fine job, armed as they happen to be with a medium which is visual and has a greater potential for engrossing the senses. However, Bollywood songs often lack the emotional depth and societal context which the poet captures in some detail.

[Notes:

  1. Translations of ‘Ritusamhara’ courtesy Mr. Desiraju Hanumanta Rao:

http://www.sanskritdocuments.org/sites/giirvaani/giirvaani/rs/rs_2.htm

  1. Movie buffs might be surprised at not finding the iconic song from Shri 420 ‘Pyaar hua iqrar hua…’ here. Since it has already been covered in the opening post, one did not wish to repeat it here as well.]

(Related Posts: https://ashokbhatia.wordpress.com/2016/05/14/the-six-seasons-of-kalidasa-in-bollywood

https://ashokbhatia.wordpress.com/2016/05/15/the-six-seasons-of-kalidasa-in-bollywood-summer)

 

 

Read Full Post »