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Based on the 1949 memoir The Story of the Trapp Family Singers by Maria Augusta von Trapp, the film is about a young Austrian woman studying to become a nun in Salzburg in 1938 who is sent to the villa of a retired naval officer and widower to assume charge as a governess to his seven children. She brings love, spontaneity, and music into the lives of the family members through kindness and patience.

The heroine, though plagued by self-doubt, shows ample pluck and resource to win over a bunch of defiant children and their disciplinarian father. The characters of all the kids are well etched out and enchant us.

The governess ends up marrying the officer. Together with the children, they find a way to survive the loss of their homeland through courage and faith.

Underlying the whole narrative is the value of family togetherness, delicate love interwoven with the need for discipline and loyalty towards each other.

The musical scores stand out for their richness and the way in which they advance the plot of the movie. Even after sixty long years, the movie does not fail to cast a spell.

In Hollywood, everything is not only glamourised but also presented on a larger-than-life canvas, thereby leaving the audience mesmerised. Thus, it was interesting to recently visit some of the real locations where the movie was shot in Salzburg, Austria, in 1964.

How the movie came to be

Maria_Von_Trapp.tif

Maria Augusta von Trapp’s memoir was first brought to the silver screen in West Germany: Die Trapp-Familie (1956) and Die Trapp-Familie in Amerika (1958). Wolfgang Liebeneiner directed both.

Rodgers & Hammerstein’s Broadway musical opened at the Lunt-Fontanne Theatre on 16 November 1959. It ran for 1,443 performances and tied for the 1960 Tony Award for Best Musical with Fiorello!

Then came Robert Wise’s screen version for Twentieth Century-Fox. Released in 1965, it became a landmark musical, winning many accolades. The outdoor shooting in and around Salzburg took place in 1964. The planning was to wrap up the shoot within six weeks. However, due to disruptions caused by frequent rains, the crew had to camp there for around eight weeks, worrying the producers no end.

Salzburg: Places where key songs/scenes were filmed

The Opening

The opening sequence of Maria on the mountain was filmed at Mehlweg mountain near the town of Marktshcellenberg in Bavaria. The meadow itself is private property and, regrettably, is no longer accessible to the public. I was told that on a particular day, Julie Andrews and the entire crew had to wait for close to five hours for the rains to stop, so shooting could take place.

Solving a problem like Maria

For many of its scenes in the song, the film uses the authentic exterior of the Nonnberg Abbey, which is the real-life Benedictine convent where Maria was a novice. It sits on a hill above Salzburg and is still home to nuns. However, the interior “contemplation” scene was a set built in Hollywood to represent the abbey’s inner workings. 

I have confidence

Maria’s walk into town includes the Residenzplatz Square, which is a significant landmark in the old part of the city. It is a historical fountain which uses a horse head as a spout. Before the scene at the fountain, there is a segment that was filmed in the pedestrian underpass named Domgang, a few meters away from the fountain, near the Cathedral entrance. The scene towards the end, where she is seen approaching the von Trapp estate, was possibly filmed in an alley next to Mondsee Lake.

The von Trapp villa

The original house the Captain lived in was found to be rather modest. Whereas they lived at Villa Trapp – an estate in Aigen, not far from the city of Salzburg, the movie makers decided to combine two different Salzburg sites:

Schloss Frohnburg (front gates/drive) and Schloss Leopoldskron (lakeside terrace and gardens). Leopoldskron’s Venetian Salon inspired the ballroom set.

Do-Re-Mi

Some meadow shots were filmed near Werfen, where stunning rocky mountains form an enchanting backdrop. That is where the picnic scene was filmed, with Julie Andrews, playing everyone’s favourite nun Maria, strumming her guitar through these fields to teach the curtain-clad von Trapp kids to sing Do-Re-Mi.

The famous montage uses Mirabell Gardens (Pegasus Fountain and “Do-Re-Mi” steps) and a few other places in Salzburg. (Regrettably, I could not capture the steps, owing to overcrowding at the place.)

Edelweiss

The locals told me that the flower is a delicate one. It is a mountain flower belonging to the daisy or sunflower family. The plant prefers rocky limestone areas at altitudes of about 1,800–3,400 metres. It is a non-toxic plant. It is a scarce, short-lived flower found in remote mountain areas and has been used as a symbol for alpinism, for rugged beauty and purity. It is a national symbol of several countries, like Austria, Bulgaria, Slovenia, Switzerland, and Italy.

It is a protected flower. If you spot one, you are permitted to photograph it. However, picking up one is considered an offence.

Reverend Mother’s Office

Scenes of Reverend Mother’s Office were shot at St. Margarethen Chapel and Dürer Studios.

Sixteen Going on Seventeen/Something Good

The iconic gazebo used for filming these songs was originally located at Schloss Leopoldskron. However, owing to frequent trespassers, it was moved and reconstructed in the gardens of Schloss Hellbrunn. The structure is small and has only four stone slabs within its circular structure. The film used the structure only for exterior shots; a large studio replica was used for the interiors.

Just next to the Gazebo is a plaque featuring Charmine Carr who played Liesl in the movie.

The wedding

The interior wedding sequence was filmed at St Michael’s Basilica, Mondsee, which is about 30 km from Salzburg. The church is smaller than it appears on a large screen. However, the interiors are as captivating as shown in the movie.

The concert/finale

On the 12th of March 1938, Nazi Germany annexed the Federal State of Austria. The new rulers were keen on the captain joining the German navy, which had superior naval technology at its command. However, owing to ideological differences, the captain and his family decided to escape. The climactic festival performance used Salzburg’s Felsenreitschule (Rock Riding School), a real venue carved into the rock. This is where the escape plans were made.

Cemetery hideout

The tense hiding sequence was staged on a Hollywood set modelled on St Peter’s Cemetery in Salzburg.

The concluding scene

The final scene of the von Trapp family escaping over the mountains was filmed on the Obersalzberg in the Bavarian Alps.

The Making of a Classic  

Principal photography began on March 26, 1964, at 20th Century-Fox studios in Los Angeles, where scenes were filmed from Maria’s bedroom and the abbey cloister and graveyard. 

The company then flew to Salzburg, where filming resumed on April 23 at Mondsee Abbey for the wedding scenes. From April 25 through May 22, scenes were filmed at the Felsenreitschule, Nonnberg Abbey, Mirabell Palace Gardens, Residence Fountain, and various street locations throughout the old town area of the city.

From May 23 to June 7, the company worked at Schloss Leopoldskron and an adjacent property called Bertelsmann for scenes representing the lakeside terrace and gardens of the Trapp villa. 

From June 9 to 19, scenes were shot at Frohnburg Palace, which represented the front and back façades of the villa.

The Do-Re-Mi picnic scene in the mountains was filmed above the town of Werfen in the Salzach River valley on June 25 and 27. 

The opening sequence was filmed atop the mountain from June 28 to July 2, 1964.

The cast and crew flew back to Los Angeles and resumed filming at Fox Studios on July 6 for all remaining scenes, including those in the villa dining room, ballroom, terrace, living room, and gazebo. Following the last two scenes shot in the gazebo—for the songs Something Good and Sixteen Going on Seventeen—principal photography concluded on September 1, 1964.

A total of eighty-three scenes were filmed in just over five months.

Post-production work began on August 25 with three weeks of dialogue dubbing to correct lines that were ruined by various street noises and rain.

In October, veteran Disney playback singer Bill Lee dubbed Christopher Plummer’s singing voice. Christopher himself was a proficient singer and pianist and was not too pleased about this change.

Awards and accolades

  • Academy Awards (38th, 1966). The Sound of Music won five Oscars, including Best Picture and Best Director (Robert Wise).
  • Golden Globes (23rd, 1966). Won Best Motion Picture – Musical/Comedy and Best Actress – Musical/Comedy (Julie Andrews).
  • AFI honours. Ranked #4 on AFI’s list of Greatest Movie Musicals; the AFI also places the film across several “100 Years…” lists.
  • U.S. National Film Registry. Selected by the Library of Congress in 2001 as “culturally, historically, or aesthetically significant.”

Captain Georg von Trapp: life before Maria and career highlights

  • Family life. Georg von Trapp (born 1880, Zara—now Zadar) married Agathe Whitehead (granddaughter of torpedo inventor Robert Whitehead) in 1912; they had seven children. Agathe died of scarlet fever in 1922.
  • Naval career. An Austro-Hungarian Navy submarine commander in World War I, von Trapp commanded SM U-5, sinking the French armoured cruiser Léon Gambetta in April 1915, and later U-14; he became a decorated national figure.
  • Before Maria arrived. After Agathe’s death, von Trapp raised his seven children at their Salzburg estate. In 1926, Maria Kutschera was sent from Nonnberg Abbey as a tutor for his convalescent daughter (also named Maria), not as a governess to all the children. Georg and Maria married in 1927.

Where the film diverges from reality (key examples)

How they left Austria

The film depicts a dramatic Alpine hike to Switzerland. In fact, the family left by train for Italy, first travelling to London, before sailing to the United States for their first concert tour. Georg’s place of birth meant the family held Italian citizenship after World War I border changes.

Timing of the marriage

The movie places the wedding on the eve of the 1938 takeover by Nazi Germany; in reality, they married in 1927.

Maria’s initial role

She tutored one child recovering from scarlet fever, not all seven, as a household governess.

Georg’s temperament

The real Captain was warm and musical, not the stern, whistle-wielding disciplinarian portrayed on screen.

The music director

The group’s long-time musical director was Father Franz Wasner, not a fictional impresario.

Children’s identities

The film changed the names, ages and even sexes of the children (for example, “Liesl” is fictional; the eldest was Agathe).

Edelweiss: the song

Often mistaken for an Austrian folk song, Edelweiss was newly written for the musical by Rodgers & Hammerstein.

Sixty years on, and still counting…

Even after six decades of its release, the echoes of the songs of “The Sound of Music” keep us enchanted. Often, when we are plagued by self-doubt while leaving our comfort zone, the words of the song ‘I have confidence…’ give us solace. Whenever the harsh slings and arrows of fate lower our spirits, the lyrics of ‘Climb every mountain…’ keep us focused on our goals. As and when we feel extremely grateful to someone or something, the phrase ‘Somewhere in my youth or childhood, I must have done something good…’ comes up in our minds.

Richard Rodgers and Oscar Hammerstein deserve all the credit for creating such lilting and instructive compositions.

Hats off to the studio team, which whipped up a unique offering of this nature! It should come as no surprise that it originated in a city which is also famous for blessing humanity with a highly talented composer: Wolfgang Amadeus Mozart.

Notes:

  1. Sometime during 2026, just next to the present location of the gazebo, the gardens of Schloss Hellbrunn will also have an exclusive pavilion dedicated to the iconic movie.
  2. The photographs were either taken by me or subsequently downloaded from the internet.

References:  

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Summary

These days, as a pandemic stalks us, people are hooked to movies of all kinds, even while supposedly working from home. The cumulative effect of using high-definition gadgets, lockdown ennui, death tolls and binge-watching movies is that of a higher level of stress. The lack of freedom to venture out on long drives further compounds the problem. 

To avoid landing up in a loony bin, we could cut off our daily diet of depressing news. We could ensure interacting only with those who radiate positive vibes. We could also think of consciously changing our movie-watching palette so as to start appreciating flicks which have a deeper layer in their themes.

In this series, we consider some movies through the spiritual lens of 12 personality traits mentioned by The Mother of Sri Aurobindo Ashram at Pondicherry in India.

Introduction

When the upright good guy defeats the morally deficient bad guy, we cheer. Think of the James Bond franchise, courtesy Hollywood.

When a movie ends on a positive note, we applaud. Imagine any movie from Bollywood where the hero and the heroine finally walk into the sunset on a sandy beach, with a romantic song playing in the background. The unstated assumption is that the couple lived happily ever after.

When the outcome is negative but the movie is well crafted, we may sulk but still carry a favourable impression of it. Go back to either Titanic or Mughal-e-Azam. Both were tragedies but mounted lavishly, with excellence in almost all the departments of film making.

But once in a while comes along a movie which touches us somewhere deep inside. The script may carry a key message. Or, it may showcase certain values which we cherish ourselves, thereby creating a deep resonance within. We experience love. We feel hopeful and uplifted in a somewhat deeper manner. The soul gets awakened.

If we were to muse upon the theme much afterwards, we could say that such movies had been conceptualized with a dash of spirituality. These are movies which inspire us to live through and face difficult situations in our lives. We could think of classifying these in the genre of what we could refer to as Conscious (or Soulful) Entertainment.

Of a Spiritual Streak

Think of such movies as Shawshank Redemption, Avatar, Contact, Gladiator, Schindler’s List, The Sound of Music, Lagaan, Jagte Raho, Swades, Guide, Abhimaan, Mr. and Mrs. Iyer, Veer Zara and many others of a similar ilk. What do all these have in common? Yes, most of these are big hits. Yes, they have A category stars. Yes, all are well made. But these are not their most important features.

When we go back to the first time we watched one of these, most of us would recall having felt uplifted and hopeful. We would have felt compassion and love for the entire humanity. Our hearts would have felt much enlarged. Much like the short sequence from Mera Naam Joker where the hero’s heart goes on expanding and no one has a clue as to how to solve the problem!

We would have felt like living much longer, drinking deep from the rivulets of unalloyed joy that life offers. These films are but a few in the genre of ‘Conscious’ or ‘Soulful’ films which have the potential to change lives, inspire choices, and elevate human consciousness.

One of the spiritual lenses available to us to view such movies has been offered to us by The Mother of Sri Aurobindo Ashram at Pondicherry in India. She has mentioned the following twelve traits which are essential for the spiritual progress of an aspirant:

Sincerity, Humility, Gratitude, Perseverance, Aspiration, Receptivity, Progress, Courage, Goodness, Generosity, Equality and Peace.

Some movies which touch upon Mother’s 12 traits

 

Sincerity

The sincerity with which an individual takes up a challenging task and executes it well, even while risking his or her own welfare,  generates a swell of positive emotions within the viewer and sets an example of achieving perfection in the discharge of one’s professional duties.

Do Aankhen Baarah Haath (1957) which captured the valiant efforts of a jail warden Adinath (V Shantaram) to rehabilitate six dangerous prisoners released on parole to persons of virtue in an open jail experiment. Besides demonstrating how concentration, perseverance and hard work can make one realize one’s goals in life, the movie also drives home the point that if people focus their energy on a worthy cause in a sincere manner, success is easy to come by.

Maria (Julie Andrews) who is a free-spirited person lacking in self-discipline and self-confidence assumes the role of a governess for the seven children of Captain Georg von Trapp (Christopher Plummer) and ends up winning the hearts of the entire family in The Sound of Music (1965).

In Khamoshi (1970), we meet nurse Radha (Waheeda Rehman) who loses her own mental balance by being so sincere in discharging her duties as a professional as to neglect her own emotions of love towards two of her successive patients, Dev Kumar (Dharmendra) and Arun Choudury (Rajesh Khanna). A key lesson underlying the storyline is that of cultivating a sense of detachment in one’s profession, as highlighted in the Bhagavad Gita as well.

Think of Debaraj Sahai (Amitabh Bachchan) mentoring Michelle (Rani Mukherji) in Black (2005). The movie was inspired by The Miracle Worker (1962).

Humility

Here is a quality which covers such personality traits as purity, charity and obedience.

Gladiator (2000) captures the saga of General Maximus Decimus Meridius (Russel Crowe) who is devoted to Emperor Marcus Aurelius and works throughout his life to keep the Roman Empire safe. When offered the throne, he declines the offer, preferring instead to return to his village. Before he dies, he asks for political reforms, for his gladiator allies to be freed, and for Senator Gracchus to be reinstated. Maximus’s friends and allies honor him as “a soldier of Rome”. His character represents not only the purity of his intentions and loyalty to the empire, but also humility.

When denizens of planet Earth soar into space, they have this humbling experience of realizing how infinitesimal Homo sapiens happen to be in the overall scheme of a vast universe. We may be rooted in our prejudices and may be overly busy, what with our ego-skirmishes with others over petty matters and a relentless chase of the materialistic goals in our lives; yet, we are merely a fraction of a speck in the divine arrangement.

Watching movies like Apollo 13 (1995), Gravity (2013), and many others leaves us humbled in more ways than one.  

(This series of posts is dedicated to Ms Usha Bhatia, my late wife. Inputs from Mr Sanjay Mohan and Ms Gargi Banerjee are gratefully acknowledged)

(Related Post:

https://ashokbhatia.wordpress.com/2020/08/16/some-movies-with-a-dash-of-spirituality-part-2-of-4

https://ashokbhatia.wordpress.com/2020/08/20/some-movies-with-a-dash-of-spirituality-part-3-of-4

https://ashokbhatia.wordpress.com/2020/08/24/some-movies-with-a-dash-of-spirituality-part-4-of-4)

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What is it that makes us label a movie as a classic? A unique blend of enchanting visuals, a rich story line, fine acting, lilting music and captivating lyrics are some of the features a successful movie invariably has. However, to be considered a classic, it would also have a multi-layered narrative with a social message which connects with us at a deeper level. Its theme would have an underlying timelessness, often brought in by the values it espouses.

Values which happen to be eternal in nature. Family values. Faint stirrings within a society to transform itself. The need for a soul to be free and joyous. The assertion of independence which demolishes societal norms of the time. The harmony in working towards a jointly shared goal or ambition. A meteoric rise in terms of materialistic goals. The frustration of having hit a plateau of sorts. The complex interplay of human emotions. The gradual transformation of relationships. The downfall arising out of human greed. The introspection. The burden of guilt. The beginning of a spiritual awakening. The search for a utopia. The redemption.

Here are some movies released fifty years back which remain as fresh as ever in one’s mind.

GUIDE

Released in 1965, this movie, directed by Vijay Anand, was based on a novel of R. K. Narayan, The Guide. The U. S. version of the movie was written by Pearl S. Buck.

The heroine, Rosie, walks out of a loveless marriage, so as to be able to pursue her passion of dance. The hero, Raju, helps her in achieving stardom. The song ‘Tere mere sapne’, though four minutes long, had merely three shots, each helping the heroine to gradually overcome her hesitation to accept the offer of reassurance and love from the hero.

http://www.youtube.com/watch?v=kNkpApxkqhk

The movie had great dance performances by the inimitable Waheeda Rehman. Other than the snake dance, we got treated to the six-part extravaganza – ‘Piya to se naina laage re’.

http://www.youtube.com/watch?v=_i493uN6YHk

With success comes the fading away of love, which gradually gives way to self-interest. The transformation of tender love depicted in ‘Tere mere sapne’ gets eventually replaced by an emotional chasm between the main protagonists, so delectably captured in the song ‘Din dhal jaaye’.

http://www.youtube.com/watch?v=1XRjtboyYik

The movie had a female lead character who was ahead of her times. The climax was rooted in superstition, though. The hero attained a spiritual enlightenment of sorts.

The charm of this landmark movie remains undiminished even after fifty years of its release, proving the immense possibilities of artistic collaboration.

The Sound of Music

Based on the memoir The Story of the Trapp Family Singers by Maria von Trapp, the film is about a young Austrian woman studying to become a nun in Salzburg in 1938 who is sent to the villa of a retired naval officer and widower to assume charge as a governess to his seven children. She brings love, spontaneity and music into the lives of the family through kindness and patience.

The manner in which mutual respect and affection grows between the naval officer and the governess is delicately captured in this tender piece.

http://www.youtube.com/watch?v=RNdl-HIkDqQ

The governess ends up marrying the officer. Together with the children they find a way to survive the loss of their homeland through courage and faith.

The musical scores stand out for their richness and the way in which they advance the plot of the movie. The heroine, though plagued by self-doubt, shows ample pluck and resource to win over a bunch of defiant children and their disciplinarian father. Characters of all the kids are well etched out and enamour us no end. Underlying the whole narrative is the value of family togetherness, delicate love interwoven with the need for discipline, and the loyalty towards each other.

Even after fifty long years, the movie does not fail to cast a spell. Watch any portion of fifteen minutes and one would come back refreshed and invigorated.

Chemmeen

Even though one is not familiar with Malayalam language, one has heard a great deal about this movie. Released on August 19, 1965, it acquired a cult status in the minds of movie buffs.

The success of this movie is said to be due to its heady combination of social-realistic melodrama, bolstered by high production values. It had creative inputs from some of the most talented persons from the Indian movie industry at that time – music by Salil Chowdhury, editing by Hrishikesh Mukherjee, cinematography by Marcus Bartley and lyrics by Vayalar Rama Varma.

The tale of Pareekutty and Karuthamma is a tragic romance. It makes one cry. It gives one a feel as if one lives close to the sea-coast, listening to the incessant roar of the waves, rising to the cries of fishermen and joining their yells of glee when their catch is a bumper one.

At a deeper level, in a muted manner, the movie argues for social transformation. It portrays the problems that arise when an Araya girl falls in love with a Muslim trader. This is a chasm that most of us are still grappling with.

This New Year eve, one would be tempted to curl up in bed to soak in the delectable cinematic brilliance on offer in any one of these movies. As the New Year rings in, we could be joining the Von Trapp family in its trek across the Alps, looking ahead to the future with hope, faith and goodwill!

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