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Posts Tagged ‘Women Empowerment’

Friendship is one of the main condiments which spices up our lives. It helps us to face the harsh slings and arrows of life. Whether formed during our student days, or while pursuing our career goals and even during the sunset years of our lives, we develop relationships based on matching personality traits, common interests, mutual trust and quite a few other factors. Often, the bonds which get forged turn out to be strong and resilient. Bonds which are like underground cable connections – dormant, but in place, ready to be reactivated as and when necessary.

Friendship is a theme which is regularly harvested by our dream merchants to enrich their offerings and evoke emotions amongst their audience. If scenes of goofing around with pals make us happy, misunderstandings act like villains, making us sad.

In the post here, I have attempted to mention some movies which, I believe, have friendship as one of the main planks of their theme. Love and revenge are almost always around, but often occupy a back seat in the overall scheme of things.

However, I have avoided movies where the relationship between friends ends up becoming a love triangle of sorts. So, you may find such movies as Sangam (1964), Muqaddar Ka Sikandar (1978), Saajan (1991), Mujhse Dosti Karoge (2002), Kal Ho Na Ho (2003), and many others missing from the list below. Likewise, I have given a miss to the ones wherein friendships fall in the LGBTQ category, of which there is no dearth these days. Thus, series like Anokhi Daastaans (Episode: Geeli Pucchi: 2021), Modern Love, Mumbai (Episode: Baai: 2022) and movies like Maja Ma (2022) have been given a skip.      

Seema (1955)  

Director: Amiya Chakrabarty

The chemistry between Nutan and Shubha Khote in the surroundings of an orphanage stood out. Some of you may remember the long cycle ride undertaken by the latter towards the climax of the movie.  

Dosti (1964)

Director: Satyen Bose

Circumstances and love for music brings together a blind person and a handicapped one. Trust Rajshri Productions to keep regaling us with family-oriented themes which tug at our heart strings.

Anand (1971)

Director: Hrishikesh Mukherjee

An unusual bond develops between an idealistic doctor and a terminal cancer patient who comes to stay with him during the last few months of his life. The frustration of a doctor at not being able to alleviate the suffering of his new-found friend was etched out so very poignantly.

Victoria No. 203 (1972)  

Director: Brij

Two old golden-hearted crooks get released from jail and wish to spend the rest of their lives as good, respected men. The plan is short lived when they willy-nilly find themselves on the trail of some stolen diamonds.  

Namak Haraam (1973)

Director: Hrishikesh Mukherjee

An industrialist who does not care much about maintaining harmonious relations with his labour force ends up being confronted by a close friend who empathizes with the travails of the workers and evolves into a trade union leader of sorts.  

Sholay (1975)

Director: Ramesh Sippy

Even though the main theme was all about revenge with romantic sub-plots thrown in, the friendship between Jai and Veeru went on to become the stuff of cinematic legends.

Hera Pheri (1976)

Director: Prakash Mehra

Two small-time crooks loot other rich ‘respected’ but criminal-minded people for a living. Misunderstandings arise between them, but eventually get cleared up and the friendship between them gets reestablished. 

Chashme Baddoor (1981)

Director: Sai Paranjape

Three friends who live together run into a young lady from the neighbourhood. The studious one ends up winning her heart. Out of jealousy, the other two try to complicate the relationship between the couple. A grandmother ends up clearing the mists, reuniting the couple.

Yaarana (1981)

Director: Raakesh Kumar

If one friend goes out of his way to promote the singing career of a childhood friend, the other, upon becoming famous and rich, reciprocates the gesture by donating the proceeds of his earnings and consequent record deals in order to rid his friend of his many mortgages and to reunite his family. When one gets admitted into a lunatic asylum, the other one manages to sneak in and restore his sanity.   

Andaaz Apna Apna (1994)

Director: Rajkumar Santoshi

Two daydreamers come up with a get-rich-quick scheme by pursuing a millionaire’s daughter. Once they meet each other, they form a competitive bond and land up at the daughter’s place under some false pretexts. Diamonds, mafia dons and jealous uncles play a role. Eventually, they play saviours to the daughter, her secretary, and the family, thereby achieving their goals.  

Dil Chahta Hai (2001)

Director: Farhan Akhtar

Three close friends pursue a different career path after passing out of college. Love blossoms for each one, though differently. They go on a road trip together. Misunderstandings between them get cleared in the end.  

Filhaal (2002)

Director: Meghna Gulzar

One of the rare movies which portrayed a strong bond of friendship between two inseparable friends. During a fencing session, a freak accident leaves one of the friends injured, rendering her unable to conceive later in life. The other one offers to be a surrogate mother for the couple. Complications arise in the relationship, though the story eventually ends up on a positive note.  

Rang de Basanti (2006)

Director: Rakeysh Omprakash Mehra

When a British student decides to make a film on pre-independence freedom fighters from India, contemporary reality meets history, forcing the viewers to introspect as to where we are headed as a country. The bond between the friends stood out for its empathic and realistic portrayal.

3 Idiots (2009)

Director: Rajkumar Hirani

The friendship between three classmates withstands the test of time. Ten years down the road, their common antagonist also joins in when they decide to search for one of the missing friends. The central message of the movie was to decide one’s career moves based not on parental or popular expectations but on one’s inner passion.  

Zindagi Na Milegi Dobara (2011)

Director: Zoya Akhtar

Three friends undertake a joint trip so as to experience different facets of life. Their plan is that during the road trip each of them will pick a surprise adventure sport in which they all have to participate together. They complete the event successfully, bonding better with each other and gaining a renewed sense of purpose in life.

Kai Po Che (2013)

Director: Abhishek Kapoor

Three friends spot a talented boy who is good at cricket and decide to groom him. A love affair leads to misunderstandings arising between them. The 2001 earthquake in Gujarat and the riots of 2002 also pose many challenges to their bond of friendship.  

Dedh Ishquia (2014)

Director: Abhishek Chaubey

Two partners in crime run into a pair of scheming ladies who have ideas of their own. The latter end up cocking a snook at the former by selling a necklace stolen by them, buying a property from the proceeds, and settling down there to start a dance school for young girls – a scheme the two friends had hatched between themselves.

Parched (2015)

Director: Leena Yadav

Four women in a desert village of Gujarat, India, forge a strong bond of friendship between themselves while facing social evils, age-old traditions and practices of patriarchy, child marriage, dowry, marital rapes, and physical and mental abuse.

Double XL (2022)

Director: Satramm Ramani

A common challenge of being overweight results into a bond of friendship developing between two young ladies. They decide to work together and demonstrate the perks of obesity to the world, ridiculing the current craze for Size Zero and unrealistic norms of beauty peddled by fashionistas and the media.   

Hush Hush (2022, Series)

Director: Tanuja Chandra

A taut thriller where one of the four close friends dies in mysteriously circumstances. The other three ladies eventually uncover the real reason for the death of their friend, while battling the challenges in their own lives.

Uunchai (2022)  

Director: Sooraj Barjatya

When a close friend suddenly dies, three friends decide to honour his last wish – that of visiting the Himalayas. Despite health challenges, they undertake a hiking trip to the Everest base camp. They manage to scatter the ashes of their departed friend there. The perilous journey makes them realize that each one of them has heights within which are waiting to be scaled, bringing home the key message of striving to realize our fullest potential in life.  

Why Are Women Short-changed?

There may be many more friendship-based movies which I would have missed out here. However, one thing that strikes is that of a serious shortage of movies on friendships between women. Is it that those hailing from the tribe of the delicately nurtured do not have friends?

The underlying cause could perhaps be that a major chunk of our society thrives on a patriarchal mindset; while males enjoy their friendships for a very long time, females often get a raw deal on this front because family commitments reign supreme, often to the exclusion of all else. With hardly any personal space and a minimal availability of ‘Me Time’, the bonds of female friendship, if any, do not enjoy the kind of continuity that male friendship does.

We need to encourage and empower the women in our lives to keep their own embers of friendship aglow, alive and kicking!

Related Posts:

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Females of almost all species would go to any lengths to protect their cubs. If you falter, they would be quick to tick you off. Let someone else get funny with you, and see how they react.

Never have qualms about reporting to the fairer sex. Take it easy. They are far more professional (and also compassionate) than you imagine. Multi-tasking comes easy to them, what with their having to juggle various roles with aplomb at all times – being a daughter, a wife, a mother, a home maker, a daughter-in-law, and a company executive at the same time. How they still manage to retain their sanity of mind is a potential subject of academic research.

Nature also gave them the exclusive rights for the perpetuation of our species. Encourage those who wish to re-start their careers after a post-delivery sabbatical.

However, managements would do well to avoid getting swayed…

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Gone are the days when Bollywood used to specialize in churning out only male-centric movies. There were times when our heroes used to be super humans with powers that even God would have hesitated to manifest. Our heroines were inevitably ‘cute’, irrational and dumb. Our families were massive piles of relatives dressed in garish clothes and living in ugly bungalows. Our idea of wooing a girl was dangerously close to molestation. Our assumptions regarding the IQ of our audiences were different. The movies catered mostly to the intelligence of an imagined front-bencher, and were inane, vulgar and obscene.

Cut to the present. The heroes are no longer diffident about shedding their macho image and reveal their softer side on the screen. The heroines have now become far more decisive and assertive. They resist amorous advances. They call the shots. They continue to be as beautiful as ever, but have become…

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Females of almost all species would go to any lengths to protect their cubs. If you falter, they would be quick to tick you off. Let someone else get funny with you, and see how they react.

Never have qualms about reporting to the fairer sex. Take it easy. They are far more professional (and also compassionate) than you imagine. Multi-tasking comes easy to them, what with their having to juggle various roles with aplomb at all times – being a daughter, a wife, a mother, a home maker, a daughter-in-law, and a company executive at the same time. How they still manage to retain their sanity of mind is a potential subject of academic research.

Nature also gave them the exclusive rights for the perpetuation of our species. Encourage those who wish to re-start their careers after a post-delivery sabbatical.

However, managements would do well to avoid getting swayed by appearances alone and decide issues based on the merits of the matter being brought to their attention by those who belong to the tribe of the delicately nurtured. 

(Excerpt from my book ‘Surviving in the Corporate Jungle’, the English version of which was released recently.)

(This is how you can lay your hands on the Portuguese version of the book, launched in Portugal during March, 2016.)

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Gone are the days when Bollywood used to specialize in churning out only male-centric movies. There were times when our heroes used to be super humans with powers that even God would have hesitated to manifest. Our heroines were inevitably ‘cute’, irrational and dumb. Our families were massive piles of relatives dressed in garish clothes and living in ugly bungalows. Our idea of wooing a girl was dangerously close to molestation. Our assumptions regarding the IQ of our audiences were different. The movies catered mostly to the intelligence of an imagined front-bencher, and were inane, vulgar and obscene.

Cut to the present. The heroes are no longer diffident about shedding their macho image and reveal their softer side on the screen. The heroines have now become far more decisive and assertive. They resist amorous advances. They call the shots. They continue to be as beautiful as ever, but have become far bolder.

Women have found their own voice in the movies, perhaps mirroring the kind of social changes in the offing. More and more female protagonists now sweep us off our feet not only by their chutzpah but also by their brains and brawn. The males are still around, but they often got relegated to the background. If they happen to be in the foreground, they happen to be in a supportive role. Or, they get teased, mocked at and hounded till the time they mend their corrupt and lecherous ways.

Some movies have even gone ahead and made us wonder if the members of the tribe of the so-called sterner sex are even necessary in the scheme of things. However, for the evolution of our species, a balanced approach is called for. A realization is to dawn that women are not objects of lust, violence and humiliation. They deserve all the respect and adoration that is rightfully due to them.

Rays of hope

Here are some Bollywood offerings in the recent past which have had women-centric scripts and have also done well commercially. Most of these have depicted strong females, real or imaginary, who have carried the narrative on their strong shoulders and turned the tables on the so-called sterner sex.

Jalpari

(The Mermaid, 2012, Nilab Madhab Panda)

jalpari

A delightful movie which makes an effective comment on the issue of female foeticide.

Kahaani

(The Story, 2012, Sujoy Ghosh)

kahaani

A courageous widow who tries to unravel the mystery behind the unfortunate death of her husband in a poison gas attack on the Kolkatta metro.

Gulaab Gang

(The Pink Brigade, 2014, Soumik Sen)

gulab_gang

Here is a gang of women activists and vigilantes who take up issues like domestic violence, the dowry system, rape, civic service deficiencies, and female education.

Queen

(2014, Vikas Bahl)

Print

When her fiancé calls off their wedding, the heroine decides to register a protest by proceeding on a mono-honeymoon trip, savouring life on her own.

Lakshmi

(2014, Nagesh Kukunoor)

lakshmi-movie

A girl is kidnapped and sold into prostitution. Assisted by a lawyer, she faces violent threats, coercion and bribes, stands up in court and in a landmark case in India, succeeds in putting the traffickers behind bars.

Mary Kom

(2014, Omung Kumar)

marykom

A biographical sports film which depicted the famous Indian boxer’s ascendance to fame. The heroine pursues her passion even while she discharges her family responsibilities with the support of her husband.

Mardaani

(The Masculine One, 2014, Pradeep Sarkar)

mardaani

A policewoman takes personal interest in the case of a kidnapped teenage girl and ends up busting a gang specializing in human trafficking in India.

Parched

(2015, Leena Yadav)

parched

The movie captured various evils of the society – deep-seated attitudes of patriarchy, child marriage, dowry, marital rapes and physical and mental abuse of women.

Jai Gangaajal

(Hail the water of the Ganges, 2016, Prakash Jha)

jai_gangaajal_poster

A newly appointed police officer stands up to her seniors and attempts to end the reign of corruption, terror and anarchy in the area under her charge.

Pink

(2016, Aniruddha Roy Chowdhury)

pink

Built around an incident of molestation and attempted rape, the movie highlighted the regressive attitudes towards women who dress ‘inappropriately’ and attend parties, thereby being considered fair game. A “NO” may come from any woman – a girlfriend a sex-worker, or even one’s wife – and needs to be respected as such.

Neerja

(2016, Ram Madhvani)

neerja

A courageous flight head purser stands up against the vicious hijackers of a plane. She helps to save 359 of the 379 passengers and crew on board but gets killed in the process. Based on a true incident, wherein the woman received Ashok Chakra posthumously, the highest civilian honour in India.

Nil Battey Sannata

(Good for nothing, 2016, Ashwini Iyer Tiwari)

nil_battey_sannata

An uneducated household maid and single mother of a young girl sets out to ensure that her daughter dreams big and changes her lot in life.

Ki and Ka

(She and He, 2016, R Balki)

ki_and_ka

A delectable tale of role reversal of genders in a marriage, where the wife becomes the bread-winner and the husband takes care of the household.

Dangal

(The Wrestling Competition, 2016, Nitesh Tiwari)

dangal_poster

A real-life father braves opposition from the society to train his daughters to become star wrestlers, who go on to win international recognition. 

Blast from the past

This is not to say that Bollywood has not come up with women-centric movies in the past. Here are some which readily spring to one’s mind.

Hunterwali (1935, Homi Wadia)

nadia-hunterwali

Mother India (1957, Mehboob Khan)

Movie Mother_India

Bandini (1963, Bimal Roy)

Dark Bandini

Khamoshi (1969, Asit Sen)

khamoshi

Insaaf Ka Tarazu (1976, B R Chopra)

insaaf_ka_tarazu

Bhumika (1977, Shyam Benegal)

bhumika

Arth (1982, Mahesh Bhatt)

arth

Mirch Masala (1987, Ketan Mehta)

mirch_masala

Aastha (1997, Basu Bhattacharya)

aastha_-_in_the_prison_of_spring

Godmother (1999, Vinay Shukla)

godmother

Astitva (2000, Mahesh Manjrekar)

astitva

Lajja (2001, Rajkumar Santoshi)

lajja

Then and now

The difference is that women in earlier movies were mostly the sacrificing, the weepy and the self-pitying kind. They would take matters in their own hands but only when driven against a wall. Now, they come into their own out of sheer free will, revealing the inner strength they possess.

However, the fight against a deeply entrenched patriarchical mindset is far from being over. What we see today are mere green shoots, that too on the silver screen, which are confined to the metrosexual male. Movies directed at upwardly mobile urban youth alone mirror the new set of values. Centuries of social hierarchy has conditioned male minds to accept only certain conservative patterns of behaviour and dress for women. A person who deviates, dresses differently and goes partying is seen as fair game.

Creativity, Commerciality and Social Challenges

Creativity innovates. Commerciality exploits. For good cinema to flourish, a culturally vibrant social environment is necessary. If fine arts are better understood and appreciated, if there is a solid rooting in humanities and social sciences, imaginative and responsible movie makers would surely come up with meaningful entertainment which nurtures the soul while giving pleasure.

The intrinsic purpose of movies is commercial. However, if the message being conveyed also helps the society to correct itself, there is a real value-add which needs to be lauded. Producers and directors who come up with such creative offerings deserve all the admiration and adulation they richly deserve.

Needed: Different shades of chivalry

Indian males really need to reboot themselves for the 21st century. They could learn a lot about the art of chivalry from such heroes as Ashok (Anupama, 1966, Hrishikesh Mukherjee) and Arun (Chhoti Si Baat, 1975, Basu Chatterjee). This change can only start at the dining table and in the kitchen, within the confines of a home.

Parents of those who indulged in ‘mass molestation’ in a premier metro of India recently need to seriously introspect and start grooming their wards to practice different shades of chivalry in the days to come.

Bertie Wooster would surely approve. So would the likes of Honoria Glossop and Florence Craye.

(Related Posts:

https://ashokbhatia.wordpress.com/2014/01/01/women-through-the-bollywood-lens-part-1

https://ashokbhatia.wordpress.com/2014/01/05/women-through-the-bollywood-lens-part-2-of-2

https://ashokbhatia.wordpress.com/2014/04/12/different-shades-of-women-in-plumsville)

 

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Sweden is famous for its fetish with gender equality. So it came as no surprise recently when the male train drivers there started wearing skirts to work. Faced with high temperatures, the guys had actually asked for permission to wear shorts. The same was promptly denied – because the dress code permits only trousers and skirts! By doing so, however, the male train drivers possibly revived a fashion invented long time back by the Greeks, Egyptians and Romans!

Ask a psycho-analyst and he is likely to dismiss the news rather calmly. Most behavioral studies establish that our personalities area1 1 (14b) made up of masculine as well as feminine traits. So, what is new, he might well ask. Ask a spiritual guru from India and he is sure to point out the relevance of the concept of ardha-nareeshwara – a combination of the Purusha and the Prakriti – propounding the unified nature…

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On the occasion of Women’s Day, here is some food for thought.

Gretchen Kelly's avatarDrifting Through

This morning I logged on to FaceBook to do some mindless meandering before reading some real stuff. I was numbly perusing postings about the weather (rain, again?) and someone’s cute kid doing something amazingly cute, when I saw an article from NME magazine that made me almost spit my coffee all over my computer. It was an interview with Lily Allen (British pop singer) titled “Lily Allen: Feminism shouldn’t even be a thing anymore”.  What the….??? Now, Allen likes to fan the flames, push the buttons and stir the pot. She’s into the shameless hype schtick and that’s all fine and well, but I think that Allen needs a crash course in pulling one’s head out of one’s arse and maybe a little Feminism 101.

Lily Allen Lily Allen

In the interview she states that everyone is “equal” in the modern world. Whew. That’s really good news. I am actually relieved…

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