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The youth today live in technology-infested times which run closer to the speed of thought. Besides performing well at their jobs in accordance with their business leaders’ exhortations to work ninety hours a week, they have to cope with such delicate matters of the heart as maintaining relationships, situationships, and even mini-micro alliances, sans a commitment of any kind. If some are lucky to reach their romantic goals, there are many others who fail. They get up in the middle of the night to check if their current heartthrob has answered their latest missive on WhatsApp. In the absence of one or realising that their number itself has been blocked by the party of the other part, a sense of gloom envelopes them. A state of despondency follows. Some of them feel as if life has come to a dead end. A sense of lack of self-worth follows. Rejection stares them in the face.

The Sting of Rejection    

Rejection is said to be a universal experience, but few words capture its sting better than Mirza Ghalib’s timeless couplet:

‘Nikalna khuld se Adam ka sunte aaye hain lekin,
Bade beabru ho kar tere kuche se hum nikle.’

Which translates to (according to my humble sense of English):

“We have heard of Adam’s fall from Eden’s gate,

But I was cast from your street in a far worse fate.”

This poignant verse reminds us that rejection feels deeply personal, like being cast out of paradise itself. For many, the road to recovery feels arduous. But as you journey through this article, you will see that rejection, though painful, is not the end. By the end of this journey, you might even find yourself humming a tune of resilience and joy.

It has been immortalised in poetry, literature, and song, proving that unrequited love is as old as humanity itself. Shakespeare, with his knack for articulating the ineffable, said it best in Twelfth Night:

“If music be the food of love, play on,

Give me excess of it; that, surfeiting,

The appetite may sicken, and so die.”

In other words, even the Bard himself recognised the bittersweet ache of rejection.

Yet, rejection is not a closed door; it is merely a redirection. As Robert Burns mused in A Red, Red Rose, love’s pain is as much a part of the human condition as its joys. While rejection spares no one, this article shines a light on the unique challenges men face, from societal pressures to emotional expectations. It offers a humorous yet empathetic lens to navigate this universal experience.

But before diving into the tales of resilience and humour, let us first unravel the many reasons behind romantic rejections.

Why Rejections Happen

Romantic rejection is a dance as old as time, its steps often clumsy and fraught with miscommunication. Why does it happen? The reasons are many. Sometimes, it is a simple lack of compatibility—a collision of two worlds that fail to align. At other times, it is the timing: meeting the right person at the wrong time or vice versa. Social conventions, family expectations, or even the mysterious workings of the human heart often create barriers.

In a world of ever-shifting expectations and instant communication, misunderstandings and mismatched desires are common culprits in any episode of romantic rejection. Yet, understanding these dynamics can help demystify the pain and bring clarity to the situation. Often, rejection is less about the person being rejected and more about circumstances, timing, incompatible goals, or a stark mismatch between the value systems of two souls.

Consider Kipling’s words in his poem If:

“If you can meet with Triumph and Disaster
And treat those two impostors just the same…”

For all its inevitability in the course of life, rejection is not without its sting. It is a curious mix of bruised ego and wounded hope, a moment that can leave even the most self-assured feeling disheartened. To pretend it does not hurt would be a folly. While the rainstorm may feel unwelcome, it clears the air for brighter days. Rejection, too, serves as a temporary squall, one that will pass, leaving behind a wiser and stronger self.

Tales from the Epics: Lessons in Rejection

Rejection is an ancient theme, and even the heroes of great epics have faced it. These stories demonstrate that being turned down, though painful, often becomes a defining moment in a person’s journey, shaping their character and decisions. However, they also serve as cautionary tales of how unresolved rejection can spiral into bitterness or tragedy.

Consider the story of Karna from the Mahabharata. During Draupadi’s swayamvara, Karna, a warrior of unmatched skill and bravery, is rejected outright when Draupadi declares she will not marry someone of uncertain lineage. Publicly humiliated, Karna’s bitterness festers and influences his alliances and decisions, leading to devastating consequences during the Kurukshetra war. His story is a powerful reminder of how unaddressed emotions from rejection can ripple destructively through one’s life.

Similarly, in The Iliad, Achilles feels slighted when Briseis, his war prize, is taken from him. Though not a romantic rejection, the perceived insult plunges him into a spiral of rage and withdrawal. His refusal to fight leads to the death of his close friend, Patroclus, a tragedy that forces Achilles to confront the cost of his wounded pride.

In the Odyssey, Odysseus’s encounters with rejection are more symbolic, but they highlight the importance of perseverance in the face of adversity. His unwavering determination to return to his wife, Penelope, and reclaim his kingdom reflects how resilience can prevent rejection from devolving into despair or destructive behaviour.

In modern contexts, such unresolved emotions can have equally dire consequences. Many tragic stories emerge from individuals who, unable to process rejection, spiral into harmful behaviours—hurting themselves or others. From violent outbursts to long-lasting emotional scars, unaddressed rejection can take a dangerous toll. It underscores the critical need to develop emotional resilience and seek healthy outlets for processing these experiences.

These stories, spanning cultures and eras, echo a universal truth: rejection is a part of life’s fabric. What matters is how we respond—whether we let it define us or use it as a catalyst for growth, wisdom, and a deeper understanding of our place in the world.

Modern-Day Tales of Rejection

From digital ghosting to public embarrassments, rejection wears many faces in today’s world, and here is how some navigated through it.

  1. The Coffee Refund Request
    In Sydney, a man requested a refund for a coffee he purchased on a date that did not meet his expectations. After the woman expressed disinterest, he sent her a payment request for $6. This unusual reaction garnered attention online and sparked debates about entitlement in dating.
  2. Astrological Overshare
    Chloe Ferrari shared an embarrassing personal story where, after being rejected, she coped by excessively discussing astrology and tarot readings with her friends. While harmless, the incident left her cringing at her own over-analysis of the rejection.
  3. Public Humiliation at a School Dance
    A teenager’s rejection at a school dance became a public ordeal when the girl’s friends repeatedly relayed her disinterest throughout the day. The boy’s embarrassment served as a harsh reminder of how peer dynamics can amplify rejection.
  4. Digital Ghosting
    In the age of online dating, ghosting has become an ordinary form of rejection. One Reddit user recounted how an intense emotional connection developed over weeks disappeared without explanation, leaving them questioning their self-worth.
  5. The Entitled Ex
    A man who was rejected after a brief romantic encounter became infamous online for his persistence in trying to rekindle the relationship. His entitled behaviour was widely criticised as an inability to accept rejection gracefully.
  6. Cultural Mismatches
    Cultural differences often contribute to romantic rejections. One story highlighted a relationship that ended due to family pressures and differing cultural expectations, leaving both individuals feeling torn between personal desires and societal norms.
  7. Extreme Responses
    A tragic case involved Antonio Wilson, who reacted violently after being rejected by a woman he had recently met. This devastating incident underscored the importance of emotional regulation and the dangers of taking rejection too personally.
  8. Rejection Leading to Growth
    Many stories online feature individuals who used rejection as a catalyst for personal growth. One individual shared how a painful breakup inspired them to pursue a long-dormant passion for art, eventually leading to a career change.
  9. Social Media Missteps
    Rejection through social media miscommunications is increasingly common. In one instance, a person’s message to a potential partner was misconstrued, leading to a rejection that could have been avoided with clearer communication.
  10. Violent Reprisals: In deeply patriarchal societies like those of India, we keep hearing about cases where rejection could result in either an acid attack or even death for the female who is supposed to have meekly accepted a proposal.

Rejection: A nudge from the universe?

But why linger in the shadow of rejection when the world offers an abundance of opportunities to move forward? But while some rejections sting, others, when seen in a rear-view mirror, can be downright amusing. Perhaps this is the perfect moment to sign up for that art class you have been eyeing or to rediscover an old hobby. Each new endeavour not only serves as a distraction but as a gateway to fresh connections and experiences. Let rejection be the beginning of something exciting—a new chapter in your story, one that is brimming with promise.

Let us consider another angle—what if rejection was not a loss but a rescue mission in disguise? Sometimes, the very person whose approval you were seeking might not have been the best fit for your life. Imagine being tied to someone who critiques your choice of socks or insists that pineapple belongs on pizza (the horror!). Rejection, in such cases, is not a rejection of you, but a quiet nudge from the universe saying, “You are dodging a bullet here, mate.”

So, the next time you feel the sting of rejection, think of it as a form of celestial quality control—a chance to wait for someone whose quirks and kindness complement yours, rather than someone who sees you as a “project” to be fixed. After all, is freedom not better than being saddled with someone who might have made your life a continuous “series of unfortunate events”?

Finding Comfort in Wodehouse’s World

Not everyone reacts to rejection the same way. While some graciously accept their fate, others let rejection gnaw at them—brooding over imagined slights, raging against rivals, or sinking into self-pity. Then there are some, like Psmith (Leave it to Psmith), who refuse to take a no as an answer and even go to the extent of lying through their teeth to win over the party of the other part amid a boat ride. Also consider the case of Sam Shotter (Sam the Sudden) who does not get stupefied when his first impulsive kiss ends up offending Kay Derrick. He persists. He even gets injured while trying to rescue Kay’s cat from atop a tree, eventually tilting the scales in his favour.

For those who feel rejection is the end of the road, P. G. Wodehouse’s works might help by showing that every setback carries the potential for laughter and growth. His stories transport us to a world where heartbreak is tinged with hilarity and optimism is always just around the corner. Wodehouse’s characters endure romantic calamities, yet they emerge unscathed—often better off.

Wodehouse’s characters showcase a wide spectrum of responses:

  • The Diplomatic Resigner (Henry in Frozen Assets):  When rejected by Kay, he quietly accepts it, shrugs, and exits stage left.
  • The Jealous Brooder (Arthur Welsh in When Doctors Disagree): Turns suspicious and miserable but does not refrain from jousting like a knight in shining armour.
  • The Misunderstood Optimist (Bertie Wooster) – Laughs it off and moves on, seeing rejection as just another twist in life’s comedy. He is often misunderstood, even while planting a brotherly kiss on the cheeks of a lady with whom he might have been engaged at some point of time in the past. Many of his misguided rivals call him a snake in the grass.
  • The Persistent Wooer (like Psmith and Sam, as above, and George Emerson, a Hong Kong Police Officer (Something Fresh) who eventually succeeds in convincing Aline to elope with him.
  • The Rejection Technocrat (Bobby Wickham) who has perfected the art of engineering rejections in her favour, as in Mr. Potter Takes a Rest Cure, and in Jeeves in the Offing.
  • The Sulker, like the Nodder, who, when rejected, turns to food for comfort.

At its heart, Wodehouse’s world suggests the best way to handle rejection – with humour. His characters may falter, but they never let rejection define them—they dust themselves off, find something (or someone) else to amuse them and carry on.

Wodehouse’s genius lies not just in his comic prose but also in his ability to show that every setback is a setup for a delightful comeback. His characters stumble, falter, and fall, but they rise with an unwavering sense of humour that is nothing short of inspiring. They pick up the fragments of their crushed souls, reassemble them together with the glue of equanimity, and march on to greener pastures. In their resilience, readers find a comforting reminder that no setback is insurmountable. His wisdom lies in showing us that rejection is never the end but a bend in the road, often leading to a brighter future. This is how Rudyard Kipling puts it:

“If you can keep your head when all about you
Are losing theirs…
Yours is the Earth and everything that’s in it…”

Wodehouse himself often revels in the relief his characters feel after narrowly escaping unsuitable matches. Bertie Wooster, for instance, pops champagne every time he wriggles free from Madeline Bassett’s dreamy clutches. In the grand scheme of things, rejection may simply be a way of sparing you from a relationship that might have been, let us say, less of a romantic comedy and more of a psychological thriller.

Rejection is often mistakenly seen as a judgment of one’s character or worth, but this could not be farther from the truth. Much like Bertie Wooster, who never allows a broken engagement to dampen his unshakable spirit, you too can rise above the moment. Your value is intrinsic, unshaken by external opinions.

Often, it is others who can see your brilliance when you are blinded by the fog of rejection. Let this be a reminder that your self-worth is untouchable, regardless of any romantic setback.

If handling rejections is an art, then Bertie Wooster, ably assisted by Jeeves, is its Picasso.

The Pale Parabola of Rejection in Wodehouse’s World

When the world seems bleak and rejection has you questioning your charms, there is no better balm than the tales of P. G. Wodehouse. His stories remind us that life’s hiccups, including romantic rejections, can often be blessings in disguise, served by the universe with a generous dash of humour. Let us delve into some of his timeless works where even the downtrodden and rejected find their way to a jolly good resolution!

1. Jeeves in the Offing

  • Synopsis: Bertie Wooster is surprised to find from an announcement in The Times that he has willy-nilly become engaged to Roberta “Bobbie” Wickham. The latter’s motive is to put a pressure on her mother to instead approve of her plans to walk down the aisle with Reginald “Kipper” Herring. With Jeeves’s assistance, the engagement is amicably dissolved, and Bobbie gets engaged to Kipper, allowing Bertie to return to his bachelor life.
  • Best for: Individuals entangled in unintended romantic commitments seeking a graceful exit.
  • Quote to Recharge: “You would not enjoy Nietzsche, sir. He is fundamentally unsound.”

2. The Rummy Affair of Old Biffy

  • Synopsis: Biffy Biffen becomes engaged to Honoria Glossop but realizes they are incompatible. Despite initial despair, he eventually finds happiness elsewhere, illustrating that initial rejections can lead to better outcomes.
  • Best for: Those mourning the end of a mismatched relationship, seeking hope for future compatibility.
  • Quote to Recharge: “The voice of Love seemed to call to me, but it was a wrong number.”

3. The Story of Webster

  • Synopsis: Bingo Little’s affection for Mary Burgess is unreciprocated. He finds solace in the companionship of Webster, highlighting the comfort pets can provide during emotional lows.
  • Best for: Individuals experiencing unrequited love, seeking comfort in non-human companionship.
  • Quote to Recharge: “It is a good rule in life never to apologise. The right sort of people do not want apologies, and the wrong sort take a mean advantage of them.”

4. The Metropolitan Touch

  • Synopsis: Bertie Wooster attempts to assist his friend Tuppy Glossop in winning the affections of a girl, but their efforts lead to humorous failures. The tale emphasises the unpredictability of romantic pursuits and the importance of humour in facing rejection.
  • Best for: Individuals who have faced repeated romantic setbacks and need a reminder to find humour in the situation.
  • Quote to Recharge: “Chumps always make the best husbands. When all is said and done, someone has to sit opposite you at the breakfast table.”

5. The Delayed Exit of Claude and Eustace

  • Synopsis: Bertie’s cousins, Claude and Eustace, face romantic rejections but soon move on to new adventures, demonstrating the transient nature of such setbacks.
  • Best for: Individuals struggling to move past a recent rejection, needing encouragement to embrace new opportunities.
  • Quote to Recharge: “There is no surer foundation for a beautiful friendship than a mutual taste in literature.”

6. The Inferiority Complex of Old Sippy

  • Synopsis: Sippy Sipperley, feeling inadequate after a romantic disappointment, rediscovers his confidence through writing, highlighting the therapeutic power of creative pursuits.
  • Best for: Those whose self-esteem has been affected by rejection, seeking to rebuild confidence through personal achievements.
  • Quote to Recharge: “The only cure for grey hair is the guillotine.”

7. Jeeves and the Yuletide Spirit

  • Synopsis: Bertie’s plans to win over a love interest during Christmas go awry, but he finds contentment in the festive spirit and companionship, suggesting that joy can be found beyond romantic pursuits.
  • Best for: Individuals feeling the sting of rejection during festive seasons, seeking solace in other aspects of life.
  • Quote to Recharge: “I had not the heart to touch my breakfast. I told Jeeves to drink it himself.”

8. A Damsel in Distress

  • Synopsis: In this delightful tale, George Bevan, a composer, falls for Maud Marshmoreton, only to find himself caught in a series of misunderstandings. Though initially rejected, George learns to take setbacks in his stride and remains steadfast in his pursuit of happiness. Eventually, owing to Maud’s strong dislike of obese gentlemen with triple chins, he scores.
  • Best for: Those grappling with misunderstandings in romantic pursuits, seeking encouragement to approach the situation with optimism.
  • Quote to Recharge: “She had the look of one who had drunk the cup of life and found a dead beetle at the bottom.”

9. Fate (from Young Men in Spats)

  • Synopsis: Freddie Widgeon, perpetually unlucky in love, faces yet another romantic disappointment. However, through a series of comedic events, he realises that life’s twists and turns often lead to unexpected joy.
  • Best for: Those feeling that rejection is a recurring pattern in their lives, needing a reminder that fate has its own plans.
  • Quote to Recharge: “It is never difficult to distinguish between a Scotsman with a grievance and a ray of sunshine.”

10. The Man Upstairs

  • Synopsis: Annette Brougham, an artist, initially rejects the advances of her upstairs neighbour, a struggling composer. Through shared interests and persistence, the story unfolds into a lesson about patience and timing in love.
  • Best for: Those who feel disheartened by initial rejections, reminding them that persistence, when respectful, can sometimes lead to success.
  • Quote to Recharge: “She had an eye that could open an oyster at sixty paces.”

11. Uncle Fred Flits By

  • Synopsis: In this tale, Uncle Fred intervenes in a romantic mix-up involving his nephew. The story is a whirlwind of wit and absurdity, showing how humour and boldness can transform awkward situations.
  • Best for: Those seeking to laugh at the absurdities of life and approach rejection with audacious humour.
  • Quote to Recharge: “Some minds are like soup in a poor restaurant—better left unstirred.”

12. The Ordeal of Young Tuppy

  • Synopsis: Tuppy Glossop falls for the athletic Miss Dalgleish, a dog lover. To win over her affections, he endures a rough match of rugby football, only to discover that she had instead preferred to go to the city to check on a water spaniel. He returns to the fold of Angela, thereby fulfilling the wishes of Aunt Dahlia.
  • Best for: Those who have exaggerated their interests to impress a romantic interest, only to be caught in an uncomfortable situation.
  • Quote to Recharge: “The sky darkened, birds stopped singing in the trees, and a great hush seemed to fall upon nature as young Tuppy came to grips with his fate.”

13. Frozen Assets

  • Synopsis: Henry, convinced that his fiancé Kay is the love of his life, is devastated when she chooses Jerry Shoesmith over him. However, in a rare moment of self-awareness, he realises that her departure is a blessing in disguise. Instead of wallowing in sorrow, he gracefully moves on, content in the knowledge that an incompatible relationship has been averted.
  • Best for: Those who, in retrospect, recognise that rejection saved them from an ill-suited relationship.
  • Quote to Recharge: “He felt he had had an escape. He was a man who liked an orderly existence. Kay, whatever her superficial charms, was manifestly a girl who preferred her existences disorderly.”

14. Bingo Little: A Serial Romantic’s Journey

Synopsis: In his pre-nuptial phase, Bingo Little’s romantic escapades are nothing short of legendary. His affections shift between a waitress named Mabel, the formidable Honoria Glossop, revolutionary Charlotte Corday Rowbotham, and several others. However, after each failed affair, Bingo does not sulk—he simply realises that his latest flame was never meant to be, and his “true soulmate” is still out there waiting. Eventually, he finds lasting love with Rosie M. Banks, a romance novelist whose sentimental outlook aligns with his own.

Best for: Those who fall in love too quickly and end up subjecting many of those from the tribe of the delicately nurtured to bouts of rejection, can yet believe that fate would be kind to them and the best match could just be round the corner.

Quote to Recharge:

“Bingo, like so many of the population of the world, had had love in his life before and had thought each time that it was the real thing.”

15. The Juice of an Orange

Synopsis: Wilmot Mulliner is devastated when his beloved, Mabel, rejects him. Instead of rebounding gracefully, he takes solace in food—only to find himself plagued by indigestion. A doctor prescribes a strict diet of orange juice, and miraculously, this new regimen transforms not just his digestion but his entire personality. From a timid nodder, he evolves into a man who asserts himself, speaking up to authority and reclaiming control over his life.

Best for: Those who need a post-breakup confidence boost through a healthier diet.

Quote to Recharge:
“There is no surer foundation for a beautiful friendship than a mutual taste in literature.”

16. Mr Potter Takes a Cure: An Engineered Rejection

Synopsis: Not all rejections are inflicted by the party of the other part; sometimes, they are cleverly orchestrated by the party of the first part itself. Bobbie Wickham, ever the mischief-maker, finds herself beset with Clifford Gandle, a member of Parliament. Her mother believes he would be a steadying influence on her and, thus, the right match. She concocts an elaborate scheme that leads her mother to believe that Clifford is eccentric, making her forbid Bobby to dream of marrying him.

Best for: Those looking for creative ways to shoo off imposed suitors without breaking hearts outright.

Quote to Recharge: “Bobbie is one of those girls you can’t say no to. And the trouble is, she knows it.”

17. Pongo Twistleton in “Uncle Fred in the Springtime”

Synopsis: Pongo Twistleton often finds himself ensnared in romantic entanglements thanks to his uncle’s schemes. In one instance, he is pursued by a woman who ultimately rejects him upon realising he is not as wealthy as she assumed. Pongo is secretly thrilled, as he has no real interest in the relationship.

Best for: Those who have ever been pursued for the wrong reasons, only to be freed by rejection.

Quote to Recharge: “There are few things in life so agreeable as being rejected by someone you had no intention of proposing to in the first place.”

18. Monty Bodkin in “Heavy Weather”

Synopsis: Monty Bodkin, a charming but somewhat directionless young man, is briefly involved with a woman who ultimately rejects him, deciding he lacks ambition. Rather than sulking, Monty rejoices—he had no desire for a life filled with excessive responsibilities anyway.

Best for: Those who prefer living on their own terms rather than meeting someone else’s expectations.

Quote to Recharge: “There is a certain serene joy in realising you have been spared from a lifetime of unnecessary hard work.”

19. Eustace Mulliner in “Open House”

Synopsis: The idea of his joining the British Embassy in Switzerland had never appealed to Eustace. However, he changed his mind when an argument arose between his girlfriend and his aunt as to who should whack him first with the heaviest parasol at hand. He went on to being awarded the Order of the Crimson Edelweiss, Third Class, with crossed cuckoo-clocks, carrying with it the right to yodel in the presence of the Vice-President.

Best for: Those who are flexible when it comes to making career choices.

Quote to Recharge: “Women, he knew, in moments of mental stress, are always apt to spray the blame a good deal.”

Wodehouse – A Breakup Guru

Well, of the many things that Wodehouse has taught us, one stands out. It is that rejection may not always be a tragedy, making one plumb new depths of despondency and wallow in self-pity. On the contrary, it is sometimes the universe handing you a lucky escape on a plate with a watercress around it. After all, who would not breathe easier knowing they have narrowly avoided drawing a father-in-law like Pop Bassett, whose disapproving stare could crack granite? Or a mother-in-law like Lady Wickham who could turn a casual conversation into an inquisition? Worse still, imagine being shackled for life to someone like Aunt Agatha, a woman with all the warmth of an overzealous prison warden.

So, the next time life hands you a romantic “no,” take a leaf out of Wodehouse’s world—laugh it off, see the humour in it, and move forward with the light-hearted wisdom of a true Wodehousean. Some escapes, as Bertie Wooster would tell you, are worth celebrating with a stiff w. and s., though, in his case, he is adequately supported in such matters by Jeeves.

Transforming Rejection into Resilience

The lessons gleaned from Wodehouse’s characters offer a roadmap for handling rejection with humour and grace, proving that resilience is not just about moving on or surviving – it is about thriving.

Rejection is as inevitable as the rising sun, but how we respond to it defines us. With the right perspective, even the most painful rejection can be an opportunity for growth, self-reflection, and, dare we say, humour. Some find solace in intellectual pursuits, others in sheer determination—but the key lies in embracing rejection as a moment of transformation rather than defeat. And nowhere is this lesson better embodied than in the resilience of great minds, from history to literature. And who better than P.G. Wodehouse to provide that shift? His characters, forever tumbling from one disaster to the next, show us that even rejection can be an art form—if approached with the right mix of wit and nonchalance.

And if rejection does rear its head again, do not let it be a tragedy. Down the road, when you look back at that experience, you might be thanking the universe for nudging you in a better direction in life. Picture yourself recounting the moment with all the theatrical flair of a Shakespearean soliloquy or the dry wit of a Wodehouse character. Turn it into an anecdote to laugh over with friends, one that garners chuckles rather than sympathy. Remember, life is far too short to dwell on the rejections of yesterday. As the ever-optimistic Bertie might say,

“A short while ago, the air was congested with V-shaped depressions, but now one looks north, south, east, and west and descries not a single cloud on the horizon – except the fact that Gussie’s wedding is still off, and that cannot be helped. Well, this should certainly teach us, should it not, never to repine, never to despair, never to allow the upper lip to unstiffen, but always to remember that, no matter how dark the skies may be, the sun is shining somewhere and will eventually come smiling through.”

How Wodehouse Can Help

Wodehouse is not just about dodging doomed engagements or bouncing back from rejection—he is the literary equivalent of a well-brewed cup of tea on a rainy day, served with some hors d’oeuvres dished out by Anatole. His words have a way of making life’s messiest moments feel like harmless inconveniences. In a world full of serious literature, Wodehouse reminds us that it is perfectly fine to laugh at ourselves.

Reading Wodehouse is an intellectual exercise wrapped in laughter. His clever wordplay and unexpected twists distract you from sadness and pull you into a world where the grandiosity of life’s troubles is reduced to a ‘well-being.’

The Fermat Analogy

Some people nurse heartbreak by drowning in sorrow; others tackle their misfortunes with distraction. There is a story about a man so devastated by a romantic rejection that he became obsessed with solving Fermat’s Last Theorem—and in doing so, forgot all about his heartbreak.

This is not unlike the effect of reading Wodehouse. Much like a mathematician tackling an impossible proof, a Wodehouse reader gets caught up in his intricate wordplay, precise comedic setups, and masterful use of logic and absurdity. By the time you have unravelled his sentences, the sadness has vanished, replaced by a deep appreciation for the precision of comedy.

Reading Wodehouse is, in many ways, like solving an elegant mathematical problem—it is structured, logical, and immensely satisfying. He sets up his premises like a scientist forming a hypothesis, leads us through an unexpected middle like an experiment gone amusingly wrong, and lands at a conclusion so inevitable yet surprising that it feels like Q.E.D.

Take, for instance, Wodehouse’s approach to comic miscommunication. His ability to create farcical situations often follows the patterns of logical paradoxes and probability problems, where each new event is an unintended consequence of the previous one, creating a feedback loop of hilarity.

One of the best examples of this is in Right Ho, Jeeves, where Bertie Wooster, in an attempt to help his friend Gussie Fink-Nottle confess his love to Madeline Bassett, inadvertently sets off a chain reaction of disasters. Bertie helps Gussie, a lifelong teetotaller, to consume alcohol for courage before proposing. However, Gussie overindulges, leading to an entirely unforeseen series of events—offending dinner guests, delivering an embarrassing speech, and mistakenly proposing to the wrong woman, Angela Travers.

This setup mirrors a logical paradox—where each action taken to resolve a problem only amplifies it, leading to an absurd yet inevitable conclusion. Just as mathematical paradoxes create seemingly contradictory truths, Wodehouse’s miscommunications turn simple conversations into elaborate webs of confusion, proving that even the most calculated plans can unravel in the most delightful ways.

If Fermat’s Last Theorem captivated mathematicians for centuries, Wodehouse’s writing does the same for the humourist’s mind. His works are a masterclass in comedic mechanics, sentence precision, and intricate plotting—qualities that should delight any scientist, mathematician, or logician who enjoys a perfectly constructed problem and its delightful resolution.

Whether you are a romantic or a rationalist, a mathematician, or a misfit, one thing is clear – losing yourself in Wodehouse is the best possible distraction from heartbreak.

A Song to End the Journey

Before we bid adieu, let us celebrate the spirit of resilience and light-heartedness—values that Wodehouse championed, and that life often demands of us. Rejection, as we have seen, is not the end of the story—it is merely a plot twist. What begins in sorrow can transform into joy with the right perspective.

As Ghalib reminds us of the sting of heartbreak, he also hints at better times ahead:

“Unke dekhe se jo aa jate hain munh pe raunaq,
Woh samajhte hain ke beemar ka haal achcha hain.”

(“My face is flushed with joy upon seeing my beloved,
Beloved mistakes my sickness to be a sign of good health.”)

Also, this philosophy is captured beautifully in a timeless Bollywood song from the Hindi movie Hum Dono (1961). In this film, the hero, a happy-go-lucky man, approaches his beloved’s father to ask for her hand in marriage. In his enthusiasm, he prioritises the meeting over an important job interview, hoping love will triumph. But reality strikes hard—the father, unimpressed, rejects him outright, citing his irresponsibility and lack of financial stability. Instead of despairing, the hero takes this rejection as a challenge and enlists in the army, proving that setbacks can be stepping stones.

The song Main Zindagi Ka Saath Nibhata Chala Gaya, written by the legendary lyricist Sahir Ludhianvi, composed by Jaidev, and sung by the inimitable Mohammad Rafi from the same film, seconds the opinion that setbacks can be stepping stones and that one must take them sportingly. It echoes the very essence of Wodehouse’s world—where setbacks are met with a smile, and where a light heart can weather any storm. It is a melody of acceptance, resilience, and moving forward with indefatigable enthusiasm.

As the lyrics remind us, life is best lived with a smile, a touch of humour, and an unwavering faith that brighter days always lie ahead.

References

  1. https://www.theguardian.com/lifeandstyle/2022/sep/07/man-demands-refund-after-unsuccessful-coffee-date
  2. https://www.bbc.com/lifestyle/articles-astrology-and-heartbreak
  3. https://www.teenvogue.com/story/teen-rejected-at-dance-personal-essay
  4. https://www.nytimes.com/modern-dating-ghosting
  5. https://www.buzzfeed.com/article-entitled-ex-boyfriend-viral-rejection-story
  6. https://timesofindia.indiatimes.com/lifestyle/culture-based-breakups
  7. https://www.cnn.com/news/tragic-rejection-response
  8. https://medium.com/how-rejection-transformed-my-life
  9. https://www.huffpost.com/miscommunication-in-modern-dating
  10. https://www.psychologytoday.com/relationship-miscommunications

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Basu Chatterjee was a champion of the middle class, who turned ordinary lives into captivating stories. His films showcased relatable characters dealing with real challenges, making their triumphs and losses deeply affecting us.

Basu da had a unique way of showing female characters. He was curious about women’s thoughts and dreams, exploring their views on romance and meaningful relationships, both romantic and platonic.

He began directing in 1969 with his film Sara Akash, starring FTII-trained actor Rakesh Pandey. The story, set in Agra, follows a newlywed couple dealing with the challenges of an arranged marriage in a joint family. This year marked the onset of the first wave of parallel cinema, showcasing films like Mrinal Sen’s Bhuvan Shome and Mani Kaul’s Uski Roti. However, the audience for these films, including Sara Akash, remained largely confined to film festivals.

Basu Chatterjee first gained attention with his 1974 film, Rajnigandha, which is based on Manu Bhandari’s Hindi short story Yahi Sach Hai. The film looks at a woman’s struggle between her current partner and an ex who returns, evoking past emotions. Rajnigandha established Chatterjee’s unique filmmaking style. It featured newcomers Amol Palekar and Vidya Sinha, with mostly unknown actors, except for Dinesh Thakur. Chatterjee made a cameo as an annoyed moviegoer. The film’s music, by Salil Chowdhury with lyrics by Yogesh, included memorable songs. Its success led to lasting collaborations among Basu, Yogesh, Chowdhury, and cinematographer K. K. Mahajan. Shyam Benegal’s Ankur also found success that year, demonstrating that art and commerce could indeed thrive together.

He was a pioneering filmmaker who highlighted the Parsi community in Khatta Meetha, showing them authentically and avoiding clichés. Similarly, Baaton Baaton Mein focused on the Catholic community in Bandra, also avoiding stereotypes. Basu da’s films found romance in daily life in Bombay, whether on crowded trains, buses, or Delhi streets.

Basu Chatterjee, along with Gulzar and Hrishikesh Mukherjee, formed a strong trio that shaped middle-of-the-road cinema in the 1970s. Their films appealed to middle-class Indians longing for unique yet relatable stories, combining mainstream charm, memorable music, real emotions, and uplifting narratives based on everyday life.

Basu da was born in Ajmer on the 10th of January, 1927. Being close to his 98th birth anniversary, let me highlight a few of his timeless classics.

Piya Ka Ghar is a film featuring Jaya Bhaduri and Anil Dhawan, and is a remake of the Marathi film Mumbaicha Jawai. It tells the story of the difficulties faced by married couples in Mumbai, particularly due to limited living space. Malti, a girl from a village, marries Ram through a matchmaker but feels disappointed when she learns they must live with his extended family in a cramped apartment, which affects their privacy and intimacy. Available on Prime Video.

Rajnigandha, based on Mannu Bhandari’s short story Yahi Sach Hai, features Vidya Sinha as a woman torn between two suitors and takes her time to select a husband, a departure from typical glamorous roles. The film centers on the simple lives of three middle-class people without unnecessary melodrama. Vidya’s performance received praise from critics and audiences alike. The film marked the introduction of Amol Palekar and Vidya Sinha, and included memorable songs sung by Lata Mangeshkar and Mukesh, who won a National Award for their work. Available on Prime Video.

Chhoti Si Baat features Amol Palekar as a shy man who hires a life coach to learn how to propose to a girl. Palekar plays an introverted character, while Vidya portrays a woman who knows his feelings and waits for him to act. The film connects well with audiences due to its middle-class setting. It also includes beautiful music by Salil Chaudhury, showcasing Yesudas’ talent in the duet, Jaaneman Jaaneman Tere Do Nayan, filmed with Dharmendra and Hema Malini. Available on Prime Video.

Chitchor is a romantic comedy about mistaken identities involving Geeta and her family eager for her to meet an eligible bachelor, Sunil, who is coming to their village. However, when overseer Vinod mistakenly arrives instead, he wins the affection of Geeta, who wants to marry him. The arrival of Sunil complicates matters as he also develops feelings for her. The film includes lovely songs by Ravindra Jain, such as Jab Deep Jale Aana. Available on Prime Video.

Swami is based on Sarat Chandra’s novel of the same name and follows Saudamini, played by Shabana Azmi, who admires her uncle while facing approval issues from her mother regarding her friendship with Naren. After marrying Ghanshyam, a kind wheat merchant, she feels trapped but learns of her husband’s true kindness. The film concludes with her transformation into a devoted wife, showcasing Azmi’s impressive performance. Available on YouTube.

Khatta Meetha is inspired by the American classic Yours, Mine and Ours and tells the story of a middle-aged widower, played by Ashok Kumar, who marries a widow, portrayed by Pearl Padamsee. They both have children from previous marriages and face challenges in merging their families as the siblings conflict. Yet, through various trials, the family finds ways to unite and coexist peacefully, depicting a heartwarming conclusion. Available on YouTube.

Baton Baton Mein is set in a Christian context and highlights the courtship of Amol Palekar and Tina Munim, with the help of her uncle, played by David. Rosie, a widow, wants her daughter to marry, while Nancy meets Tony on their daily commute. Tony’s shyness creates tension, prompting Rosie to look for other matches, but her uncle’s intervention helps reconnect Tony and Nancy. The film had some lovely songs like Suniye Kahiye Kahiye Suniye, Na Bole Tum Na Maine Kuch Kaha and Uthe Sabke Kadam tuned by Rajesh Roshan. Available on Prime Video.

Apne Paraye, inspired by Sarat Chandra’s novel Nishkriti, revolves around Utpal Dutt, a lawyer with a fondness for his cousin Chander (Amol Palekar), who prefers music over a steady job. Chander’s wife, Sheela (Shabana Azmi), is the strict one in the household. Their stable lives are disturbed when Utpal’s younger brother arrives with his wife, creating a complex family dynamic filled with rivalries. Available on Prime Video.

Shaukeen is adapted from the American comedy Boys’ Night Out and follows the lighthearted misadventures of three elderly men, played by Ashok Kumar, Utpal Dutt, and A K Hangal, who fantasize about romance while trying to meet a young woman. They embark on a trip to Goa thanks to their driver, Ravi, leading to humorous yet respectful situations. Ashok Kumar and the ensemble cast deliver exceptional performances throughout. Available on Prime Video.

Chameli Ki Shaadi represents a groundbreaking film tackling caste discrimination with a strong feminist lead. Charandas, (Anil Kapoor), is engrossed in wrestling but loses focus when he meets Chameli (Amrita Singh). Their love faces familial opposition due to caste differences, and to find a solution, they consult an advocate Harish (Amjad Khan), who suggests they elope. Available on YouTube.

One notable aspect of Basu da’s films was their exceptional music. He collaborated with a variety of music directors, including Salil Chowdhury, R D Burman, Laxmikant Pyarelal, Bappi Lahiri, Jaidev, and more. However, his most fruitful partnership was with Rajesh Roshan, producing memorable soundtracks for films like Swami, Khatta Meetha, Baaton Baaton Mein, Priyatama, and Hamari Bahu Alka.

The Chaterjee-Roshan duo have given some memorable songs, like, Pal Bhar Mein Yeh Kya Ho Gaya (Swami), Aaye Na Baalam (Swami), Koi Roko Na Deewane Ko (Priyatama), Tere Bin Kaise Din’(Priyatama), Thoda Hai Thode Ke Zaroorat Hai (Khatta Meetha), Badal Toh Aaye (Dillagi), Na Bole Tum Na Maine Kuch Kaha (Baaton Baaton Mein), Suniye Kahiye (Baaton Baaton Mein), Charu Chand Iss Chanchal Chitwan (Man Pasand), Prem Ki Hai Kya Sun Paribhasha (Hamari Bahu Alka), and many more.

In the 1980s, the number of supporters for his style of filmmaking dwindled, prompting Basu Chatterjee to transition to television. His debut serial, Rajani, featuring Priya Tendulkar, was a pioneering effort in consumer activism in India. Following Rajani, he directed other notable television series such as Darpan and Kakkaaji.

Basu Chatterjee received the Filmfare Best Director award for Swami, which also earned a National award. He was honoured with six Filmfare Awards – Critics for Screenplay.

In the new millennium, remakes of Chitchor and Shaukeen emerged, but they failed to capture the charm of the originals. Today, the success of films like Bareilly Ki Barfi and Badhaai Ho serves as a testament to the legacy of Basu Chatterjee’s cinematic style.

About the author

Shivdas Nair has been a cinephile for years. However, he has just started putting his thoughts on paper. A media professional for over two and half decades, and with changing times, now a Principal Advisor – Growth with a vibrant and innovative IT Consulting & Advisory Services company, i-Gizmo Global Technologies. He has just started blogging at https://thoughtsoveracuttingchai.blogspot.com.

Notes

  1. A version of this article first appeared in The Reviewer Collective group on Facebook. The author’s consent to reproduce it here is gratefully acknowledged.
  2. All the visuals are courtesy the World Wide Web.

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One of the compensations for leaving behind the phase of adolescence is a wholesome optimism that envelopes us in our youth. Yes, it does take the fine edge off the series of infatuations and whatever semi-romantic triumphs of a transient nature may have come our way in our formative years. But it has the admirable effect of making us believe that our Guardian Angels are working overtime to ensure that our cup is overflowing with hopes for a brighter future, whether professionally or personally. We are in an exuberant state of mind where the sun will always keep shining, the grass will always be green, flowers will forever be in bloom, and God will continue to be in heaven.

Our dream merchants have often showcased this state of affairs. Our heroes and heroines can be found admiring nature while belting out a melodious song, duly backed by a well-equipped orchestra amid the wilderness. In some cases, they are shown to realise that life is nothing but a journey, comprising ups and downs and twists and turns. A few are introspective, exemplifying the bliss of solitude, whereas some dream of a great career ahead.

Given the penchant of Bollywood to keep spinning romantic yarns, most of such solos showcase the inner yearning to run into a potential soul mate. One waits for a Cupid’s arrow to strike one sooner rather than later. A sinister restlessness creeps in and the unfulfilled desire for heartfelt companionship governs one’s behaviour. The latent wish to identify The Chosen One who will soon be swaying us off our feet gets expressed with gay abandon. A romantic spring is in the offing. Of interest here are songs wherein the party of the first part has dreams in his/her eyes and is seeking love, wandering around as a sole atom. The party of the second part is yet to appear on the horizon.

Here is a random sample of some such songs from Hindi movies.

A Communion with Mother Nature

Against a captivating landscape, our heroes and heroines cannot be blamed for feeling overawed and expressing their love for lush green mountains, sparkling lakes, roaring waterfalls, and the gentle rustle of water in a rivulet nearby.

Suhana safar aur ye mausam haseen

Movie: Madhumati (1958)

Music: Salil Chowdhury

Lyrics: Shailendra

Singer: Mukesh

Ye kaun chitrakar hai

Movie: Boond Jo Ban Gayi Moti (1967)

Music: Satish Bhatia

Lyrics: Bharat Vyas

Singer: Mukesh

Dil ye chota sa

Movie: Roja (1992)

Music: A.R. Rahman

Lyrics: P. K. Mishra

Singer: Minmini

Barso re

Movie: Guru (2007)

Music: A.R. Rahman

Lyrics: Gulzar

Singer: Shreya Ghoshal

Music: Food for the Soul

Occasionally, we get gently reminded of the unique power of music. The main protagonist finds music in whatever is happening in the environment. Mundane occurrences generate mellifluous notes which act like a balm for our frayed nerves.

Aawara bhanwre

Sapney (1997)

Music: A R Rahman

Lyricist: Javed Akhtar

Singer: Hema Sardesai

Sunne wale sun lete hain

Movie: Saaz (1998)

Music: Zakir Hussain, Bhupen Hazarika, Raj Kamal, Yashwant Dev

Lyricist: Javed Akhtar

Singers: Suresh Wadkar, Shraddha Pandit, Shweta Pandit

The Bliss of Solitude

Whether steering a vehicle on a busy road, relishing an introspective saunter in wooded hills, or riding a horse-driven carriage through a rural setting, reflecting on the purpose of life, these songs tug at our heartstrings.

Le chala jidhar ye dil nikal padey

Movie: Miss Bombay (1957)

Music: Hansraj Behl

Lyrics: Prem Dhawan

Singer: Mohd. Rafi

Kuchch dil ne kaha

Movie: Anupama (1966)

Music: Hemant Kumar

Lyrics: Kaifi Azmi

Singer: Lata Mangeshkar

Musafir hoon yaaron

Movie: Parichay (1972)

Music: R D Burman

Lyrics: Gulzar

Singer: Kishore Kumar

Jhooti mooti mitwa

Movie: Rudaali (1993)

Singer: Lata Mangeshkar

Lyrics: Gulzar

Music: Bhupen Hazarika

Celebrating freedom

Oh, the sheer joy of having freed oneself from the shackles of life and dreaming of soaring high in the sky!

Panchi banoon udti chaloon

Movie: Chori Chori (1956)

Music: Shankar – Jaikishan

Lyrics: Hasrat Jaipuri

Singer: Lata Mangeshkar

Dil mera ek aas ka panchi

Movie: Aas Ka Panchi (1961)

Music: Shankar – Jaikishan

Lyrics: Hasrat Jaipuri

Singer: Subir Sen

Udke pawan ke sang chaloongi

Movie: Shagird (1967)

Music: Laxmikant – Pyarelal

Lyrics: Majrooh Sultanpuri

Singer: Lata Mangeshkar

Dil chahta hai

Movie: Dil Chahta Hai (2001)

Music: Shankar – Ehsaan – Loy

Lyrics: Javed Akhtar

Singer: Shankar Mahadevan

Dil dhadakne do

Movie: Zindagi Na Milegi Dobara (2011)

Music: Shankar – Ehsaan – Loy

Lyrics: Javed Akhtar

Singers: Suraj Jagan, Joi Barua, Shankar Mahadevan

Jugni

Movie: Queen (2014)

Music: Amit Trivedi

Lyrics: Anvita Dutt

Singer: Amit Trivedi

Love you, zindagi

Movie: Dear Zindagi (2016)

Music: Amit Trivedi

Lyrics: Kausar Munir

Singer: Jasleen Royal

The Lonely Wanderers

Most of the time, we come across characters who wander hither and thither. They are keenly looking forward to an intense phase of courtship and, hopefully, an eventual walk down the aisle. The search for The Chosen One has begun in right earnest.

Hum hain rahi pyar ke

Movie: Nau Do Gyarah (1957)

Music: S.D. Burman

Lyrics: Majrooh Sultanpuri

Singer: Kishore Kumar

Ban ke panchi

Movie: Anari (1959)

Music: Shankar – Jaikishan

Lyrics: Hasrat Jaipuri

Singer: Lata Mangeshkar

Lakhon hain nigah mein

Movie: Phir Wohi Dil Laya Hoon (1963)

Music: O. P. Nayyar

Lyrics: Majrooh Sultanpuri

Singer: Mohd. Rafi

Kahin na kahin dil lagana padega

Movie: Kashmir Ki Kali (1964)

Music: O. P. Nayyar

Lyrics: S. H. Bihari

Singer: Mohd. Rafi

Pukarta chala hoon main

Movie: Mere Sanam (1965)

Music: O. P. Nayyar

Lyricist: Majrooh Sultanpuri

Singer: Mohd. Rafi

Ye samaan, samaan hai ye pyar ka

Movie: Jab Jab Phool Khile (1965)

Music: Kalyanji Anandji

Lyrics: Anand Bakshi

Singer: Lata Mangeshkar

Ye dil na hota bechara

Movie: Jewel Thief (1967)

Music: S. D. Burman

Lyrics: Majrooh Sultanpuri

Singer: Kishore Kumar

Bhai battoor

Movie: Padosan (1968)

Music: R.D. Burman

Lyrics: Rajendra Krishan

Singer: Lata Mangeshkar

Mere sapnon ki rani

Movie: Aradhana (1969)

Music: S. D. Burman

Lyrics: Anand Bakshi

Singer: Kishore Kumar

O ghata saanwari

Movie: Abhinetri (1970)

Music: Laxmikant Pyarelal

Lyrics: Majrooh Sultanpuri

Singer: Lata Mangeshkar

Aaj unse pehli mulaquat hogi

Movie: Paraya Dhan (1971)

Music: R. D. Burman

Lyrics: Anand Bakshi

Singer: Kishore Kumar

Mausam hai ashiquana

Movie: Pakeezah (1971)

Music: Ghulam Mohammed

Lyrics: Kamal Amrohi

Singer: Lata Mangeshkar

Meet na mila re man ka

Movie: Abhimaan (1973)

Music: S. D. Burman

Lyrics: Majrooh Sultanpuri

Singer: Kishore Kumar

Ek raasta hai zindagi

Movie: Kaala Patthar (1979)

Music: Rajesh Roshan

Lyrics: Sahir Ludhianvi

Singers: Kishore Kumar, Lata Mangeshkar

Papa kehte hain

Movie: Qayamat se Qayamat Tak (1988)

Music: Anand Milind

Lyrics: Majrooh Sultanpuri

Singer: Udit Narayan

Mere khwabon mein jo aaye

Movie: Dilwale Dulhaniya Le Jayenge (1995)

Music: Jatin – Lalit

Lyrics: Anand Bakshi

Singer: Lata Mangeshkar

Bholi si surat

Movie: Dil To Pagal Hai (1997)

Music: Uttam Singh

Lyrics: Anand Bakshi

Singers: Lata Mangeshkar, Udit Narayan

Kyon Hawa

Movie: Veer-Zara (2004)

Music: Late Madan Mohan

Music Recreated by: Sanjeev Kohli

Lyrics: Javed Akhtar

Voices: Yash Chopra, Lata Mangeshkar, Sonu Nigam

Challa

Movie: Jab Tak Hai Jaan (2012)

Music: A. R. Rahman

Lyrics: Gulzar

Singer: Rabbi Shergill

It is not that Bollywood does not believe in gender parity. Whether it is admiring the innate beauty of nature, realising the link between nature and music, soaring high like Jonathan Livingston Seagull and enjoying freedom, relishing the bliss of solitude, or looking out for The Chosen One, Bollywood does not discriminate between genders, ethnicity, caste, and religion.

As to the dashers who are like lonely wanderers, they often express their desire to be hit by an arrow of Cupid’s without any hesitation. Once a soul mate has been identified, a hectic phase of wooing dawns, wherein both parties can be seen cooing to each other like turtle doves. Love blossoms. Parental opposition is overcome. Nasty interference by a villain gets neutralised — eventually, love triumphs. Just before The End sign rolls up, the couple can be spotted rushing off to a honeymoon in a garishly decorated limousine, with the legend Just Married prominently adorning its boot.

The audience breathes easy, grateful that the movie has finally ended. However, they are blissfully unaware if the sheen of perfection that had enveloped the party of the other part so far might have a limited shelf life. Sometime after the couple walks down the aisle, scales could fall from their eyes, eventually mummifying the corpse of love.

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A voice that once resonated in the hearts of millions, Ameen Sayani’s journey through the golden age of radio is quite like a poetic legacy.

RJ-ing may be deemed modern and cool, but decades ago, Sayani redefined the art of storytelling, transforming radio waves into a mesmerising canvas of music, humour and heartfelt connection.

Through Binaca Geet Mala, later Cibaca Geet Mala, he brought alive songs in the minds of his listeners, making every home a stage and every heart a participant.

Sayani’s style was a symphony of modesty and charm.

Unlike the exuberant style of today’s RJs, he spoke softly, weaving nuggets of trivia, artiste anecdotes and public sentiments into a magical fabric.

His humour was gentle yet infectious, his knowledge vast yet accessible.

Listeners adored him for this balance, often valuing his voice over the songs he introduced.

The anticipation surrounding Binaca Geet Mala was unequalled.

Each week, families would assemble around the radio, waiting with bated breath to hear which song had claimed the coveted number one spot.

Behind the scenes, Sayani and his team meticulously curated rankings, with decisions accepted unquestioningly, a nod to his credibility.

Songs retired after 25 runs were saluted with dignity and a bugle, a ritual that amplified the programme’s charm.

In an era when radios were scarce, Sayani’s voice unified neighbourhoods, families, and even nations.

Broadcasting via Radio Ceylon, Binaca Geet Mala held sway for an extraordinary 42 years, a record that remains unbeaten.

His catchphrase greeting Bhaiyon aur behnon became a cultural phenomenon, as did the thousands of letters he received monthly from devoted fans.

Artistes revered him.

For musicians, singers, and composers, landing on Sayani’s charts was akin to earning a badge of honour.

The industry hung on his words, their hearts racing at his every announcement.

Such was his influence that Binaca Geet Mala turned chart-topping songs into timeless classics.

Beyond his flagship show, Sayani helmed iconic programmes like S. Kumar’s Filmi Mukadma and the Bournvita Quiz Contest.

His staggering repertoire, over 54,000 radio programmes and 19,000 jingles, stands as a monumental feat in broadcasting history.

Fluent in multiple languages, he reached a diverse audience, his voice bridging cultural and linguistic divides with ease.

Born in Bombay on 21st December, 1931, Sayani’s journey began at Scindia School and St. Xavier’s College, but it was his golden voice that would etch his name into history.

Honoured with the Padma Shri in 2009, he also made cameo appearances in a few films like Bhoot Bangla and Teen Deviyaan.

On 21st February, 2024, at the age of 91, Ameen Sayani’s voice fell silent.

Yet, his echo lingers, a melodic reminder of an era when radio was king, and one man’s voice united a nation.

Note

  1. Collage visual courtesy the world wide web.
  2. This article had first appeared in The Reviewer Collective group on Facebook.

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